Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Saturday, June 11, 2016

Hey, Mom! Talking to My Mother #340 - Random Imagery and Delays


Hey, Mom! Talking to My Mother #340 - Random Imagery and Delays
Hi Mom, So I have fallen behind again. The weekend got away from me. This post will be dated Saturday June 11th, but I am writing it from the future on Tuesday morning June 14th, just a few minutes before the alarm goes off that reminds me the time of your death, Mom.

I delayed in posting this weekend because I am trying to write a catch all post of book reviews for about six books I have read lately. I felt that this was too many books for one post, so I split it into two posts intended for Saturday and Sunday. But then with work and family stuff Saturday and gaming on Sunday with the guys, which started at 11 a.m. with chores for getting ready prior, I lost most of my usual blog work time. Then, I had a big editing job for Whirlpool hanging over me, and Mondays are always busy with the start of the week. I am now teaching five classes, so I did not even manage to post all my start of the week things, so I have to finish today AND catch up on this blog.

So, I am grabbing some easy things to fill in for Saturday (today as the blog is dated) and Sunday (tomorrow in blog time), and then Musical Monday is partially finished, so that means that MAYBE the first book review post my launch for Tuesday (today in reality) either on Tuesday or Wednesday.

Meanwhile, TODAY (in blog time today) will be a post of fun or interesting images that have been sitting in my blog folder, including the one up top. Funny, right? You get it, don't you, Mom?

delicious apples 1604.29

Our dinner - 1601.27










Turtle on the mall, memories from childhood


Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

Talk to you tomorrow, Mom.


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- Days ago = 342 days ago


- Bloggery committed by chris tower - 1606.11 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Friday, June 10, 2016

Hey, Mom! Talking to My Mother #339 - Throwback Thursday on Friday

Train to Versailles from Paris - 1986
Hey, Mom! Talking to My Mother #339 - Throwback Thursday on Friday

Hi Mom,

Here's a picture from 30 years ago right about now. Our family trip to England and France took place in June of 1986. Here we are on the train from Paris to Versailles. You and Lori are seated and that's me looking over your shoulders from behind the glass barrier.

Though grainy, it's a rather nice picture.

This is a short one because I am working on a much longer and bigger entry, which I think is so long that I need to split it into two parts.

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

Talk to you tomorrow, Mom.

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- Days ago = 341 days ago

- Bloggery committed by chris tower - 1606.10 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Thursday, June 9, 2016

Hey, Mom! Talking to My Mother #338 - Weekly Poem: "The Fish in Your Pocket"

Hey, Mom! Talking to My Mother #338 - Weekly Poem: "The Fish in Your Pocket"

Hi Mom, So many things to write about right now, but this is what I had planned for today, so I am going with it. There's been breaking news the last two days about a rape case at Stanford in which a boy was let off easy with a minimal sentence for a sexual assault of an unconscious woman.

Writerly Wednesday? There's no day of the week with even a letter "p" in it, so there's nothing to share alliteration with poetry. I want to make this a regular feature for a while, so I may plug it in, normally, on weeks when my step son does not graduate high school, which is all the rest of them, on Wednesdays. This week the feature supplants Throwback Thursday, which will probably go out Friday.

I used to fancy myself a poet. I took poetry classes at K and WMU. I taught creative writing at KVCC, and I participated in writer's groups. I tried to publish poetry and had some limited success. For a time, I carried a notebook with me everywhere and diligently filled it with scraps of verses and ideas for things. I still have a notebook near me at all times, but I also have technology and can use it in various ways to record and save ideas.

Eventually, I saw myself as a fiction writer more than a poet. I was still interested in poetry, though. I would read it and occasionally I would dabble in the writing of it. But mostly, for years now, I have not gravitated to poetry as a creative outlet, and I do not see myself as a poet.
And yet, I have all these poems that I have written. By no means, do I have several books worth.
But I could probably keep this rolling for well over a year as there are 70 poems in my poetry folder (though I suspect that there are multiple drafts of some and others are just not good enough to see the light of day).

