The Daily Bowie #32 - "London Bye Ta Ta"
PUSHING AHEAD OF THE DAME - "London Bye Ta Ta"
TEXT FROM Pushing Ahead of the Dame:
In Victoria Station Bowie overheard a West Indian family calling “London bye ta-ta!” to relatives boarding a train out of town. And the song Bowie wrote with that title is, in part, about immigrant London: a city that, by the end of the ’60s, had a rising population of West Indians, various Africans, Pakistanis, Indians and other nationalities. Many of the newcomers had been members of the British Commonwealth or of its former colonies—the result was a new complexion for the UK (the BBC: in 1945, Britain’s non-white residents were in the low thousands, by 1970 they were approximately 1.4 million). Reaction was swift: Enoch Powell‘s notoriety (or infamy) began a month after Bowie first recorded “London Bye Ta-Ta,” one of several songs of the period to touch on immigration (not only was The Beatles’ “Get Back” originally a satire on Powell, the “get back to where you once belonged” addressed to Pakistanis, but “Ob-la-di, Ob-la-da”‘s title was coined by the Nigerian conga player Jimmy Scott, a friend of McCartney’s.)
One of Bowie’s prettiest ’60s songs, “London Bye Ta-Ta” is also the latest variation on Bowie’s provincials-come-to London theme, in the line of “Can’t Help Thinking About Me,” and “The London Boys.” What’s fine here is a broadening of perspective—two young bohemians meet and flirt, but the singer also realizes they’re part of a greater exodus, mere ripples in a sea of population change. Everyone flooding into town is looking for some form of renewal: a new name, a new face, a better job. “The poet in the clothes shop sold me curry for a pound,” the singer recalls in passing. London has become, seemingly overnight, a strange young town.
It’s a rewrite of “Threepenny Pierrot,” though Bowie greatly improves the song in revision.
"London Bye Ta Ta" - BOWIE AT THE BEEB - 2000
Rest in peace, David. We miss you.
- Bloggery committed by chris tower - 1602.21 - 5:35