Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Monday, November 11, 2024

A Sense of Doubt blog post #3555 - Hail to the Thief- RADIOHEAD - Music Monday for 2411.11



A Sense of Doubt blog post #3555 - Hail to the Thief- RADIOHEAD - Music Monday for 2411.11

I have been listening to Radiohead's Hail to the Thief for 20 years.

21 to be precise.

After last week's election debacle, I turned to Radiohead, starting with Kid A and then turning to this album. I posted about "How to Disappear Completely" last week:

Thursday, November 7, 2024

Though Kid A is my favorite Radiohead album, Hail to the Thief is a very, very close second.

I must confess that I was not crazy in love with In Rainbows (2007), The King of Limbs (2011), and A Moon Shaped Pool (2016) when I first heard them. But in the week since the November Fifth, now known as the Eve of Our Life in Hell, I am falling in love with them. They're really great!

Had Hail to the Thief  come out when I was in college, I would have poured over the lyrics and memorized the whole thing, but adulting is harder. Though I have been listening to Hail to the Thief  since its release, I never much even looked at the songs and the titles let alone the lyrics. And yet, in so many listens, surely over 100 and maybe approaching 200, much of the lyrical content has soaked in.

I share a link near the bottom for ALL THE LYRICS, and I share the song that Thom Yorke felt was the "most protest." "The Gloaming" ("Softly Open Our Mouths in the Cold") was almost the title of the album until Yorke heard protests to Bush's election as president as "Hail to the Thief."

"The Gloaming" is an electronic song with "mechanical" rhythms that Jonny Greenwood built from tape loops.[3] Greenwood described it as "very old school electronica: no computers, just analogue synths, tape machines, and sellotape".[9] Yorke said it was "the most explicit protest song on the record", with lyrics about the rise of fascism and "intolerance and bigotry and fear, and all the things that keep a population down".[20] 

I love all the sources for the lyrics: Orwell, Dante's Inferno, fairy tales and folklore, and 1970s children's TV. Brilliant.

I also love the alternate song titles that harkens back to Victorian playbills for music halls and the "Moralistic" songs featured there.

Reading over the WIKIPEDIA page for the album, Radiohead later disliked the album for a variety of reasons, but I don't agree with them.

Without really paying much attention to the lyrics or even the song titles, the album has an urgency, a tension, high anxiety that was present in previous Radiohead work but reaches an apex here.

This album and the others released since have helped me through this week in our new LIFE IN HELL.

Maybe it can help you, too.

Thanks for tuning in.

https://en.wikipedia.org/wiki/Hail_to_the_Thief


"The Gloaming" ("Softly Open Our Mouths in the Cold")
Song by Radiohead

Genie let out the bottle
It is now the witching hour
Genie let out the bottle
It is now the witching hour
Murderers you're murderers
We are not the same as you
Genie let out the bottle
Funny ha ha funny how
When the walls bend
When the walls bend
With your breathing
With your breathing
When the walls bend
When the walls bend
With your breathing
With your breathing
With your breathing
They will suck you down
To the other side
They will suck you down
To the other side
They will suck you down
To the other side
They will suck you down
To the other side
To the shadows blue and red
Shadows blue and red
Your alarm bells
Your alarm bells
Shadows blue and red
Shadows blue and red
Your alarm bells
Your alarm bells
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
They should be ringing
This is the gloaming








1. "2 + 2 = 5" ("The Lukewarm.") 3:19
2. "Sit Down. Stand Up." ("Snakes & Ladders.") 4:19
3. "Sail to the Moon." ("Brush the Cobwebs Out of the Sky.") 4:18
4. "Backdrifts." ("Honeymoon Is Over.") 5:22
5. "Go to Sleep." ("Little Man Being Erased.") 3:21
6. "Where I End and You Begin." ("The Sky Is Falling In.") 4:29
7. "We Suck Young Blood." ("Your Time Is Up.") 4:56
8. "The Gloaming." ("Softly Open Our Mouths in the Cold.") 3:32
9. "There There." ("The Boney King of Nowhere.") 5:25
10. "I Will." ("No Man's Land.") 1:59
11. "A Punchup at a Wedding." ("No No No No No No No No.") 4:57
12. "Myxomatosis." ("Judge, Jury & Executioner.") 3:52
13. "Scatterbrain." ("As Dead as Leaves.") 3:21
14. "A Wolf at the Door." ("It Girl. Rag Doll.")




https://en.wikipedia.org/wiki/Hail_to_the_Thief

Lyrics and themes

[edit]

Yorke's lyrics were influenced by what he called "the general sense of ignorance and intolerance and panic and stupidity" following the 2000 election of the US president George W. Bush.[20] He took words and phrases from discourse around the unfolding war on terror, which he described as Orwellian euphemisms, and used them in the lyrics and artwork.[2] Yorke said the "emotional context of those words had been taken away" and that he was "stealing it back".[2] Though Yorke denied any intent to make a political statement,[2] he said: "I desperately tried not to write anything political, anything expressing the deep, profound terror I'm living with day to day. But it's just fucking there, and eventually you have to give it up and let it happen."[23]

Yorke, a new father, adopted a strategy of "distilling" the political themes into "childlike simplicity".[20] He took phrases from fairy tales and folklore such as the tale of Chicken Little,[4] and from children's literature and television he shared with his son, such as the 1970s TV series Bagpuss.[3] Parenthood made Yorke concerned about the condition of the world and how it could affect future generations.[24] Greenwood said Yorke's lyrics embraced sarcasm, wit and ambiguity,[25] and expressed "confusion and escape, like 'I'm going to stay at home and look after the people I care about, buy a month's supply of food'."[19]

Yorke also took phrases from Dante's Inferno, the subject of his partner Rachel Owen's PhD thesis.[26] Several songs, such as "2 + 2 = 5", "Sit Down Stand Up", and "Sail to the Moon", reference Christian ideas of heaven and hell, a first for Radiohead's music.[27] Other songs reference science fiction, horror and fantasy, such as the wolves and vampires of "A Wolf at the Door" and "We Suck Young Blood", the reference to the slogan "two plus two equals five" in the dystopian novel Nineteen Eighty-Four, and the allusion to the giant of Gulliver's Travels in "Go to Sleep".[28]

The phrase "hail to the thief" was used by protesters during the controversy surrounding the 2000 US presidential election.

Radiohead struggled to choose a title.[3] They considered using The Gloaming (meaning "twilight" or "dusk"), but this was rejected as too poetic[29] and "doomy"[2] and so became the album's subtitle.[30] They also considered the titles Little Man Being ErasedThe Boney King of Nowhere and Snakes and Ladders, which became the alternative titles for "Go to Sleep", "There There" and "Sit Down. Stand Up".[4][12] The use of alternative titles was inspired by Victorian playbills showcasing moralistic songs played in music halls.[25]

The phrase "hail to the thief" was used by anti-Bush protesters as a play on "Hail to the Chief", the American presidential anthem.[31] Yorke described hearing the phrase for the first time as a "formative moment".[2] Radiohead chose the title partly in reference to Bush,[32] but also in response to "the rise of doublethink and general intolerance and madness ... like individuals were totally out of control of the situation ... a manifestation of something not really human".[3] The title also references the leak of an unfinished version of the album before its release.[25] Yorke worried that it would be misconstrued solely as reference to the US election, but his bandmates felt it "conjured up all the nonsense and absurdity and jubilation of the times".[2]

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2411.11 - 10:10

- Days ago: MOM = 3419 days ago & DAD = 075 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

No comments: