Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Wednesday, May 5, 2021

A Sense of Doubt blog post #2269 - REVENGE OF THE FIFTH: You Do Not Have To Feel Guilty About The Books You Haven't Read Yet






A Sense of Doubt blog post #2269 - REVENGE OF THE FIFTH: You Do Not Have To Feel Guilty About The Books You Haven't Read Yet

All the pictures above are not actually on my too read shelf. I have read most of the books above and the ones I have not read are with those books (note that they are by author) in the pictures.

Below are my to read shelves. Now, some books are up to be re-read, like Dune and The Shockwave Rider. But most of the other books are to be read that I have never read before.

But below is an article from TOR.com about this issue of being guilty for the books we have not yet read.

MY TO READ BOOK SHELVES:





https://www.tor.com/2021/05/03/stop-feeling-guilty-about-the-books-you-havent-read-yet/

You Don’t Need To Feel Guilty About Books You Haven’t Read Yet

I have yet to read Gideon the Ninth, though my friends have been texting me constantly to chat about it. Despite Reddit constantly recommending him, I’ve yet to read a single Brandon Sanderson novel. Dragonriders of Pern? Nope. Joe Abercrombie? Meant to. And oh Lord, please don’t strangle me when I admit I’ve only read a single book by Ursula K. Le Guin.

At writing workshops, my friends gush about books I meant to read while I sit quietly, encased in total dorkness, wondering how Charlie Jane Anders’ and Robert Jackson Bennett’s and N.K. Jemisin’s latest books still sit atop my to-read pile despite me gobbling down their prior writings like candy, and how am I so utterly ignorant not to have delved James Tiptree’s award-winning stories.

I am scandalously unread.

Except…I’m not. And I don’t think you are, either. Not if you’re showing up at Tor.com to read an article about how guilty you feel about not having read enough.

But before I can confirm that, allow me to do some math for you on my reading habits—because I suspect the amount of books I read will not be at all unusual when compared to the magnificent overachievers who frequent this site.

On average, I read somewhere between 30 and 60 books a year.

Now, “reading 30 to 60 books a year” is about three to five times above the national average of 12 books a year (of those who read books at all…don’t think about it, best to think light thoughts). In my case, most of those books are speculative fiction, most of them recent releases….

Yet that number is way down from my wayward youth, where thanks to the startling benefits of having no friends, I often knocked off three or four books a week in an existence startlingly like that of Morwenna from Jo Walton’s Among Others, but without the interesting magical bits. Doing some rough math indicates I’ve probably read somewhere in the range of 2,300 books in my 51 years of age, most of which are speculative fiction.

But wait, there’s more! I not only have read deep, I have attempted to read wide.

In 2010, fresh off of two major writing workshops where I sat numbly by the sidelines as people merrily discussed authors I’d heard good things about but never actually read, I compiled a list of Authors I Should Have Read By Now—a selection cultivated by trusted friends with magnificent tastes. I read about one a week, knocking off another 50 or so authors I had always meant to get around to.

And when I went into my next sci-fi convention, I thought, This is it. I’ll finally be caught up. When people discuss Ted Chiang and Lois McMaster Bujold and Peter F. Hamilton, I’ll be on top of it.

Gentle reader, all my efforts did not make a dent.

Which was when I realized: You can’t read everything in speculative fiction. Heck, it approaches a full-time job just to scratch the surface of having read a meaningful speculative canon.

But why do we feel like we’re behind, when the truth is that we’re in a delightful Platinum Age of science fiction, where there are so many magnificent, wonderful, well-reviewed books that it’s hard for anyone to keep up?

I have a couple of theories.

 

Being Online Magnifies the Sensation of Missing Out

If you’re reading Tor.com and checking Book Instagram and discussing on r/Fantasy and following your authors on Twitter, chances are good you’re two things:

  • An author’s best friend—someone who pays attention when their new books come out, and:
  • Statistically above-average.

A lot of books come out in a given year—and while it’s lovely that you’re paying attention to them, the fact that you’re hip-deep in friends who constantly broadcast literary squeeness amplifies this sensation that you should be reading ALL THE THINGS.

Which isn’t a bad thing! It’s good to have friends who are invested in other people’s stories. It’s a thrill to find some new author based on a recommendation! But that potential goodness can turn milk-sour when you transmute joy into a sick guilt.

