A Sense of Doubt blog post #2873 - Music of Demen from Stockholm - Reprint of Hey Mom #907 from 2017

A Sense of Doubt blog post #2873 - Music of Demen from Stockholm - Reprint of Hey Mom #907 from 2017

I do not have much to say about this post other than it is another in my week of reprints from around this date five years ago that looked interesting enough to be reprinted, so I chose it.

Here's another article about this artist.

https://thequietus.com/articles/22141-demen-nektyr-album-review

ORIGINALLY 

Friday, December 29, 2017

Hey, Mom! Talking to My Mother #907 - Music from a deep cavern in the distant past

Hey, Mom! Talking to My Mother #907 - Music from a deep cavern in the distant past

Hi Mom,

Back to straight sharing mode. I came across this Bandcamp article in setting up Monday's music post, and so I saved it for this kind of an occasion, when I can get a quick share without much added preamble.

Not as much progress with the job search as I would like today as I brought Liesel lunch, which is important and something I cannot always do, and then I did a little light grocery and Christmas shopping as we have not done our Christmas exchange yet. Pictures tomorrow.

But for now, this interesting article and music.

https://daily.bandcamp.com/2017/05/22/demen-nektyr-interview/

The Mysterious Demen Makes Music From a Deep Cavern in a Distant Past

There’s not a lot of information on the woman who records as Demen—and that’s by design. All that her label, Kranky, will offer is that her name is Irma Orm, and she’s from Stockholm. Beyond that, even Kranky has scant details. The label was initially contacted by Demen via email a couple of years ago, anonymously.

“There is no great thinking or planning behind me being anonymous,” Orm says in our interview—conducted, at her request, via email. “I am simply sharing only what I find relevant for the purpose of the project, and leaving out that which is not.”

At a time when social media puts a premium on being both constantly present and easily identifiable, Orm’s approach seems almost radical. Her insistence on anonymity means that the emphasis is put, first and foremost, on her music. Demen’s debut on Kranky, Nektyr, warrants that singular focus.

With a sound and feeling as shadowy as its murky cover art, Nektyr’s seven songs feel like messages from either a distant past or a deep cavern—or from a deep cavern, in the distant past. As Orm’s voice sings—coolly, calmly, swathed in reverb—dark tones and slow rhythms surround and envelop her. It might be lazy to say that music like this could only come from Scandinavia, but whatever images one might have of cold northern climes and existential solitude certainly apply.

Songs like “Niorum” and “Ambur” are at once quietly catchy and monuments to pure, total mood. Exploratory instrumentals like “Korridorer,” with its calm central keyboard figure (if it is, indeed, a keyboard) and its heartbeat-like conclusion, ramps up that atmosphere even further. In all, Nektyr manages the trick of sounding like something that could have been on late ’80s 4AD or ’90s Projekt, but never exactly sounds like any one thing. It is, simply, itself. Its songs summon grey skies, cold temperatures, and deep, deep melancholy, delicious and unnerving.

Orm offers little in terms of process, and won’t even say whether she records at home or in a studio. Instead, she says, “I am rearranging my setup, so all is in flux right now.” Her vision for Demen extends beyond her music. “I approached the work with great seriousness,” she says, “seeing the goal with a constant tunnel vision.”

It’s easy to imagine something like this being released to Bandcamp directly, stumbled across by fans via a random tag search. But working with Kranky, with its well-established reputation for the artistic and experimental, provided Orm with balance.

“There were a couple of reasons why I chose not to release the album on my own,” she says, “the main one being that I wanted to focus on working only on the creative content. So using the aid of a label felt necessary, in this case. Choosing to put the music into the context of any existing label is something of a compromise, but ultimately there is a lot of freedom in the context I’m in now.”

demen

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Reflect and connect.
Have someone give you a kiss, and tell you that I love you.
I miss you so very much, Mom.
Talk to you tomorrow, Mom.
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- Days ago = 909 days ago
- Bloggery committed by chris tower - 1712.29 - 10:10

NEW (written 1708.27) NOTE on time: I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of your death, Mom, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of your death, Mom. I know this only matters to me, and to you, Mom.

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- Bloggery committed by chris tower - 2212.30 - 10:10

- Days ago = 2737 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.