sense of doubt

Though the current project started as a series of posts charting my grief journey after the death of my mother, I am no longer actively grieving. Now, the blog charts a conversation in living, mainly whatever I want it to be. This is an activity that goes well with the theme of this blog (updated 2018). The Sense of Doubt blog is dedicated to my motto: EMBRACE UNCERTAINTY. I promote questioning everything because just when I think I know something is concrete, I find out that it’s not.

Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

HEY, MOM #1
Also,

LINKTREE
Showing posts with label Sevdaliza. Show all posts
Showing posts with label Sevdaliza. Show all posts

Monday, June 22, 2026

A Sense of Doubt blog post #4144 - Voodoo In My Blood - Music Monday Mix Tape - SoD Reprint of 636 from 2017


A Sense of Doubt blog post #4144 - Voodoo In My Blood - Music Monday Mix Tape - SoD Reprint of 636 from 2017

As I have mentioned before, one of the benefits of doing reprints is my ability to edit and "fix" old posts, especially music mixes with broken videos.

In the early days of Music Monday (originally Musical Monday until I realized people might think I was posting about theatrical musicals, NOT), I posted each video in the mix one by one. This mix was one of the earliest Music Monday mixes made in my last year and last semester at WMU while studying for Calculus and some coding class (Java?).

I found "Voodoo in my Blood" by Massive Attack and this AMAZING video with Rosamund Pike and built a mix around it.

Now, the original and this reprint posts the original music mix track list and the revised because I dropped a song.

My mixes are only partially thematic. It would take too much time to really make a truly thematic mix unless it's all one artist. So there's always random elements. This one became, in part but not in whole, focused on women in music, but there are still weird songs that do not quite fit that theme or don't at all, like the Ed Sheeran song, which at least features a woman. The Young Fathers songs came up when playing this Massive Attack song and so are related in that way.

A mix like this happened as You Tube shared songs in my feed, and so I put them up on the monitor in the study room, and if I liked at least something about them, then I added them to the mix or at least a queue for future mixes.

So far this mix is stable, no "unavailable videos."

Thanks for tuning in.




LOW POWER MODE: I sometimes put the blog in what I call LOW POWER MODE. If you see this note, the blog is operating like a sleeping computer, maintaining static memory, but making no new computations. If I am in low power mode, it's because I do not have time to do much that's inventive, original, or even substantive on the blog. This means I am posting straight shares, limited content posts, reprints, often something qualifying for the THAT ONE THING category and other easy to make posts to keep me daily. That's the deal. Thanks for reading.

BLOG VACATION #1 - 2026 - Taking a blog vacation for a couple of weeks, until at least June 26th, 2026. Mostly reprints. A few simple shares (not that simple shares are out of the norm) and THAT ONE THING. Need time for other things.


Link to the original post I am reprinting below:

Monday, April 3, 2017
Hey, Mom! Talking to My Mother #636 - Voodoo In My Blood - Musical Monday for 1704.03


Hey, Mom! Talking to My Mother #636 - Voodoo In My Blood - Musical Monday for 1704.03

Blog post edited for unavailable videos on 2606.19.

This one is for Jane who I disbelieve has seen even all my music posts let alone all my posts, so though I am reprinting this one June 22, 2026, it may be the first time she's seen it. Let's see if she sees this note.

ORIGINAL POST

Hi Mom,

Welcome to another edition of things you would not really care about but would pretend to care about because I care about them, and you love me, Mom.

This is another in a series of playlists built while I hang out in the Star Trek rooms in Sangren and study Calculus, mainly, but also do various work things.

This one started with the startling eponymous track "Voodoo In My Blood" by trip hop pioneers Massive Attack and the hottest band in Scotland, if not the world, Young Fathers.

This video is amazing and very cinematic. It plays like a short film.

It's based on Andrzej Żuławski's 1981 film Posession, which was banned in the UK until 1999. I will share a video clip of the inspiring scene as well as a link to the entire film at the end of today's blog entry.

The video is chilling. I included several stills and one GIF from it. Wow.

Also, this edition of Musical Monday and its playlist was built mainly with the Google Algorithm that suggests other videos based on the viewing habits of other people who watched "Voodoo In My Blood." Pretty much all the music is new to me, but I did dump in some other tunes, such as Gabriel's "Rhythm of the Heat." There's a little incongruity here (Ed Sheeran), but I like it.

I kept to 13 videos, though I was trying to keep to 10. That's so tough.

I am still on my Sevdaliza kick, expect that to continue.

So multiples with Sevdaliza, Massive Attack, and Young Fathers.

I think it's a good set.

Feeling rather possessed this days as I try to cope, like the rest of you, with the State of the Hate Nation.

White men suck. I know. I am one.

I will let the music do the rest of my talking for me.

VOODOO IN MY BLOOD PLAYLIST ON YOU TUBE

POD PLAYER FOR PLAYLIST




PLAYLIST TO ALL MUSICAL MONDAYS MUSIC

http://www.dazeddigital.com/music/article/30051/1/the-cult-inspirations-behind-massive-attack-s-new-video

http://pitchfork.com/news/63707-massive-attack-and-young-fathers-share-sinister-voodoo-in-my-blood-video-starring-rosamund-pike/

http://www.rollingstone.com/music/news/massive-attack-recruit-rosamund-pike-for-haunting-new-video-20160223

MASSIVE ATTACK & YOUNG FATHERS - "Voodoo In My Blood"














DOPE LEMON - "Honey Bones"



FKA TWIGS - "Water Me"



SEVDALIZA - That Other Girl"



PETER GABRIEL - The Rhythm of the Heat"



ED SHEERAN - Thinking Out Loud"



MASSIVE ATTACK - "The Spoils" featuring Hope Sandoval



MASSIVE ATTACK & AZEKEL - "Ritual Spirit"



THIS MORTAL COIL - "Song to the Siren"



CHVRCHES - "Clearest Blue"



SEVDALIZA - "Marilyn Monroe"



YOUNG FATHERS - "Shame"



YOUNG FATHERS - "Low"





















JOY DIVISION - "She's Lost Control"




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Reflect and connect.
Have someone give you a kiss, and tell you that I love you.
I miss you so very much, Mom.
Talk to you tomorrow, Mom.
- Days ago = 638 days ago
- Bloggery committed by chris tower - 1704.03
NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.
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- Bloggery committed by chris tower - 2606.22 - 10:10

- Days ago: MOM = 4008 days ago & DAD = 662 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: blog vacation 2026-1, Hey Mom-reprint, low power mode, music, Music Mixes, Musical Monday, sense of doubt reprint, Sevdaliza, women in music

Tuesday, March 4, 2025

A Sense of Doubt blog post #3668 - SoD Reprint 2106 - To Believe in this Living is just a Hard Way to Go - Musical Monday on Tuesday


A Sense of Doubt blog post #3668 - SoD Reprint 2106 - To Believe in this Living is just a Hard Way to Go - Musical Monday on Tuesday 

I rarely publish music posts on days other than Mondays,  but I am in reprint mode. I am probably posting another one tomorrow.

One benefit of reprinting a Music Monday post is that I get to edit the mix for hidden or unavailable videos. I replaced one in this mix, but it was just a different version of the same song and same showing from TV.

When I access my playlists on YOU TUBE via a PC, I can only see playlists in alphabetic mode up to M with some playlists excluded because YOU TUBE always wants to hide them from me.

When I asked YOU TUBE to fix the problem, as I PAY for Premium, they told me it was my problem with "cookies" (bullshit) even though I looked at my playlist on multiple machines and different browsers. 

This original post caught my attention because of the cover image (AWESOME). Still, true when it comes to the United States' isolation policies.

Also, this was a mix that had become buried that I constructed after John Prine's death.

It's a good mix though the songs are not all unified around the John Prine theme with peers or similar music or artists. But women in music is a unifying factor.

I love that I have Sergio Mendez's "Fool on the Hill" in this mix. I should build a whole mix around that song.

FOOL ON THE HILL seems an apt theme for the person who somehow has been elected and set our country on fire.

Still reprints.

My be in reprint mode for at least another week or more.

Thanks for tuning in.

Original link to the post I am reprinting below:

Monday, November 23, 2020
A Sense of Doubt blog post #2106 - Believing in this living is just a hard way to go - Musical Monday 2011.23

LOW POWER MODE: I sometimes put the blog in what I call LOW POWER MODE. If you see this note, the blog is operating like a sleeping computer, maintaining static memory, but making no new computations. If I am in low power mode, it's because I do not have time to do much that's inventive, original, or even substantive on the blog. This means I am posting straight shares, limited content posts, reprints, often something qualifying for the THAT ONE THING category and other easy to make posts to keep me daily. That's the deal. Thanks for reading.



A Sense of Doubt blog post #2106 - Believing in this living is just a hard way to go - Musical Monday 2011.23

INAUGURATION COUNTDOWN

58 DAYS to inauguration

Though this mix does not start with Lucy Dacus or Phoebe Bridgers -- artists I have discovered because of my step-daughter -- the core of the mix focuses on music by them. The main theme and title comes from John Prine's "Angel From Montgomery" as sang by Bonnie Raitt and in the end of the mix Bonnie Raitt and Ruthie Foster.

I am proud of how this mix came together. There's glue in between the Dacus and Bridgers tracks. I had lots of African-American artists, but I moved those out for a future mix. The new Weller came out when I made this mix, so I added a couple from that effort. I "found" some via You Tube serendipitously. And I added new faves like Japanese Breakfast, Daft Punk, and Sevdaliza with other older faves like Sinead O'Connor and Lucius. I also bookended the whole thing with "Angel From Montgomery," which feels good.

The songs story is really not about fighting Covid-19 and the heroism and sacrifice of the healthcare workers on the front lines, women featured here.

We are all getting pandemic fatigue, but we must remain strong, support those in healthcare, and observe public health guidelines because "to believe in this living is just a hard way to go."

Thanks for tuning in today.







Believing in this living is just a hard way to go - Musical Monday 2011.23

[1] Bonnie Raitt-Angel from Montgomery
[2] Joni Mitchell - You Dream Flat Tires
[3] Lucy Dacus - "Addictions" (Official Music Video)
[4] Phoebe Bridgers - Garden Song (Official Video)
[5] Still Corners - The Trip
[6] Nerina Pallot - Geek Love (Live At SWR3 New Pop Festival)
[7] Kawehi ~ "Mad World" at The Kessler Theater in Dallas, Texas (USA)
[8] Lucy Dacus - "Night Shift" (Austin City Limits)
[9] Phoebe Bridgers - I Know the End (Official Video)
[10] SEVDALIZA - LAMP LADY
[11] Japanese Breakfast - Boyish (Official Video)
[12] Lucius - Two Of Us On The Run | Honey I'm Home Session
[13] Lucy Dacus - "In The Air Tonight" (Phil Collins cover)
[14] Clan Of Xymox - A Day (HD music video 1985)
[15] Paul Weller | Earth Beat (Official Audio)
[16] Phoebe Bridgers - Motion Sickness (Official Video)
[17] I Am Kawehi - Elle King | Jace Everett | Amy Winehouse | Mashup | Quarantine Sessions #1
[18] Japanese Breakfast - Everybody Wants To Love You (Official Video)
[19] Sinead O'Connor - Make Me a Channel of Your Peace - Late Late Show 26/03/93
[20] Lucy Dacus - Nonbeliever (Live at The Current)
[21] Paul Weller - Long Long Road (Lyric Video)
[22] Daft Punk | Something About Us | Pomplamoose
[23] The Surfrajettes - Ghost Train
[24] Phoebe Bridgers - Savior Complex (Copycat Killer Version) 
[25] Lucy Dacus - "I Don't Wanna be Funny Anymore" (Official Music Video)
[26] Demi Lovato - The Lincoln Project presents our music video for "Commander in Chief"
[27] The Style Council - Walls Come Tumbling Down! (Official Video)
[28] Sergio Mendes & Brasil '66 - FOOL ON THE HILL 
[29] Cowboy Junkies "Powderfinger" (Neil Young & Crazy Horse Cover) Latent Uncovers
[30] Bonnie Raitt & Ruthie Foster "Angel From Montgomery" Road To Austin

ANGEL FROM MONTGOMERY

I am an old woman named after my mother
My old man is another child that's grown old
If dreams were lightning, thunder were desire
This old house would have burnt down a long time ago
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go
When I was a young girl, well, I had me a cowboy
He weren't much to look at, just a free rambling man
But that was a long time and no matter how I try
The years just flow by like a broken down dam
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go
There's flies in the kitchen, I can hear 'em there buzzing
And I ain't done nothing since I woke up today
How the hell can a person go to work in the morning
And come home in the evening and have nothing to say?
Make me an angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold on to
To believe in this living is just a hard way to go

Source: LyricFind
Songwriters: John Prine
Angel From Montgomery lyrics © Warner Chappell Music, Inc









- Bloggery committed by chris tower - 2011.23 - 10:10
- Days ago = 1970 days ago
- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
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- Bloggery committed by chris tower - 2503.04 - 10:10

- Days ago: MOM = 3533 days ago & DAD = 188 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: Covid-19, low power mode, music, Music Mixes, Musical Monday, sense of doubt reprint, Sevdaliza, women in music, women who amaze me

Monday, October 14, 2024

A Sense of Doubt blog post #3527 - "Alibi" - Sevdaliza and Pablo Vittar and Yseult - Music Monday for 2410.14



A Sense of Doubt blog post #3527 - "Alibi" - Sevdaliza and Pablo Vittar and Yseult - Music Monday for 2410.14


COUNTDOWN!!!

https://www.270towin.com/2024-countdown-clock/

021 DAYS TO THE ELECTION


I am still working on my PJ Harvey concert report, so it's rescheduled for next Monday.

So, it was a good day to share this new Sevdaliza song that was released earlier this year.

Blogger has banned and reinstated the Shabrang post multiple times because of the picture Sevdaliza used for the album cover and I used for the blog topper of her looking like she had just been beaten.

She's released a new song, which I hope means a new album is imminent as it has been four years since Shabrang. She has released many singles in the last few years. This one, "Alibi," is just the most recent.

I forgot that I had made a Sevdaliza category. 

Thanks for tuning in!!

SOME OF THE SEVDALIZA BLOG POSTS:

Monday, March 20, 2023
A Sense of Doubt blog post #2953 - "Human" - Sevdaliza - Music Monday for 2303.20

A Sense of Doubt blog post #2022 - New Sevdaliza album: Shabrang! Musical Monday 2008.31

Hey, Mom! Talking to My Mother #685 - ISON, the full album by Sevdaliza plus The Formula and "Human" - Musical Monday for 1705.22

A Sense of Doubt blog post #1277 - شاهماران Şahmaran - QUEEN of Snakes - Musical Monday for 1808.20

OFFICIAL SITE:

https://en.wikipedia.org/wiki/Sevdaliza

https://sevdaliza.com/

SEVDALIZA INSTAGRAM


J'Adore!


SEVDALIZA - ALIBI FT. PABLLO VITTAR & YSEULT (OFFICIAL MUSIC VIDEO)


SEVDALIZA 

Premiered Jun 28, 2024  #72 global top music video
Stream Alibi: https://lnkfi.re/ALIBI_

Written by: Sevdaliza &  @pabllovittar  &  @yseultofficiel  
Produced by: Sevdaliza & Mathias Janmaat 

Music Video:
Directed by Nogari @fernando.nogari
Produced by @iconoclastbrasil

Creative Direction @marthakisss
Creative Assistant @toforagido
Managing Director @pitylieutaud
Executive Producer @abauer858, @henriquedanieletto, @anamonte & @cescocivita
Executive Producer Ass @halleluj4
Coordinator Production @mablum 
Coordinator Production Ass @ca_loureiro & @vinebrk
Direction Ass Elis Manukian & _katritsis
Cinematography @maoriciu
Camera Ass @valese
Production Design @carolozzi
Production Design Ass @Isajimenesze & @faeldebrito
Object Producer @brruramos & @djessycat
Research: @halleluj4, @click.li & @priscilakubo
Production Director Reinaldo Faria
Producers @ ronder1909 & @patynagaoka
Production Ass @_pegolo
BTS @vitor.du.art
Stylist @juanduarte
MUA @suabreup

Assistants: 
Rodrigo Resende @_rodrigoresende 
Raphaela Cruz @byraphaelacruz
Paola Casatti @Paolacasatti 
Maria Demonia @mistressmaryd 

Extensions: 
Shady Jordan @Shady_Jordan  
Joao casatti  @joaocasatti  
Tattoo Artist : Atrix  @attrix.ttt 
Nails: Dani Romanenko  @nenkoconcept 

Sevdaliza crew:
Stylist @deluxewhore
Managment @nigel_mv & @bylijne

Pabllo Vittar crew:
Styling @vitferreira
Hairstylist @thereza.brown
Assistente de styling - Lincon Catto 
Produtora - Pamella Renha 
Diretora de Movimentos - Jessi Müller

Yseult crew:
Styling @eliemerveille
MUA @paintyourlips
Hairstylist @hairluvanya

Choreographer @ymoiramicall
Casting: 
@ayo.klunga, @bibidebibixa, @flowkountouriotis, @iraciestrela, @lacorteorin, @liuashanti, @lucilenemoreira9, @malkiliana, @mawu.lima, @verissim4 e Elizabeth Martins 

Casting makeup team: 
Sttefone @sttefone
Andrey Batista @_andreybatista
Holland Vision @holland.vision
Filipe Costa @norimeke

Lyrics: 

Pabllo Vittar
No meu amor sempre tem dor
Tudo pelo meu prazer

Sevdaliza
Can you remember when the last time was 
You felt safe 
In the dark
This world was never meant 
For a woman’s heart 
Still you rise 
Through it all 

When I’m out of breath she’s my vitals 
When I need to rev she’s my ride or die 
When I’m out of faith she’s my idol 
I just killed a man she’s my alibi 

Rosa, que linda eres (Alibi)
Rosa, que linda eres tu (Alibi)
Rosa, que linda eres (Alibi)
Rosa, que linda eres 

Yseult
Tout est nasty,
Que des mélo mélo dans ma tête
Que des mélo mélo dans ma tête
Que des mélo mélo dans ma tête

My baby doo doo 
Bisou dans le cou 
Sur mon corps tu donneras tout tout
Do u want it, do u want it too, 

Ton corps sera mon été 
Mmmm
J’ai mis ton coeur de côté 

Fini le temps des poètes,
Je les hais comme je les aime,
Quand je tue un homme, elle est mon alibi 

Rosa, que linda eres (Alibi)
Rosa, que linda eres tu (Alibi)
Rosa, que linda eres (Alibi)
Rosa, que linda eres

Pabllo Vittar
Muito prazer em conhecer
O causador de todo o teu sofrer
E eu vim de longe só pra te dizer
Tu é o meu mal querer

No meu amor sempre tem dor
Ela é meu álibi

Rosa, que linda eres (Alibi)
Rosa, que linda eres tu (Alibi)
Rosa, que linda eres (Alibi) 
Rosa, que linda eres tu 
(I just killed a man she’s my alibi) 

Rosa, que linda eres (Alibi)
Rosa, que linda eres tu (Alibi)
Rosa, que linda eres (Alibi)
Rosa, que linda eres tu

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- Bloggery committed by chris tower - 2410.14 - 10:10

- Days ago: MOM = 3391 days ago & DAD = 047 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: music, Music-Song-by-Song, Musical Monday, Sevdaliza, women in music, world music

Monday, February 26, 2024

A Sense of Doubt blog post #3296 - SoD Reprint #966 - Women in Music Round up - Musical Monday from 1802.26 for 2402.26


A Sense of Doubt blog post #3296 - SoD Reprint #966 - Women in Music Round up - Musical Monday from 1802.26 for 2402.26

Here's a reprint because it was Music Monday six years ago on this very day.

In 2018, I was still adding videos one by one as well as the video mix pod player. Those are still in the original post reprinted below.

However, I was not doing track lists then, so when videos get taken down there's no way to know what was in the mix. Several videos were taken down and altered this mix, and so I added more videos to bring the total to 26 tracks for the 26th of the month.

I tried to keep to songs that would have been out in 2018, and I think I did. The link to the mix and the track list is below, but the entire original post is farther down.

Given what's going on in Palestine, in Gaza, Yasmine Hamdan, though Lebanese, she is married to a Palestinian and uses the language in her songs, and so surely she has strong views on what Israel is doing.

FREE PALESTINE.

Here's your mix.

Thanks for tuning in.

Sexy Anthems & Women in Music


[1] Fergie Performs The U.S. National Anthem / 2018 NBA All-Star Game
[2] Fergie - A Little Work [Video Cut]
[3] Tracey Thorn - Sister (Official Audio) ft. Corinne Bailey Rae
[4] PJ Harvey - This Is Love
[5] björk: utopia
[6] Solange - Don't Touch My Hair (Video) ft. Sampha
[7] M.I.A. - Matangi | Music Video
[8] Yasmine Hamdan - Balad - بلد ياسمين حمدان (eng subs) Directed By Elia Suleiman
[9] Daniela Andrade - Stare at Each Other & Fall in Love
[10] The Girl from Ipanema - Stan Getz & Astrud Gilberto (cover by Elise Trouw)
[11] Sergio Mendes ft The Black Eyed Peas - Mais que nada
[12] SEVDALIZA - BLUECID
[13] Marshmello & Anne-Marie - FRIENDS (Music Video) *OFFICIAL FRIENDZONE ANTHEM*
[14] St. Vincent - "Los Ageless" (Official Video)
[15] Fiona Apple - Across the Universe (Official HD Video)
[16] Macy Gray - Sweet Baby ft. Erykah Badu
[17] Fergie - Love Is Pain
[18] NITTY SCOTT FEAT. ZAP MAMA - "LA DIASPORA"
[19] Erykah Badu - Afro Blue
[20] Sneaker Pimps - 6 Underground - Official Video [HD]
[21] Phantogram "When I'm Small" (Official Video)
[22] Fiona Apple - Criminal (Official HD Video)
[23] PJ Harvey - This Mess We're In
[24] Feist - I Feel It All
[25] Cat Power - "Cross Bones Style"
[26] Lorde - Everybody Wants to Rule the World




Six years ago! Here's the original post with fewer videos in the mix.

Monday, February 26, 2018

Hey, Mom! Talking to My Mother #966 - Sexy National Anthems and Women in Music Round up - Musical Monday for 1802.26


Hey, Mom! Talking to My Mother #966 - Sexy National Anthems and Women in Music Round up - Musical Monday for 1802.26

Hi Mom,

So last week when Fergie got eviscerated in the press and online for rendition of the national anthem at the NBA All-Star Game for 2018, which is the first track here and in the You Tube playlist.

I rather liked her performance, though not many people agree with me, even Fergie, who admitted it wasn't her best and what she was trying for didn't really come off well. I can see that, but I liked that tried something different. I support the different.

And so, I was inspired to make a mix for once with all women artists, though an emphasis on Fergie -- four of the tracks are either Fergie solos or feature her with the Black Eyed Peas.

I also wanted to feature woman of color, though not exclusively, so I went to some of my favorite artists, like Erykah Badu, MIA, Solange, and Daniela Andrade, but then as I built the list others came up as YouTube suggested them, such as Cat Power, which seemed to fit perfectly. Ayabambi, Nitty Scott, Macy Gray, and Sneaker Pimps were all suggested by YouTube and I am thankful for finding some new artists to follow.

I have posted some of these tracks before, such as Yasmine Hamdan's "Balad" and Badu's "Afro Blue" but I feel they fit this group.

I was also excited to find a new cut by Tracey Thorn as her new album debuts later this week. I also added new tracks by St. Vincent, Anne Marie, and the Kesha performance from the Grammy Awards to give this post some "kairos."

Also, it stood out to me when Tracey Thorn sang about missing her mom, Mom. That seems to fit the theme of the blog, even though I am not writing about you so much anymore, though I am still writing TO YOU.

I have been listenting to it a lot as I work, so I made the easy YOUTUBE playlist (link below), which does not require constant clicking as you would need to do to play from my blog.

Funny side note. I didn't plan it, but I ended up grabbing the Phantogram that my wife plays a lot. I think she played this Cat Power track quite a bit back in October when it came out.

Seemed right to end with Lorde, who will soon play a concert here in Portland.

Time to post.

Hope you like it.

"i have nothing to control and I am controlling it."
- Sevdaliza

Sexy Anthems and Women in Music PLAYLIST on YOU TUBE
by Chris Tower
for Monday February 26




FOR THE STORY ON FERGIE'S ANTHEM:

http://www.espn.com/nba/story/_/id/22504241/fergie-addresses-national-anthem-controversy-all-star-game






























































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Reflect and connect.
Have someone give you a kiss, and tell you that I love you, Mom.
I miss you so very much, Mom.
Talk to you tomorrow, Mom.
- Days ago = 968 days ago
- Bloggery committed by chris tower - 1802.26 - 10:10
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- Bloggery committed by chris tower - 2402. 26 - 10:10

- Days ago = 3160 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: Hey Mom-reprint, music, Music Mixes, Musical Monday, sense of doubt reprint, Sevdaliza, women in music

Monday, March 20, 2023

A Sense of Doubt blog post #2953 - "Human" - Sevdaliza - Music Monday for 2303.20

https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839


A Sense of Doubt blog post #2953 - "Human" - Sevdaliza - Music Monday for 2303.20

Since this post is a regular Music Monday post, it is not in the count of the extended 12 post MUSIC WEEK 2023. Number Twelve drops tomorrow.

This is a fitting post for the day final grades are due for Winter 2023.

I am not just a grading robot. I am HUMAN.

I have featured Sevdaliza many times on this blog.

She amazes me.

Her art speaks to me, to things deep inside me.

Though I have featured her music in many music mixes on this blog and my YOU TUBE channel, I am only posting one here, below.

For more check out my SEVDALIZA category linked in the category list to the right.

THREE BLOG POSTS:


A Sense of Doubt blog post #2022 - New Sevdaliza album: Shabrang! Musical Monday 2008.31


Hey, Mom! Talking to My Mother #685 - ISON, the full album by Sevdaliza plus The Formula and "Human" - Musical Monday for 1705.22


A Sense of Doubt blog post #1277 - شاهماران Şahmaran - QUEEN of Snakes - Musical Monday for 1808.20



OFFICIAL SITE:

https://sevdaliza.com/

SEVDALIZA INSTAGRAM


J'Adore!

Thanks for tuning in.


SEVDALIZA: Throwback to the first time in my life that I actually felt beautiful.
Immortalized by @paulkooiker @leendertcs @laurayard

https://www.instagram.com/p/CnfF-JBuzly/?hl=en



https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839


In Sevdalizas video, however, the perverse spectator is brought to the center. Rather than scapegoating the act of oppressive sexualization onto animals (and “others” — note the background men in Langs film), Sevdaliza brings them forth and allows us to rest for a long time on their nervous, sweaty, uncomfortable and guilty spectatorship. Furthermore, the male gaze is stretched out through other hungry characters, as if to tell us that we are all guilty of oppressive consumptions (or what bell hooks might call “eating the other”) — or that we may all have internalized the male gaze. Just like that, Sevdaliza turns it around, and the humans are the animals consuming and sexualizing her — the animal insisting it is human.
Tess S. Skadegard Thorsen https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839





"Human" - Sevdaliza






SEVDALIZA

Nov 17, 2016
Pre-order my new album Shabrang! : http://sevdaliza.com/shabrang

'the basic human need to be watched was once satisfied by god'

sevdaliza.com
mucky.nl

original music: Sevdaliza
produced by: Mucky 
co-produced by: Sevdaliza
concept: Sevdaliza & Emmanuel Adjei
director: Emmanuel Adjei

sevdaliza.com
emmanueladjei.com
mucky.nl

FROM WIKI    

"Human"[edit]

Sevdaliza appears to be a satyr and an erotic dancer performing in a semi-abandoned large building with classical detailing in front of an audience sitting on a mezzanine. The audience consists of only men, who are clearly wealthy, being served food and receiving this seemingly private and exclusive performance. The time and place that this is occurring remains ambiguous, mostly because of the mysteriousness of Sevdaliza's semi-mythological character, who is dancing on dirt that has been plowed as in preparation for an animal race. Additionally, her outfit recalls that of Debra Paget in the 1959 film The Indian Tomb, a nod to old Hollywood nostalgia and popular roles women play catering to male sexual desire.[33] The audience members sweat and watch cautiously, as if scared of her. Her video on YouTube is accompanied by the quote, 'the basic human need to be watched was once satisfied by god'. There is an official rendition of the song in Portuguese. The video for Human was directed by Emmanuel Adjei.







https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839

And what is that about? Why is Sevdaliza half horse? At first, I thought of it quite literally — the animalism was a play on Sevdaliza striving to be seen as human (literally the lyric of the song) — a simple play on the dehumanization of women (maybe particularly women of colour). But I recently attended a seminar and lecture with Quantum Physicist Karen Barad. My sister introduced me to Barads work years ago, but while attending the lecture a coin dropped — and finally I began to understand some of the links between posthumanist feminist philosophy, queer-theory and Sevdalizas horse legs.

It sounds way out — but it makes me think of Karen Barads text Transmaterialities from GLQ: a journal of lesbian and gay studies — particularly the following quote: “Monstrosity, like electrical jolts, cuts both ways. It can serve to demonize, dehumanize, and demoralize. It can also be a source of political agency. It can empower and radicalize.” Was Sevdaliza radically performing monstrosity?

Applying Barads uses of “both/and” — in which we are asked to consider the materiality of something that is “both” (two separate things) “and” (one whole/the same) at the same time — begs us to consider that the fixedness with which we define bodies (ie. what is Human) might not be the most useful way to think of materiality. One could ask — is Sevdaliza distinctly human and nonhuman but also simultaneously both? If so, Sevdalizas Human video offers a quite literal critique through a use of the posthuman/nonhuman altered body — in other words, her use of the nonhuman and exotified character only briefly dehumanizes and demonizes Sevdaliza, in order to ultimately dehumanize, demoralize and critique the audience, ultimately giving Sevdaliza the empowering radical agency to reflect humanity onto itself through her own (non/)human state.




Human/Lyrics

Search Results

Main Results

I am, I have
I breathe in and out
I own a heart
An ear and an eye
I've only been here one time
It's passing me by
Been in and out
And in front of my judgmental eyes
Precious disguise
Business so cold
Can't cope with my own
How to not fail
I am flesh, bones
I am skin, soul
I am human
Nothing more than human
I am sweat, flaws
I am veins, scars
I am human
Nothing more than human
I am human
I am human
Human
Human
Human
Human
Source: LyricFind
Songwriters: Reynard K Bargmann / Sevda Alizadeh
Human lyrics © Cloud9, Downtown Music Publishing









https://www.wonderlandmagazine.com/2020/09/07/sevdaliza-2/



“This album represents to me that the essence of it all to me is love,” Sevdaliza explains. “It is a deep letter to myself, my own bible I have to write in order to trust and believe in life. Trust in myself and my character as a human being.”
Wonderland Staff https://www.wonderlandmagazine.com/2020/09/07/sevdaliza-2/



https://pitchfork.com/reviews/albums/sevdaliza-the-calling-ep/


The Calling isn’t a departure from ISON so much as a distillation in both sound and in genre. The two pejoratives for trip-hop, the coffeeshop and the bedroom, suggest shallow, half-hearted connections with other people, which was always strange for a genre that, at its best, is about extensive self-reflection. And The Calling certainly has that, occasionally to excess. There’s a fair amount of woo to get past, starting in interviews and peaking in “Human Nature” with a sotto voce spoken-word quotation of the guru Osho, whose more salacious teachings are the subject of Netflix’s cult doc “Wild Wild Country.” Once you do, though, the music is well worth it.

Sevdaliza’s voice evokes the best bits of the genre’s greats—Tracey Thorn’s richness, Nicola Hitchcock’s tremolo—while adding distinctive melisma evoking her Iranian roots. Mucky hones his sound further here. Like Arca, his productions often dwell on empty space, and just how far it can expand; “Soothsayer,” in particular, has moments that spool out slowly, very much like parts of Björk’s Arca-produced Vulnicura. The Calling takes the best part of ISON—the strings—and makes them even more abundant and central.

Condé Nast https://pitchfork.com/reviews/albums/sevdaliza-the-calling-ep/


“There’s a woman, she’s every fantasy, and no reality in one,” sings Sevda Alizadeh, better known as Sevdaliza, in “Amandine Insensible.” The song is about one of the musician’s alter egos, a woman named Amandine, who is so lost in her fantasies that she doesn’t care about anything else around her. Just as she takes on several characters (Amandine, Marilyn Monroe, and Zilla—a woman experiencing loss—are a few in her professional realm), Sevdaliza’s personal background too is fragmented. Born in Tehran, the singer—whose ethnic background is Persian, Russian, and Azerbaijani—left Iran with her family to move to Rotterdam at a young age. She went on to play for the Dutch national basketball team in her teens before pursuing a master’s degree in communications. It wasn’t until after university that Sevdaliza honed her sound: a fusion of haunting vocals mixed in with sultry synths and pulsating beats. Through her melancholic lyrics, she investigates identity and transformation.

​Like Sevdaliza, Beatrix Ruf landed in the Netherlands as a foreigner. The German curator moved to Amsterdam from Zurich to become the director of the Stedelijk Museum in 2014, the city’s main institution for modern and contemporary art. Her dedication to art and sense for aesthetics have qualified her as one of the most admired museum heads in the world. In 2006, she curated the Tate Triennial, along with a survey of the German artist Isa Genzken, and her collaborators span from the established, like Swiss artist Ugo Rondinone, to the emerging, such as South African artist Zanele Muholi, who opened an exhibition at the Stedelijk in summer of 2017. In their home country this summer, Sevdaliza and Ruf conversed over their common creative ground, discussing the role of identity in art, racism, and migration.

Ann Binlot https://www.documentjournal.com/2018/02/musician-sevdaliza-escapes-expectations-with-curator-beatrix-ruf/

https://www.documentjournal.com/2018/02/musician-sevdaliza-escapes-expectations-with-curator-beatrix-ruf/

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- Bloggery committed by chris tower - 2303.20 - 10:10

- Days ago = 2817 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: Cult of celebrity, grading robot, humanism, music, Music-Song-by-Song, Musical Monday, Muslims, Sevdaliza, women in music, women who amaze me, world music
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I am Christopher Tower the gmr

I am Christopher Tower (or Chris), and I am a writer of stuff. I grew up in Michigan; I now live in the Portland, OR metro area. I play Ultimate, ride a bike, and supposedly educate college persons while myself being educated in college. I am married with two kids, a beagle, a curly lab, and a fiesty pug/frenche mix. I like sushi. I love all SF, fantasy, comic books, D&D, board games, and Gnosticism. I am a Jungian. I am currently studying Clinical Mental Health Counseling at Walden University.

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SENSE OF DOUBT STATUS AS OF 0705.04 - 16:45

Sense of Doubt is not currently dedicated to any themes or special interest. The subject matter is mine and may range from comic books to ultimate or from Baseball to feminist-centered media criticism. Until I feel I have enough content for multiple blogs, or until I am seized with a desire to create multiple blogs, this is it, and appropriately so. "Sense of Doubt" came about in Bowie’s Berlin period and the dark, ambient collaborations with Brian Eno. Like the Bowie of 1978, I have my own darkness that steals over me and through me, infecting everything. At the risk of sounding far too melodramatically obsessed with my own self-flagellations, this blog dedicates itself to that darkness, that infection. But it’s fun, too. Hey, I can be amusing? Or not. It’s the way of the [w]rench. Neurosis compelling action in insecure double-checking and misunderstanding evasions. It is my way.
More from the original description text that needed editing in 2015: Furthermore, Sense of Doubt is dedicated to the random. The theme is no theme. Just questions, doubt, and uncertainty. Feel the power of not knowing the answer. So dedicated on the last day of July 2006 by the Galactic Monkey Wrench.

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It's about how my identity was taken from me by the powers that think they be, an identity, a job, I held for ten years. Go there if curious.

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This is the logo of the Galactic Monkey Wrench. I was given the nickname Galactic Monkey Wrench in college by a friend of mine who felt that I threw the monkey wrench into the cosmos at every available opportunity. Later, in discussions with my best friend, who is the Lord of Chaos (the Loc), he asked for my title and when I told him, without thinking, he blurted out "the gmr!" Since this was random and we appreciate randomness, I became the gmr, even though technically I should be the gmw. But gmw sounds like a car or some industrial manufacturing firm that makes a strange widget of which one has never heard. This acronym fetish may make no sense to anyone else, but my friend and I are quite driven to provide acronyms for many things. At the very least, it allows us to keep our conversations obscure and often private as no one knows about what we're talking.

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