I am sharing this poem without rewrite. I see ways I could revise. I have almost 30 years of sophistication and experience since I wrote it originally in 1986 or 1987. I see words I would change, lines I would drop, and various other changes I would make. Perhaps I will revise some day, but not today.

I wrote this poem at a time I was trying to experiment with incongruous things, inspired by surrealism's juxtaposition of contradictory or incongruous items, such as a steam locomotive barreling out of an empty fireplace hearth. When I struck upon the idea of a fish in a pocket, I had the idea for the love poem you can read here.

Clearly, I am WAY too in love with words and language and play clever word games with the concept. I have far too many darling phrases in this poem that I engineered the sentence structure simply to preserve, even though these phrases may not make sense or be necessary to communicate the core idea.

I liked the metaphor and its resonance with slippery, floppy, flaccid things. Merging wet images with aquatic creatures fulfilled particular interests of mine.

In the 1990s, I turned this poem into a mini-comic and had it illustrated. If I can find the digital files or ever get the urge to scan the whole thing (if I can find a copy), I may share this again.

I think when I wrote it that I made an attempt to give the poem some kind of structure. The stanzas are uneven and do not have a consistent number of lines. But each ends with a kind of couplet and the whole thing ends with a revision of that couplet form that is meant to remind the reader of a sonnet without following any of the rules of the sonnet. There's not rhyme scheme, but the poem employs quite a bit of sound in both alliteration and assonance that is definitely part of my love for words and some of the darlings that I created and could never part with. I am not sure what some of the phrases mean, though I do like the way the first lines of stanzas two and three mirror and create an expectation fulfilled at the end. This aspect may be the strongest part of the poem for me.

One thing that I found about the poem, now, 30 years after writing it, is that the vision I had for a fish in your pocket felt unique in the late 1980s but now in the 2010s, I was able to search the title on the Internet and find several images for fish in pockets, the best of which I shared up top.

And now, the poem... I hope you like it, Mom.

"FISH IN YOUR POCKET"
by Christopher Tower

If I were a fish in your pocket,
I would slide us through the sea
as easily as the drive to work, whispering
rhymes spun like eggs, oval smooth.
If I were a fish in your pocket, we would
meet hand in fin; paddle swim along the solemn
waterway broken only by the beached seals
and the lonely pride of turtles.  Were I pocketed
in your jeans, my fish smell could free your desire.

Would I flounder, flipper, and fidget,
a neighbor to lint and forgotten pennies
in your pocket?  Multiplying desire quickly
like salmon along the waterways of your thighs,
I would chortle like a dolphin mating.
We would cherish the wet slip of childhood yearnings.
I'd be capable as a Swiss Army Knife to heal
you, if I were a pocket fish.

Would I flipper, fidget, and flounder,
unraveled by pocket pressures?
If you join me, hand over fin,
to seaside, we can push the berthed mackerel
and walrus, swordfish and squid back to water.
And if I rest in your pocket, I can breathe
the inspirational hymns that bring you
to the coral church of fish.  Only beneath
glassy waves can we taste the supple
secrets where fish eggs are hatched not eaten.

If I were a fish in your pocket, I would unlace you,
succor and foray, filet and unemploy you.

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Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

Talk to you tomorrow, Mom.

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- Days ago = 340 days ago

- Bloggery committed by chris tower - 1606.09 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

The Not Quite Daily Bowie - #72 - "Moonage Daydream"


The Not Quite Daily Bowie - #72 - "Moonage Daydream"

Hey there. So, I renamed this feature. I considered The Weekly Bowie, but since this will be the second this week, I am going with "The Not Quite So Daily Bowie." Probably now that I have renamed the feature, I will run out a bunch of dailies just to prove myself wrong.