Remember: These aren’t obligations to be shouldered on. These are joys you can partake in. And if you’re being showered with so many potential delights that you can’t keep up, then you’re letting the thrills you can’t have taint the pleasures of today.

(Though, you know, if you haven’t read my book The Sol Majestic, you’re absolutely missing out. Right? Sure.)

 

You Discount the Clubs You’re Already a Part Of.

I was at a writing workshop when I heard the words “Matthew Woodring Stover is a genius,” and I leapt across a table shouting “DAMN STRAIGHT!” to high-five a stranger.

Now, the other people in that workshop who I had accidentally elbowed aside (sorry about that) doubtlessly felt was a sense of alienation—“Who’s Matthew Woodring Stover?” or “Oh, man, I keep meaning to read him.”

But what I felt in that moment was having found My Tribe. I was new to a workshop, on the lookout for friends, and was warmed by that nerdy certainty that Anyone Who Liked Matthew Woodring Stover Couldn’t Be All Bad.

And in this case, I was right! I made a couple of fast friends at that workshop, because correctly picking Matthew Woodring Stover’s Heroes Die as one of the best grimdark fantasy novels of the early 21st century meant that we had similar tastes, and we bonded over our goal of matching Stover’s visceral fight scenes.

In truth, that happens a lot. I can usually find a few books in common with most people.

But particularly if you have social anxiety, those moments where the entire table discusses The Author You Meant To Get Round To, lavishing praises for an anguishing eternity where you have nothing to contribute to the conversation? They can be excruciating. Particularly if you have nasty flashbacks to those old days of being left out of the crowd (see also: my lonely, book-filled childhood).

Yet if you are sensitive to such temporary lockouts, remember: a) large-scale conversations usually veer away from any given person’s interests for brief periods of time before coming back around, so that’s normal, and b) most folks tend to discount all those times when they were actually in sync with people and focus on the uncomfortable, feeling-left-out bits.

You’re not poorly read. There’s just a lot of books, and simple statistics will tell you that everyone gets left out occasionally. And the only way to avoid that is to become that boorish person who arm-wrestles every conversation into submission by complaining, “Aww, who cares about that author? Why don’t we discuss somebody I’ve read?”

Just go with the flow. It’ll come back around to people you’ve read and are excited about. (Or else you need to find better friends.)

 

There’s Some Books You’d Rather Have Read Than Actually Read, and That’s Okay.

Some books pull you aside with a trenchcoat-jacketed whisper. “Hey,” they promise. “If you read me, you’ll be the erudite scholar you’ve always longed to be seen as!”

“Yes, I’ll be seen as smarter for having read you,” you agree. “But will I enjoy the process of reading you?”

“So many questions!” the book shrugs.

Yeah, sometimes that works out—my wife and I read Moby Dick, and it was surprisingly entertaining! Then I took another stab at Gravity’s Rainbow, and bounced off.

Truth is, there’s some Very Notable Books out there, books with cachet—and they’re books in styles that you don’t particularly enjoy.

It’s fine to read pulp! It’s fine to read for fun! Not every book must be A Deep Tome! (Or, alternatively, if you like books packed with massive philosophical digressions, it’s fine to skip the pulpy books in favor of dense, tangled narratives!)

Point is, there’s no shame in skipping a book that you’re not enjoying, or reading just to prove a point.

 

There’s Some Books You Probably Don’t Need to Read, Even If Other People Think You Do.

There’s plenty of books that Some Fans think you absolutely have to read. And many of them are enjoyable! (This statement applies to both the books and the fans.)

However, a significant portion of those books fall into the uncomfortable category of “A Product Of Their Time”—books where women and minorities didn’t seem to exist, or did exist but were written as uncomfortable stereotypes, or had romantic dynamics that seem, shall we say, a little more coercive in the cold light of modern conceptions of consent.

These are books that have good points if you’re willing to overlook the flaws that have sprung up now that society has marched on. But if you’re not willing to overlook those flaws because you find them icky, it’s perfectly acceptable to say “I read the opening chapters and didn’t like what I saw” or even “Heard from a friend it’s aged poorly,” and move on to talking about something you do enjoy.

Reading should be for pleasure. Will you get more out of contemporary works knowing who their influences are? Absolutely! But a good fiction book should also be enjoyable on its own merits.

And if someone tells you that you have to be familiar with “the classics” before you can claim that you’re well read—well, note that most people’s definition of “the classics” mysteriously line up in a perfect Venn diagram with “the favorite books that person read in their teens and twenties.” And then remember that you don’t have to endure poorly-aged books to achieve some imaginary sticker of completion.

