Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Wednesday, December 28, 2016

Hey, Mom! Talking to My Mother #540 - Carrie Fisher, RIP, you will be missed



http://pixalry.io/post/155056851712/drowned-by-moonlight-and-strangled-by-her-own-bra
Hey, Mom! Talking to My Mother #540 - Carrie Fisher, RIP, you will be missed

Hi Mom,

What a helluva a year. I felt rocked hard enough by your passing away 542 days ago.

So many big name deaths this year.

And now Carrie Fisher, Richard Adams among all the others: Prince, Leonard Cohen, George Michael, Florence Henderson, Alan Rickman, Muhammed Ali, Edward Albee, Patty Duke, Harper Lee, Elie Wiesel, José Fernandez, Darwyn Cooke, Umberto Eco, Pat Conroy, Glenn Frey, Keith Emerson, Tony Phillips, Gene Wilder, Anton Yelchin, Doris Roberts, and most of all how the year started with the loss of DAVID BOWIE.

I wrote about all this death here: Hey Mom #248 but that was back in March. So many more since then. I have a death category on the right in the category list to see other posts.

I repost Scalzi a lot. He's one of my go to choices as I follow his work closely. Though he nails it, I may re-post other work soon and add some more thoughts on this year of big name deaths not to mention the deaths of friends and loved ones. A close friend's father just died and a few weeks ago a friend's eighteen year old son died. Those deaths seem more tragic as they are closer to home.

http://gabecebro.tumblr.com/post/155038349186/may-the-force-be-with-you-princess

http://brokenlynx21.tumblr.com/post/155042606471

http://nikoniko808.tumblr.com/post/155046460275/thank-you

http://matereya.tumblr.com/post/155045188467/rip-carrie-fisher-i-still-cant-believe-this-is









RIP Carrie Fisher




Obviously she will be remembered for Star Wars — she played one of its most iconic characters, who was a general, a senator and a princess. But as much as I liked her in that role, she came most alive for me when I learned that she was a writer, and a good one, and not only a good one, but an extraordinarily witty one, one who was called in to save movie scripts and who could write novels and memoirs with characters and turns of phrase that inspired me at least to want to be that witty too.
Beyond that I admired her openness talking about her struggles with addiction and mental illness. I think she did good work in helping people who shared her struggles in their own life know that they didn’t have to stop you, you just had to know they were part of the landscape. I think she saved lives being open about her own.
So she not only played a role model but was one in her own life, for all sorts of people, including me. I’m glad she was here with us. I’m sad she is gone now. I just know she would have a great parting shot about it.
Update: I wrote a longer piece on Carrie Fisher as a writer, for the Los Angeles TimesHere it is.
Carrie Fisher the writer: Witty and vulnerable, she took us to the edge of our comfort zone


John Scalzi
Out on the Internet, along with the many heart-touching tributes to Carrie Fisher, photographs of her as Leia Organa, either as princess (the original trilogy) or general (from “The Force Awakens”) and with her beloved French bulldog Gary, there’s another picture, originally placed there by cinema documentarian Will McCrabb, showing a page of the script of “The Empire Strikes Back.” On the script are several edits, in red pen, condensing and improving the script. McCrabb said the hand that put the edits there was Carrie Fisher’s, noting on Twitter that Fisher herself confirmed it to him.
Is he correct? The edits might have been made by Irwin Kershner, “Empire’s” director, instead. At the time — 1979 — Fisher would have been 22 years old. Yet here she was, looking at a script written by Lawrence Kasdan, who would go on to several screenwriting Oscar nominations, and Leigh Brackett, Howard Hawks’ secret screenwriting weapon and one of the great science fiction writers of her time, and thinking “this needs some fixing.” And then getting out her pen and doing just that.

Whoever made the edits wasn’t wrong. At least some of the edits to the scene (in which Leia, Han and Chewbacca plot a course to visit Lando Calrissian) made it to the final cut of the film. Simpler, tighter, better — and with the rhythm of speech rather than exposition (science fiction, forever the genre of people explaining things to other people). Carrie Fisher played a galactic princess, but she had a working writer’s gift for understanding how people talk, and how language works. At 22.

She published her first novel, “Postcards From the Edge,” in 1987, which she would adapt for the 1990 Mike Nichols film of the same name, starring Meryl Streep and Shirley MacLaine. Fisher’s four novels were based to some extent on her own life — as an author, “write what you know” was something Fisher took seriously — but the books were more than veiled tidbits of the life of a Hollywood scion. They announced the arrival of a writer whose voice — witty but vulnerable, willing to push her readers to the edge of their comfort zone with the same lines that made them laugh — was both all her own, and part of a literary tradition that included writers like Dorothy Parker and Elaine May. 
"By about 16 I wanted to be Dorothy Parker," she told The Times in 2008. "I figured out the ways I am like her…. She’s short. She was half Jewish. She had brown hair and brown eyes. She was an alcoholic or addict. And she married a gay guy!"
And like Parker and May, Hollywood found its uses for Fisher as a writer. In addition to “Postcards,” Fisher had a healthy career as one of the film industry’s most sought-after script doctors — the (largely) anonymous people who would go in and punch up a script in dire need of laugh lines and emotional heft. She worked on some of the biggest hits and franchises of the ’90s, including Steven Spielberg’s “Hook,” “Lethal Weapon 3,” “Sister Act” and “The Wedding Singer.” Not every script she worked on could be saved — she was reported to have worked the scripts for the “Star Wars” prequel trilogy, which are generally considered to be dire — but no doctor saves every patient. 
In 2008, Fisher told Newsweek that she had stopped script-doctoring because producers started requiring rewrite notes on spec with no guarantees of payment. The same year, Fisher ditched fiction and began releasing memoirs, starting with “Wishful Drinking,” which, along with the usual anecdotes that come with the territory of a celebrity memoir, also dealt frankly, if sardonically, with Fisher’s history of addiction and mental illness.
“I feel I'm very sane about how crazy I am," Fisher wrote in "Wishful Drinking," directly after describing "being invited" to go to a mental hospital. That was part of the charm of her writing: it would take you places you might not have wanted to go, and kept up a stream of chatter to help you remain, if not comfortable, at least comforted. Your friend Carrie Fisher was with you, even as she was observing herself.
Fisher’s memoirs were not universally loved (Salon reviewer Rebecca Traister complained, of “Wishful Drinking,” that “it retreads much of the terrain she’s already covered in her novels”), but it’s possible that in the final accounting, the openness in which Fisher addressed her struggles with mental illness, pills and other drugs may have been the most important thing she’d done. It’s not easy to lay yourself bare to millions and say, basically, “this is what was going on while you thought I was a princess.” Fisher did it, fearlessly and unapologetically, and in the process of living out loud helped to erase at least some of the stigma that still attaches to addiction recovery and treating mental illness. Her second memoir, 2012’s “Shockaholic,” detailed undergoing electroconvulsive therapy — called, in the old days, shock treatment — as a remedy for depression.
There’s no doubt that Fisher’s fame comes from “Star Wars,” and Leia Organa, who “Star Wars” fans are likely to see one more time, at least, when “Episode VIII” of the film franchise comes to theaters in late 2017. But Fisher’s legacy includes her written words -- cutting, clever, observant, self-aware and unbowed.  
Scalzi is a Los Angeles Times Critic at Large and the author of the Hugo-winning novel “Redshirts.” 


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Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

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- Days ago = 542 days ago

- Bloggery committed by chris tower - 1612.28 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

sorry, can't find the original now...
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