"Moonage Daydream" was not the first song to capture my heart from THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS, one of the greatest rock albums of all time (on various lists either 35th -- Rolling Stone; 20th, Brit survey; or 24th, Q Magazine). I rank it in the top ten. Other songs demanded my attention, but over the years, "Moonage Daydream" has become the one song from this album that I have returned to over and over as a single. Don't get me wrong. I love the whole album. But there's something about "Moonage Daydream," something about the lyrics and the punch of the music.

Often I try to pick a line or two of lyrics to feature at the top of the post and then use as a tag line in my social media blasts. But I find that I cannot remove a line. Well, I can, but then I want the next line, too, and then the next. And... Freak out, far out, in out.

It's all one thing.

FROM - PUSHING AHEAD OF THE DAME - "Moonage Daydream" -  "So “Moonage Daydream” can stand for all of Ziggy Stardust, a vaguely conceptual rock LP about a fake rock star whose songs both parody and subsume rock & roll. As Ziggy is pop music about pop music, so the lyric of “Moonage Daydream” is fused from old rock & roll phrases—“I’m an alligator” come from “See you later alligator,” all the “far outs” and “freak outs” are pilfered from the hippie LPs, while a bizarre line like “you’re squawking like a pink monkey bird” sounds like it was lifted from a lost novelty hit of 1960 (as the solo was, see below). It also could be the pseudo-Russian pop music of Burgess’ A Clockwork Orange, or a botched translation—as if an extra-terrestrial who had been monitoring our radio and TV broadcasts had fashioned an imitation of what it took to be our national musics. Bowie later claimed that was the idea all along.

From its inception, the song was meant to serve as entrance music, a character piece for a fraudulent character, whether impostor pop idol (the Corns’ non-singer Freddi Buretti) or plastic rock star (Ziggy Stardust, who Bowie would later claim on stage was the song’s author).

By the time of the Spiders’ last concert at the Hammersmith in July 1973, teenage girls and boys in the audience were singing along to every word of “Moonage Daydream,” holding their hands to their faces while they sang the chorus, falling in love with themselves as much as they were with Ziggy. Using the strength and delusion of adolescence, the belief that the world somehow has been left open for you, they took the lie and made it sing to them.

"Every night you knew that “Moonage Daydream” was going to be the one that really lifted them. Then we’d go and follow on from there to the end." - Trevor Bolder, 1976."

Read the full and excellent blog entry at PUSHING AHEAD OF THE DAME - "Moonage Daydream".

What else can really be said? Needs to be said?

Other LINKABLES

"Moonage Daydream"

THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS

David Bowie

"Moonage Daydream" -  from THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS - 1972


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"Moonage Daydream"

I'm an alligator, I'm a mama-papa coming for you
I'm the space invader, I'll be a rock 'n' rollin' bitch for you
Keep your mouth shut, you're squawking like a pink monkey bird
And I'm busting up my brains for the words

Keep your 'lectric eye on me babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream oh yeah

Don't fake it baby, lay the real thing on me
The church of man, love, is such a holy place to be
Make me baby, make me know you really care
Make me jump into the air

Keep your 'lectric eye on me babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream oh yeah

Keep your 'lectric eye on me babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream oh yeah

Keep your 'lectric eye on me babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream oh yeah

Freak out, far out, in out

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Rest in peace, David. We miss you.

- Bloggery committed by chris tower - 1606.09 -  7:00

NOTE ON WHY THE DAILY BOWIE IS NO LONGER DAILY: For 53 days, I completed daily Bowie posts. My schedule is too demanding to make a post every day, so this will now be a feature that is called The Daily Bowie, but it will not be daily. I will post as I can. I will post often. But if I miss a day, I will skip it. Otherwise, I get in the position of making five Bowie posts all in one day, and that's a lot of Bowie for people to swallow all at once... (yeah, leaving that badly phrased, innuendo packed statement. I bet Bowie would have laughed at it).