Remember: there’s a world of difference between “I haven’t read it” and “I chose not to read it.”

 

Surrender to the Immensity of the World…

As I said: we are in an age of speculative fiction miracles. There are amazing books being published by all sorts of authors—groundbreaking, heartbreaking, devastating brilliance all around.

And there’s decades of brilliant books published by authors with lifelong careers.

And there’s accreted layers of influences, short stories and novels that flavored the work of your own favored authors, as well as stories that are embedded in the marrow of your friends and lovers, sagas they want so badly to discuss with you.

You have a choice:

You can have friends to discuss some of these books with.

Or you can retreat into your Reading Cave (you do have a reading cave, don’t you?), in a vain attempt to Read All The Books until a kind stranger comes across your cat-chewed corpse.

And oh, what a lonely life that would be!

Look, there’s a few speed-readers who can chow down a huge lap-breaking novel every lunch, but chances are you’re not one of them. This isn’t a race. Enjoy the books you can get to, be choosy in what you go for next, but honestly?

This is an ocean, and in your finite lifetime you will only be able to swim across a bay or two.

Enjoy the water.

And whatever you do, do not tear your eyes away from that comfortable delusion that one day, you will read every book on your to-read pile. You will absolutely do that. Keep buying books, it’s fine.

It’s fine.

Ferrett Steinmetz is the author of the novels The Sol Majestic and Automatic Reload from Tor Books, as well as the ‘Mancer trilogy and The Uploaded. He is a graduate of both the Clarion Writers’ Workshop and Viable Paradise, and was nominated for the Nebula Award in 2012, for his novelette Sauerkraut Station. Ferrett can be found on Twitter as @ferretthimself, and his new podcast, …And We Will Plunder Their Prose, analyzes the writing techniques of great modern speculative fiction.


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2105.05 - 10:10

- Days ago = 2133 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Tuesday, May 4, 2021

A Sense of Doubt blog post #2268 - MAY THE FOURTH BE WITH YOU, always


A Sense of Doubt blog post #2268 - MAY THE FOURTH BE WITH YOU, always


A little lame because I am behind, so I am posting this on Thursday May Sixth, but whatever. WORK LIFE BALANCE. I was up at 3 a.m. yesterday, which by the date of this post is tomorrow.

HERE YOU GO.
















To commemorate this day, a HEY MOM reprint:


Hey, Mom! Talking to My Mother #540 - Carrie Fisher, RIP, you will be missed



http://pixalry.io/post/155056851712/drowned-by-moonlight-and-strangled-by-her-own-bra
Hey, Mom! Talking to My Mother #540 - Carrie Fisher, RIP, you will be missed

Hi Mom,

What a helluva a year. I felt rocked hard enough by your passing away 542 days ago.

So many big name deaths this year.

And now Carrie Fisher, Richard Adams among all the others: Prince, Leonard Cohen, George Michael, Florence Henderson, Alan Rickman, Muhammed Ali, Edward Albee, Patty Duke, Harper Lee, Elie Wiesel, José Fernandez, Darwyn Cooke, Umberto Eco, Pat Conroy, Glenn Frey, Keith Emerson, Tony Phillips, Gene Wilder, Anton Yelchin, Doris Roberts, and most of all how the year started with the loss of DAVID BOWIE.

I wrote about all this death here: Hey Mom #248 but that was back in March. So many more since then. I have a death category on the right in the category list to see other posts.

I repost Scalzi a lot. He's one of my go to choices as I follow his work closely. Though he nails it, I may re-post other work soon and add some more thoughts on this year of big name deaths not to mention the deaths of friends and loved ones. A close friend's father just died and a few weeks ago a friend's eighteen year old son died. Those deaths seem more tragic as they are closer to home.

http://gabecebro.tumblr.com/post/155038349186/may-the-force-be-with-you-princess

http://brokenlynx21.tumblr.com/post/155042606471

http://nikoniko808.tumblr.com/post/155046460275/thank-you

http://matereya.tumblr.com/post/155045188467/rip-carrie-fisher-i-still-cant-believe-this-is









RIP Carrie Fisher




Obviously she will be remembered for Star Wars — she played one of its most iconic characters, who was a general, a senator and a princess. But as much as I liked her in that role, she came most alive for me when I learned that she was a writer, and a good one, and not only a good one, but an extraordinarily witty one, one who was called in to save movie scripts and who could write novels and memoirs with characters and turns of phrase that inspired me at least to want to be that witty too.
Beyond that I admired her openness talking about her struggles with addiction and mental illness. I think she did good work in helping people who shared her struggles in their own life know that they didn’t have to stop you, you just had to know they were part of the landscape. I think she saved lives being open about her own.
So she not only played a role model but was one in her own life, for all sorts of people, including me. I’m glad she was here with us. I’m sad she is gone now. I just know she would have a great parting shot about it.
Update: I wrote a longer piece on Carrie Fisher as a writer, for the Los Angeles TimesHere it is.
Carrie Fisher the writer: Witty and vulnerable, she took us to the edge of our comfort zone


John Scalzi
Out on the Internet, along with the many heart-touching tributes to Carrie Fisher, photographs of her as Leia Organa, either as princess (the original trilogy) or general (from “The Force Awakens”) and with her beloved French bulldog Gary, there’s another picture, originally placed there by cinema documentarian Will McCrabb, showing a page of the script of “The Empire Strikes Back.” On the script are several edits, in red pen, condensing and improving the script. McCrabb said the hand that put the edits there was Carrie Fisher’s, noting on Twitter that Fisher herself confirmed it to him.
Is he correct? The edits might have been made by Irwin Kershner, “Empire’s” director, instead. At the time — 1979 — Fisher would have been 22 years old. Yet here she was, looking at a script written by Lawrence Kasdan, who would go on to several screenwriting Oscar nominations, and Leigh Brackett, Howard Hawks’ secret screenwriting weapon and one of the great science fiction writers of her time, and thinking “this needs some fixing.” And then getting out her pen and doing just that.

Whoever made the edits wasn’t wrong. At least some of the edits to the scene (in which Leia, Han and Chewbacca plot a course to visit Lando Calrissian) made it to the final cut of the film. Simpler, tighter, better — and with the rhythm of speech rather than exposition (science fiction, forever the genre of people explaining things to other people). Carrie Fisher played a galactic princess, but she had a working writer’s gift for understanding how people talk, and how language works. At 22.

She published her first novel, “Postcards From the Edge,” in 1987, which she would adapt for the 1990 Mike Nichols film of the same name, starring Meryl Streep and Shirley MacLaine. Fisher’s four novels were based to some extent on her own life — as an author, “write what you know” was something Fisher took seriously — but the books were more than veiled tidbits of the life of a Hollywood scion. They announced the arrival of a writer whose voice — witty but vulnerable, willing to push her readers to the edge of their comfort zone with the same lines that made them laugh — was both all her own, and part of a literary tradition that included writers like Dorothy Parker and Elaine May. 
"By about 16 I wanted to be Dorothy Parker," she told The Times in 2008. "I figured out the ways I am like her…. She’s short. She was half Jewish. She had brown hair and brown eyes. She was an alcoholic or addict. And she married a gay guy!"
And like Parker and May, Hollywood found its uses for Fisher as a writer. In addition to “Postcards,” Fisher had a healthy career as one of the film industry’s most sought-after script doctors — the (largely) anonymous people who would go in and punch up a script in dire need of laugh lines and emotional heft. She worked on some of the biggest hits and franchises of the ’90s, including Steven Spielberg’s “Hook,” “Lethal Weapon 3,” “Sister Act” and “The Wedding Singer.” Not every script she worked on could be saved — she was reported to have worked the scripts for the “Star Wars” prequel trilogy, which are generally considered to be dire — but no doctor saves every patient. 
In 2008, Fisher told Newsweek that she had stopped script-doctoring because producers started requiring rewrite notes on spec with no guarantees of payment. The same year, Fisher ditched fiction and began releasing memoirs, starting with “Wishful Drinking,” which, along with the usual anecdotes that come with the territory of a celebrity memoir, also dealt frankly, if sardonically, with Fisher’s history of addiction and mental illness.
“I feel I'm very sane about how crazy I am," Fisher wrote in "Wishful Drinking," directly after describing "being invited" to go to a mental hospital. That was part of the charm of her writing: it would take you places you might not have wanted to go, and kept up a stream of chatter to help you remain, if not comfortable, at least comforted. Your friend Carrie Fisher was with you, even as she was observing herself.
Fisher’s memoirs were not universally loved (Salon reviewer Rebecca Traister complained, of “Wishful Drinking,” that “it retreads much of the terrain she’s already covered in her novels”), but it’s possible that in the final accounting, the openness in which Fisher addressed her struggles with mental illness, pills and other drugs may have been the most important thing she’d done. It’s not easy to lay yourself bare to millions and say, basically, “this is what was going on while you thought I was a princess.” Fisher did it, fearlessly and unapologetically, and in the process of living out loud helped to erase at least some of the stigma that still attaches to addiction recovery and treating mental illness. Her second memoir, 2012’s “Shockaholic,” detailed undergoing electroconvulsive therapy — called, in the old days, shock treatment — as a remedy for depression.
There’s no doubt that Fisher’s fame comes from “Star Wars,” and Leia Organa, who “Star Wars” fans are likely to see one more time, at least, when “Episode VIII” of the film franchise comes to theaters in late 2017. But Fisher’s legacy includes her written words -- cutting, clever, observant, self-aware and unbowed.  
Scalzi is a Los Angeles Times Critic at Large and the author of the Hugo-winning novel “Redshirts.” 