Wednesday, June 8, 2016

Hey, Mom! Talking to My Mother #337 - Ivan's Graduation

Me and Ivan out front of Chenery Auditorium
Phoenix High School Graduation - 1606.07
Hey, Mom! Talking to My Mother #337 - Ivan's Graduation

Hi Mom,

We're proud of our high school graduate.

First the party, and then a ceremony.

I chose the picture of myself with Ivan because it's my blog, and I am proud of him. But I am hardly the one who helped him the most. Though I love my wife, and she has worked hard for Ivan over the years in so many ways, I would have to say that Ivan's Father Chris Simons really deserves any and all congratulations for being Ivan's task master and on his case every step of the way.

Just a photo gallery here for the rest.

Ivan and Liesel

Ivan and his parents

Ivan and his girlfriend, Olivia Stier

Ivan and his brother Fiver

Ivan and Olivia

Ivan, Hawaiian




Ivan and his sister Piper

Fiver puts on Ivan's Lei

We enjoyed a rendition of R.Kelly's "I Believe I Can Fly"
It was very well sung.

Former student Shaborn Vail gave an inspiring speech

Ivan gets his diploma case

The actual diploma comes in the mail

Ivan returns to his seat



Ivan and proud Mama



Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

Talk to you tomorrow, Mom.


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- Days ago =339 days ago


- Bloggery committed by chris tower - 1606.08 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Tuesday, June 7, 2016

Hey, Mom! Talking to My Mother #336 - Dreams part six

salty sea toes_ming_nomchong_Ello
Hey, Mom! Talking to My Mother #336 - Dreams part six

Hi Mom,

Another round of dreams. I have been saving these for over a month, so it was time to post them.

In the last dream, you are trying to tell me something. I still have not figured out what it is, but might it have had something to do with also visiting Dad and how he could not sleep all night once last week?

As per my usual form, dates listed are those for the time when I woke from the dream.

Planet forming around a binary star
1605.02

In the dream, I am sitting in my computer class from this last term and my actual teacher. Dr. James Yang, is there. He is trying to explain to us a concept about Java from our text book, but there is a discrepancy between the online book, which he is using, and the printed volume that I am using. I cannot find the passage he is sharing. In frustration, I throw my book to the front of the room in anger and disgust. Immediately, I am mortified. What possessed me to act this way? I am scramble to the front of the room and collect my book. "I am so sorry," I say. "That was incredibly childish of me. I am not sure why I did that." And I return to my seat. Class goes on. Later, I am seeing a video display that is training a camera on one student in the class at a time. The camera focuses on me, and I am identified as "the one." Security comes in. They are going to arrest me for throwing my book. A teaching assistant protests as the professor stands by, mutely, unmoving. "This is not like Chris at all," the TA protests. "He does not deserve this treatment." Other students follow suit. There is a ground swell of support for me, and for a second, it appears as if the professor will relent. But then I am taken away.

LATER, in the same night, after waking and falling back to sleep, I have another dream. Liesel and I are shopping in Meijer when I become very angry with her. I yell at her in the middle of the store, in a grocery aisle, and again I have the same feeling. Why did I do that? I acted very childishly. That was very unlike me.

BOTH dreams are connected to the same feeling. Clearly, they are anxiety dreams, but about what? There's shame involved. Guilt. Anger. In both dreams, I throw a tantrum. I do something that I would never do, which I think is the key to analysis here. What anxiety am I having about doing something I would never do?