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Reflect and connect.
Have someone give you a kiss, and tell you that I love you.
I miss you so very much, Mom.
Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
- Days ago = 542 days ago
- Bloggery committed by chris tower - 1612.28 - 10:10
NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

sorry, can't find the original now...

THIS POST:
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2105.04 - 10:10

- Days ago = 2133 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Monday, May 3, 2021

A Sense of Doubt blog post #2267 - Fatima Al Qadiri - "Malaak" - MUSICAL MONDAY for 2105.03


A Sense of Doubt blog post #2267 - Fatima Al Qadiri - "Malaak" - MUSICAL MONDAY for 2105.03

I cannot remember when Fatima Al Qadiri hit my radar. Maybe as early as 2010, though I doubt it. I bought Asiatisch, which came out in 2014 and then I missed Brute, sadly. Her new album Medieval Femme is due next week. I am pre-ordering.

I came across this preview (below) when I was compiling some Brian Eno content that I haven't posted, and I found The Quietus, which is a great site.

The image above is from her EP called Shaneera, which came out in 2017.

Video featured today (below) from the new album, "Malaak," is really great!!





https://www.theguardian.com/music/2014/may/05/fatima-al-qadiri-interview-kuwait-invasion-saddam






#hyperdub #fatimaalqadiri
Fatima Al Qadiri, Malaak
5,265 views•Mar 31, 2021






Hyperdub
42.1K subscribers
Fatima Al Qadiri,  Malaak, taken from the album 'Medieval Femme' 
Release date: 14th May 2021 CD + Digital /  LP to follow on July 23rd 2021.
 
Music, Lyrics and Vocals by Fatima Al Qadiri
Artwork by Thuraya Al-Baqsami
Visualizer by Abdullah Al Mutairi
Cover Design by Hussein Nassereddine
Mixed by Chris Tabron, Mastered by Matt Colton

Please subscribe to Hyperdub https://bit.ly/2Z2UFfW​

Follow Hyperdub on Social Media:
#hyperdub​ #fatimaalqadiri




https://thequietus.com/articles/29797-fatima-al-qadiri-new-album-medieval-femme-hyperdub

Fatima Al Qadiri Details New Album, 'Medieval Femme'
Christian Eede , March 31st, 2021 14:28

Hyperdub will release the producer's latest album in May



Fatima Al Qadiri has a new album on the way.

The 10-track Medieval Femme is the producer's third studio album and sees her return to Hyperdub for the first time since 2017's Shaneera EP. The new album takes inspiration from the classical poems of Arab women from the medieval period. You can listen to lead track 'Malaak' above.

Hyperdub will release Medieval Femme on May 14, 2021






Art & Photography

Fatima Al Qadiri Interview: Art Came First But Music is My Forte

From sons playing their mothers to politics as performance and dance music about dissent, the work of Fatima Al-Qadiri is an assault on the sensibilities of her age.

16 September, 2016



Fatima Al Qadiri is a Kuwaiti musician and artist, and one of the nine members of GCC, an artist collective that takes its name and inspiration from the Gulf Cooperation Council. 2016 saw the release of her second album, “Brute”, on Hyperdub records. A mixture of off-kilter beats, gunshots, explosions, news samples, moody chord progressions and icy strings, it was created in Kuwait while Al Qadiri recovered from a knee-injury, watching the post-Ferguson protests unfold, transforming their dissent into her record’s message. Sleek caught up with the multi-talented artist at the European School of Management and Technology in Berlin, one of the locations for the 9th Berlin Biennale.  

Which came first for you, art or music? My mother, Thuraya Al-Baqsami, is an artist, and my role model. She worked at the Ministry of Communication in Kuwait and would bring in stacks of old communiqués, and we’d draw on the back of them. So my first exposure was to visual art. During the occupation of Kuwait, when I was nine, my sister Monira and I wrote our first song. That’s when I started making music. So I guess art came first, but I feel like my forte is music!How was GCC founded? What was the first work you made collectively?Khalid al Gharaballi and I have been collaborating since 2006, and in 2012, we won a grant from the Arab Fund for Arts and Culture for the piece “Mendeel Um A7mad (NxIxSxM)”. The project was a large-scale installation of a Kleenex box, which contained a film about the Kuwaiti ritual of Chai Dhaha, a meeting of women for pre-noon tea. But, in a twist, these are young men in drag performing their mothers, and the film is narrated from the point of view of a tissue box. It’s now against the law to “imitate” the appearance of the opposite sex in Kuwait, but that wasn’t always the case. The protagonists are seated in a ballroom with the box in the middle, and a maid pushing a trolley of tea and biscuits, while the women gossip and discuss their lives. Every now and then, a woman gets up and takes a tissue. We hired almost all current GCC members to work on the piece, and it’s the most successful work that we had done at that point, too. After that we realised how well we function as a unit, and decided to become a collective.  

Is GCC’s output a critique of contemporary Gulf culture and politics, or are you participating in it as well commenting on it?Imagine that question being asked of you. How are you engaging or contributing to German culture or Western culture? It’s so broad. For us, the Gulf region is a closed society. It’s not really a region that embraces outsiders, with the exception of Dubai, which is the Gulf version of Vegas. But, while in the Gulf there’s a culture of hospitality, you’re not going to access the society’s rituals because they are closed to outsiders, and that’s the one part of the Gulf that we’re really interested in. Without getting into the ‘native informant’ scenario or into the simplistic polarities of East vs. West, we’re trying to understand these processes as much as anyone else is. There’s a huge gap between the rich and the poor, between the expat labourers and which jobs they have access to. Being a woman I wanted to get out of there as soon as I could. Strangely, the governments of the Gulf region always seem to be ten steps ahead. Positive Pathways (+), for instance, is about co-opting self-help and self-optimisation as a path to economic prosperity. And a month before the opening of the Berlin Biennale, the Dubai government opened a Ministry of Happiness!


What about Positive Pathways (+), is it a comment or a cultural artefact?It’s not intended as an artefact. Many of our works are about how the government positions itself, and how politics is like a drag act. I loved the theme of the Biennale, “The Present in Drag”. There’s so much drag in our work.Especially in works such as your 2013 work, “Inaugural Summit, Morschach”.That piece is about governance as a type of performance. It’s about diplomats performing their ‘work’ of handshakes, drinking champagne and eating caviar. We were looking at the performativity of diplomatic and bureaucratic summits; here the photo op is the work. And we feel that what we represent is so universal, so relatable, because so many governments and politicians operate this way. They wear a different outfit, a different costume, or eat something different. But, fundamentally, they’re all performing the same act.

You made a track, Nothing Forever for “Anthem”, the soundtrack for the Berlin Biennale, with Hito Steyerl and Juliana Huxtable. How did that happen?They [the biennial curators] approached me and said, ‘We’re making an album, we would love for you to collaborate with Hito.’ She’d already used my music for one of her installations at the 2015 Venice Bienniale. I’d never met her in person, but when we started talking it was obvious that we were both obsessed with the subject of the apocalypse. I wanted to write a national anthem for the end of the world. The one thing that connects all these types of anthems is this idea that we fight and sacrifice ourselves for the greater glory of the nation. But what is the function of glory when there’s nothing to glorify? When all your plants are dead, and humanity is dead, and the world is extinct, what is its purpose?  





+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2105.03 - 10:10

- Days ago = 2131 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Sunday, May 2, 2021

A Sense of Doubt blog post #2266 - COMIC BOOK SUNDAY 2105.02 - THE FALCON'S SPEECH



A Sense of Doubt blog post #2266 - COMIC BOOK SUNDAY 2105.02 - THE FALCON'S SPEECH

Not only is this post NOT SPOILER FREE, I have not even watched the show, so I am not really reading this post but posting it here for the future. And because I am still working on my Nightwing post.