fromsophieforgreenaisles
1605.08 - Mother's Day Morning

So, I cannot remember all the details of the earliest part of the dream, but I was driving you in Dad's car, Mom. We were going over big curved highway over passes and ramps. Eventually, we arrived at this place where there was supposed to be a restaurant. I got you out of the car and in your wheel chair. I made sure you were all bundled up as it was cold, just as I had done so many times when I took you out shopping. Then I began to haul you up this very steep but very wide staircase. At the top of the staircase, there was a huge built-in desk-counter thing, and so I had to haul you up and over that thing, too. What we found was not a restaurant but someone's apartment. There were just two rooms: a kitchen and a living room. I could only get you into the living room as the door to the kitchen was not wide enough for you and your chair. There were many elderly people there in the apartment. I found another stair down to the front door and the street, but it was even steeper than the other and very narrow. Many of the elderly people were big, burly men. I asked them to help me take you back down the stairs, but because they were so steep, and I had to get you back up over that desk-counter thing, I was worried that I would not be able to hold on to you. I was also worried that though burly, these big old guys would not be much help. I wanted someone to volunteer to hold your chair, which is what I was planning to do, but no one spoke up. I woke up and the dream ended before I figured out how to get you down.

1605.17

I am writing this note on the dream several days later, so a lot of the finer details have faded. I remember I was having a dream about going places and meeting people. During all of that, I saw you Mom. You were in your wheel chair. I leaned in and gave you a hug and kisses on the cheek. In the dream, I could feel your warmth. I could smell your skin. And I had the thought that I had not hugged and kissed you in a long time. I miss hugging and kissing you.

1605.21

I lunge at a guy and fall on top of him. He is talking shit about my wife, calling her a "cun" instead of "cunt," but his meaning is clear. I tell him to stop, threatening him with my fist. He says, "Cun cunny cun." I start beating his face with my fist. Blood splatters and spews.



1605.22

I have a big apartment with many rooms. Many friends and loved ones are staying the night with me. I have to make sure I get them up and out and get them food to eat the next day. My former friend Dean is there, and she does something wrong. I do not remember what. She starts crying. Instead of walking away or feeling hate and anger toward her, I enfold her in one arm (a partial hug) and comfort her. This is a MAJOR turnabout in my subconscious as I have had nothing but ire and disgust for her up until now for the last seven years. But in this dream, I seem ready to forgive her.

1605.26

Weird dream that I may not be able to recreate accurately in words as much of it was driven by feelings. The dream was prompted by seeing pictures on my phone yesterday, when I was looking for something else, that I took of my mother's dead body. MAYBE I want to remove those, so I do not accidentally see them.

In the dream, I am back in the condo on that time last year of her death. She has died, but we learn that we can bring her back to life, different than a resuscitation. So, we do this, and her eyes stare out from her head with an odd look. We're not sure if she's home. We believed that she would be back to how she had been before her illness, but all she does is stare and cannot seem to talk. The FEELING of the look in her eyes and how I feel about her being back to life (happy but also uncomfortable) is what I cannot express in words.

Later, we decide to unplug her because at this point in the dream she is kept alive with breathing tubes. But there's also an injection that stops her life. After she is given the injection, she is declared dead, but then he eyes pop open and it seems like she's alive but we're not sure.

That's how the dream ends.

ISLAND SAGA XXV Kirkjufell-Grundarfjörður-West Iceland

1606.03

You appeared in my dreams last night, Mom. You were trying to tell me something. I tried to hang on to the details this morning when I woke, but they all slipped away. You did tell me things in the dream. You were talking quite well. But then there were other things that I was not sure about.

You were in your wheelchair, so it was the you of that era. I woke up with the strong feeling that you were trying to tell me something. The feeling has persisted all day long.

For readers, as Mom declined, knowing what she was saying became a guessing game. We would have to ask her if what she was saying was a statement or a question. Often we could not guess statements, but we usually could narrow down questions and give her answers.

In the dream, you started out speaking clearly and well, Mom, and then later in the dream, I could not understand you and woke up wondering what you were trying to tell me.

Mom - 1957

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

Talk to you tomorrow, Mom.


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- Days ago = 338 days ago


- Bloggery committed by chris tower - 1606.07 - 8:24

The Daily Bowie #71 - "Under Pressure"


The Daily Bowie #71 - "Under Pressure"

I joked recently that I should rename this feature "The Weekly Bowie" because that is what it has become. But let's see if I can make it the "every other day Bowie" or the "Couple of Times a Week Bowie." If I can get close enough to daily production I managed before, then maybe I won't feel so bad about the name of the feature.

I am always busy. I am not really busier than I have been. In fact, I managed daily posts on Bowie during a very busy time.

Though I have been busy enough that this song seems apt.

Great stuff here. I am not going to re-post the a capella version, but you can find it at the link.

"UNDER PRESSURE" - WIKI

"UNDER PRESSURE" - greatness - Slate.com

David Bowie and Freddy Mercury singing "Under Pressure," a capella

I usually do not re-post ALL of Chris O'Leary's post from PUSHING AHEAD OF THE DAME, just some of it. But this one is SO GOOD that I want to share. All credit to Chris and his wonderful blog, found at the previous link and this post here: "UNDER PRESSURE" - PUSHING AHEAD OF THE DAME. How could I not love Chris' post for this song? It features a comic book!! (see below)

I am not sure why I did not LOVE this song when I first heard it, but I didn't. I have come to love it, but I did not love it immediately and I am not sure why. Maybe I was annoyed about Queen? I love Queen, so I wa snot annoyed with them. Maybe I was annoyed with hearing "Another One Bites the Dust" at full volume at 3 a.m. in my dorm, played by football players who had a fun drinking game called "rock." They would blare "Another One Bites the Dust" and chant (not sing), then they would attempt to lift a very large "boulder" from the outdoor landscaping that they had brought inside. Each player had to lift it and "set" it back down to prove he was not totally wasted. Usually the boulder was dropped and the force of it shook the building. None of this is fair to Queen, who are one of the greatest rock bands of all time. And I am over the torments of those meat heads... mostly.

So, first the video, then the "UNDER PRESSURE" - PUSHING AHEAD OF THE DAME page.

This is a clever video as it tries to create the illusion that Bowie and Queen are performing together even though this did not happen.

"Under Pressure" - Official video


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Under Pressure

Feel Like (Queen studio demo, 1981).
Under Pressure (Bowie and Queen).
Under Pressure (Queen, live, 1986).
Under Pressure (Bowie and Annie Lennox, rehearsal, 1992).
Under Pressure (Bowie and Annie Lennox w/Queen, live, 1992).
Under Pressure (Bowie and Gail Ann Dorsey, broadcast, 1995).
Under Pressure (Bowie and Dorsey, live, 1996).
Under Pressure (Bowie and Dorsey, live, 1997).
Under Pressure (Bowie and Dorsey, live, 2003).