I need a quick share because I am buried up to my neck in research projects and don't want to spend all day on them. I need a Sunday!


In the season finale of The Falcon and the Winter Soldier on Disney+, the terrorist Flag-Smashers attack New York City to prevent a vote on a measure that would forcibly relocate people from their homes (that's admittedly an oversimplification of events but you get the gist). Spoilers, obviously, but there's a big fight and our heroes prevail. However, the new Captain America, who is Sam Wilson (Anthony Mackie) and Black, gives a compelling speech that convinces the international council to hold back on its 21st Century trail of tears plan and instead help the refugees.

CAP: You have to stop calling them terrorists. Your peacekeeping troops carrying weapons are forcing millions of people into settlements around the world, right? What do you think those people are going to call you? These labels, “terrorists," “refugees," "thugs," they're often used to get around the question, why?

Unfortunately, the Flag-Smashers are terrorists. They've killed people and their leader, Karli Morgenthau (Erin Kellyman), describes blowing up a building with people inside as “sending a message," which is what terrorists say when they do terrorist shit. It's unfortunate that vaguely leftwing extremists were depicted as unambiguously violent terrorists, because that helps promote the rightwing narrative that Black Lives Matter protesters are burning cities and intimidating juries to get what they want.

Sam argues that the council should listen to what the Flag-Smashers have to say because Karli was willing to die for it, but that's not how the world works. The timing of the sentiment is also problematic because when a MAGA mob attacked the Capitol, Tucker Carlson suggested the government politely consider the demands of violent white seditionists. The series also never showed us anyone peacefully protesting the forced relocation.

CAP: We finally have a common struggle now. Think about that. For once, all the people who've been begging, and I mean literally begging, for you to feel how hard any given day is … Now you know. How did it feel to be helpless? Now, if you could remember what it was like to be helpless and face a force so powerful it could erase half the planet, you would know that you're about to have the exact same impact. This isn't about easy decisions, Senator

The international council agrees with new Black Captain America and decides to help the refugees instead of sending them packing. Yes, it was damn good speech, but that's unfortunately not how the world works. Twenty-something me appreciates how Sam sounds like an Aaron Sorkin character and not an action hero who talks with his fists. Yet, there's only so much disbelief I can suspend. There's already a Hulk, not to mention badass witches, in this reality. Now, we have to imagine there are entirely different white people.

Most of the white people in our less-than-Marvelous reality resent whenever Black people give stirring speeches. Conservatives frequently complained that President Barack Obama “lectured" them whenever he expressed an opinion. Maybe he should've worn a flashier costume.

National Review

Wall Street Journal

The Falcon and the Winter Soldier studiously avoids political labels. When politicians appear, they are rarely identified as Republicans and Democrats. Sam claims “we have a common struggle," but the past year has demonstrated that Americans can't even unite against a pandemic. If Republicans exist in the Marvel Cinematic Universe, they would never share common cause with liberals, no matter how moving a Black superhero's speech on the subject was.

Republicans leveraged the Black Lives Matter protests against Democrats and those were overwhelmingly peaceful. The Flag-Smashers did a lot more than burn a CVS. After former Minneapolis police officer Derek Chauvin was convicted of murdering George Floyd, a not-so-shocking number of conservatives rushed to his defense. Obviously, when a jury convicts a cop who murdered a Black man on camera, the trial must've been rigged somehow. They didn't even send him off with a parting gift.

In a previous The Falcon and the Winter Soldier episode, the MAGA Captain America replacement, John Walker, kills a Flag-Smasher in cold blood, which horrified bystanders record on their cell phones. Walker is immediately stripped of his duties and receives a less than honorable discharge. Conservatives in our world would've pitched a fit. These terrorists had killed Walker's partner and could've killed him ... somehow. Look, do we not believe blue lives matter, especially when they're superheroes? The MCU's version of Josh Hawley and Ted Cruz would've fiercely defended Walker against the “woke mob" who obviously hates soldiers and loves terrorists.

But maybe this is why we like the MCU. There are no Republicans, only honorable villains like Thanos. It's a far more appealing reality.

Follow Stephen Robinson on Twitter.


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2105.02 - 10:10

- Days ago = 2130 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.