The comic book Marvel Team-Up (above is the first issue I ever bought, at age 9) had a simple narrative formula: in each issue Spider Man met another hero, usually fought him/her by mistake, then the two combined forces to defeat whatever villain turned up in the third act. MTU often felt like a make-work program for Marvel characters, as Spider Man’s co-stars were generally third-tier superheroes (or even TV actors), but once in a while there was an above-the-marquee pairing, a real event.
“Under Pressure” is the Marvel Team-Up of Bowie songs,* with Bowie sharing the mike with Freddie Mercury, a duet seemingly financed byRolling Stone for a “Seventies legends” retrospective issue. “Under Pressure” easily lends itself to metaphor: Tom Ewing, in his review of the track, aptly compared it to an exhibition football match (“Sir Fred’s mighty “Why can’t we give ourselves one more chance?” is the song’s most ridiculous, glorious moment: a stunning strike from the Queen frontman whose over-the-top goal celebration (“why can’t we give love, give love, give love”) just prolongs the joy.“)
A vague protest song about modern life, “Pressure” was recorded by an aging rock star and a fading rock group who met one summer in a Swiss studio. Bowie was there working with Giorgio Moroder on “Cat People,” while Queen was recording a follow-up to The Game. After chatting about record advances, Bowie recorded backing vocals for a dreadful Queen track called “Cool Cat” (his contribution was erased before the final mix). This led to a jam session on another unassuming song, provisionally titled “Feel Like,” that Queen was working up in the studio. With contributions by Bowie (who likely wrote the bridge melodies), the song developed into “Under Pressure,” which remains at heart a studio jam: Brian May’s guitar is little more than the arpeggiated pattern he was toying with on “Feel Like,” while Mercury’s peacock scatting in his verse sections disguises the fact that he didn’t bother to write a lyric for them.
And for all its world-encompassing lyrical pretensions and its bravura vocals, “Pressure” is a fairly minimal record, in line with Queen’s new taste for simpler, dance-oriented sounds. Keeping within the confines of D major (until the second bridge, “Pressure” is just tonic (D), subdominant (G) and dominant (A)), “Pressure” is only two verses and two bridges, the second of the latter extended to become the grand climax to the song—after the final Bowie blowout, there’s nowhere to go but offstage.
A few motifs are cycled throughout—the two-note synth line that sounds like a French horn (in the intro, verses and outro) and a two-note piano quote—and the rhythms build steadily, with the piano moving from brief interjections to a steady vamping in the verses, or Roger Taylor going from hi-hat in the intro to pounding his snare in the verses to the drum crescendo for Mercury’s bird of prey howls in the bridge (with Bowie yelling “no! no! no!” as though an air raid’s about to begin).
Neither Bowie nor Queen were enthusiastic at first about “Pressure,” most of which was completed in a day (then given some overdubs a few weeks later in New York). But “Pressure” had quite a few things in its favor, like its superstar co-billing and John Deacon’s minimalist bassline (six D notes, then an A; repeat, with minor variations, ad infinitum) which, especially when set against the bare-bones rhythm base in the intro (claps, fingersnaps, hi-hat), was a natural hook.** And once EMI learned it had a Bowie and Queen duet, the label pushed for it to be a single.

The once-David Jones and the once-Farrokh Bulsara first met in the late Sixties, when Bowie was an obscure would-be folkie and Mercury was selling second-hand clothes in a Kensington Market stall. Little more than a decade later, after having become pop demigods and having lived on a galactic scale, Bowie and Mercury were the last glam superstars left standing. Meeting by chance at the turn of a decade, the two seemed compelled deliver a pronouncement, some kind of state of the union address.
A problem with many rock star “social commentaries” is that the star, long isolated by money and sycophants, speaks in generalities, with human life reduced to a series of abstractions, as though the star’s fearful of alienating constituencies with an inappropriate detail. So we get things like: Feed the world. We are the world. People need to be free. The children are our future.
“Under Pressure” seems a case in point. People on streets, Mercury and Bowie sing, over and over again; it’s a phrase so abstracted that it lacks a definite article. “Pressure”*** is so ill-defined a concept that it’s both a physical force—burning buildings down—and a spiritual blight, causing divorce and homelessness. The brutal syntax of Bowie’s insanity laughs, under pressure we’re breaking doesn’t help things, while the song builds to the climactic flattery of Mercury’s why can’t we give ourselves one more chance?, offering unearned forgiveness for indeterminate sins. So it’s easy to ridicule the lyric as the gassings-on of two pantomime actors playing at being statesmen.
That judgement would miss something essential, I think. Nick Lowe, in 1974, wrote a parody of the Last Hippie called “What’s So Funny ‘Bout Peace Love and Understanding?,” which Lowe’s protege Elvis Costellocovered five years later. Lowe’s song is the lament of a hippie sad sack, lost in a cruel world and wondering where the good times have gone—there’s a touch of cruelty in it. Costello instead took the lyric utterly seriously, and the song, warming to its interpreter, became heartbreaking. “Where are the strong? and who are the trusted?” became hard indictments, questions more relevant than ever today.
Something similar happens in “Under Pressure,” which is a sad hippie song beneath its arias and cannonades, and it’s owed entirely to its singers.

Bowie and Mercury simply will “Under Pressure” into being far better than the material deserves. Take how Mercury sings the cliche “it never rains but it pours,” in an impossibly light falsetto, making it sound like a lament for the world, or how he soars to the diva high note that even Annie Lennox would struggle to hit. It’s a man carving his own monument.
But (given our biases here, this should be no surprise) it’s Bowie who really salvages the song. The sudden ferocity of his appearance on the first bridge (“it’s the terror of knowing what this world is about“) dispels some of the vagaries of the verse. Then there’s Bowie’s crescendo performance in the second bridge. It’s a melody that Bowie’s held back until now like an ace of trumps, the magnificent staircase-climb of “love’s..such an..old fashioned…WORD/and love..DARES YOU to CARE FOR…” It’s a beautiful moment: in the middle of what has been a superstar jam session, there suddenly appears Bowie’s new hymn for all the young dudes, buried away in plain sight. Watch George Michael start singing along in awe during Bowie’s rehearsal performance at the Mercury tribute—he can’t help himself.
“Under Pressure” is a day’s indulgence by two men past their prime, who were entering a decade that would reward and diminish them; Mercury had only a decade more to live. So there’s a sadness along with the bravado, a sense of loss to go with the heroics. Something is going away, going away for good, and Bowie and Mercury see it, if only in shadows.Anthony Miccio once called “Under Pressure” “the best song of all time,” and there are a few days when I think he was right. It’s the last song of the titans, one that needs grandiose claims made on its behalf.

“Under Pressure” slipped out in late 1981: a collective anonymous act. The single sleeve had no photographs, its video was cobbled together by David Mallet from stock footage, Queen and Bowie never performed it live together and never gave a single interview about “Under Pressure.” And it hit #1.
Recorded July 1981 at Mountain Studios, Montreux, with overdubs a few weeks later at the Power Station, NYC. Released 26 October 1981 as EMI 5250 (#1 UK, #29 US); later on Queen’s 1982 Hot Space, as well as being collected in a few Bowie anthologies. Bowie never played it live until the tribute to Mercury in April 1992, with his grand duet with Annie Lennox. Bowie then fashioned “Pressure” into a duet that he would perform with Gail Ann Dorsey throughout his last decade of touring.
* Of course, there’s another edition of Bowie Team-Up coming in 1985, one that’s far less sublime. Brace yourselves.
** Deacon was supplanting Brian May as Queen’s dominant instrumental voice: his Chic-inspired bassline had owned “Another One Bites the Dust.” Who wrote the mighty “Pressure” bassline? Various authors have been proposed (or proposed themselves) over the years, but according to May and Taylor, Deacon came up with it. However Deacon once said that Bowie wrote it. And yes, there’s Vanilla Ice—let’s not get into it. [Supplementary note: I failed to mention that in the recent Paul Trynka DB bio, Trynka bolsters the Bowie-as-author case, claiming that a) the bassline was actually recorded late in the game, in New York during overdubs and B) Bowie “sang” the entire bassline to Deacon. No direct attribution as to where this info came from, though.]
*** See also Billy Joel’s even more incoherent “Pressure,” from 1982.
Top: MTU #110, Oct. 1981; Kim Aldis, Brixton riots, UK, April 1981.

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Rest in peace, David. We miss you.

- Bloggery committed by chris tower - 1606.07 -  7:53

NOTE ON WHY THE DAILY BOWIE IS NO LONGER DAILY: For 53 days, I completed daily Bowie posts. My schedule is too demanding to make a post every day, so this will now be a feature that is called The Daily Bowie, but it will not be daily. I will post as I can. I will post often. But if I miss a day, I will skip it. Otherwise, I get in the position of making five Bowie posts all in one day, and that's a lot of Bowie for people to swallow all at once... (yeah, leaving that badly phrased, innuendo packed statement. I bet Bowie would have laughed at it).