Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Showing posts with label Moby. Show all posts
Showing posts with label Moby. Show all posts

Monday, March 27, 2023

A Sense of Doubt blog post #2960 - Novio, a Musical Monday Mix for 2303.27

Rare shot of Sperm Whales Sleeping
https://www.demilked.com/sperm-whales-sleep-franco-banfi/

A Sense of Doubt blog post #2960 - Novio, a Musical Monday Mix for 2303.27

This post has been in the works for quite some time.

I plan posts months in advance and space out "in the works" blog posts; however, I often have to delay these draft posts because they are not ready, and I do not have time to complete them.

Though I just finished the mix today with 27 tracks for March 27th, the other content in this post has been here a long time.

I really love of this music, but it is not as easy to assemble all those tracks into a mix as they appear on many different platforms. The mostafa raafat music is in particular a favorite that I play often.

But before all those tracks, first, a mix themed around Moby's "Novio" with a mixture of mostly instrumental if not ambient music.

Also, the image up top is one of my favorites in recent years, and I think it goes very well with this music, especially what is in the mix.

Thanks for tuning in.

Enjoy.

Novio Mix - Music Monday for 2303.27
- 27 tracks for March 27th






TRACK LIST

[1] Novio (Moby)
[2] Long Walk Lori Carson
[3] "Water From A Vine Leaf (Tripswitch Remix)" - William Orbit
[4] "Land-escape" - Safir Nòu
[5] She Can't Decide - Lori Carson
[6] Water Babies - William Orbit
[7] Pont des Arts - St Germain Official
[8] Dark Early - Express Rising
[9] Sea Green - William Orbit
[10] MOMENTS IN LOVE (THE ORIGINAL) - ART OF NOISE
[11] they live in the sky - william orbit
[12] A Hazy Shade Of Random - William Orbit
[13] 'Hymn' - Official video - Moby
[14] Drawing of a Lake - Express Rising
[15] A Secret Life - Brian Eno and David Byrne
[16] Upon This Earth 1986 - David Sylvian 
[17] Lazy Calm - Cocteau Twins
[18] Time And Time Again (Mendoza 2 Jun 2007) Robert Fripp - Music For Quiet Moments 52 
[19] Everloving (Official Audio) - Moby
[20] "neighborhood" - express rising
[21] Le Monde [Official Audio] - Thievery Corporation
[22] Saint Agnes and The Burning Train (CD The Soul Cages) - Sting 
[23] Mahk Jchi (Heartbeat Drum Song) - Robbie Robertson
[24] GentleScape (Barcelona 24 Jul 2009) - Robert Fripp - Music for Quiet Moments 2
[25] Home - David Sylvian 
[26] An Ending (Ascent) (Remastered 2019) - Brian Eno
[27] First cool hive - Moby























































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- Bloggery committed by chris tower - 2303.27 - 10:10

- Days ago = 2824 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here


Monday, June 1, 2020

A Sense of Doubt blog post #1931 - NEW MOBY - All Visible Objects - Musical Monday for 2006.01


A Sense of Doubt blog post #1931 - NEW MOBY - All Visible Objects  - Musical Monday for 2006.01

There's a new Moby album.

I have a complicated relationship with Moby that I have written about before, especially after reading his memoir:

Really this one is also about Moby:

A Sense of Doubt blog post #1612 - No Walls and the Recurring Dream by Ani DiFranco
and

A Sense of Doubt blog post #1915 - 2018-2019: Books Read

Given what is happening in the nation, it may be ill-timed to feature an album by a white man, privileged now, though he grew up in poverty with a single mom.

But I also need a break from the current news cycle, and maybe some readers do, too.

I also liked the inside glimpse into Moby's work space in the video below. I am fascinated (obsessively) with work spaces.

http://moby.la/allvisibleobjectsYo




https://riffmagazine.com/album-reviews/moby-all-visible-objects/

ALBUM REVIEW: Moby’s ‘All Visible Objects’ is a satisfying throwback with a confusing ending

Daniel J. Willis

Most of All Visible Objects, the new album by Moby, is a very good throwback electronic dance album. The rest is a maudlin EP of similar-sounding piano ballads. Released separately, they would each be a success for their respective audiences. Unfortunately, mashed together into one album, each undercuts the strengths of the other and the whole is less than the sum of its parts.
All Visible ObjectsMoby
Mute Records, May 15
Compared to the final, slower, piano-driven tracks, the more traditionally Moby electronic tracks feel dated and frivolous. And compared to the energetic dance tracks, the four songs at the end of the album seem downright boring. Which is a shame because each individual song, without the context of the rest of the album, is good.
Many choose music based on what they want their mood to be—for example, they may seek out a throwback electronic dance album to raise their spirits in a dark time. But for them, slamming unexpectedly into a solid wall of ennui after eight uptempo, high-energy songs is a bait-and-switch bordering on cruel.
Even more puzzling is that the title track is itself one of the inconsistencies. If those final songs were unrelated works tacked on to compensate for the almost-overnight shift in the world’s tone and mood, it would be a more forgivable mistake, but apparently the aural whiplash was by design.
tructural issues aside, it’s only fair to judge each segment of the album separately, since there’s no reason why people can’t listen to them as such.
The opening track, “Morningside,” immediately throws you into the sort of driving beat and reverb-heavy vocal loop that defined techno in the ’90s, before it changed its name to EDM. It’s nostalgic without feeling too dated, despite some bits of digital percussion that haven’t gotten much use in the past decade. That is not an easy balancing act to pull off.
Following that are several slower tracks, but still with the underlying techno fundamentals. “My Only Love,” is similarly retro but with the piano loops and female vocals that served as Moby’s signature during his heyday. It also strikes a balance, but this time between dance track and love ballad. “Refuge” has a looped vocal, and “One Last Time” is in the same style as “Morningside” but slower.
From there, the first, pre-pandemic single “Power Is Taken” ramps up the tempo even more with a sharper beat. It sounds like it could have been on that 1994 “Mortal-Kombat”-inspired album that everyone knows but nobody can remember owning. Which is a compliment since, after all, more than 25 years later, most of a generation still remembers that album.
Finally, the last two songs of the album proper, “Rise Up In Love” and “Forever,” dip back into the formula of “My Only Love” with a decent amount of success. It slows the tempo a bit, possibly in an effort to prepare for what’s to come, but not to the necessary extent, and not to the level needed to make it feel consistent.
Then, after giving yourself a chance to stop and mentally reset, we move on to the melancholy portion of the program.
“There’s Too Much Change” is an odd choice for a single regardless of era or intent. Even aside from the other issues, it’s nearly 10 minutes long, far more than anyone other than prog rock fans will usually tolerate. Even its internal tonal consistency is all over the place, with a proper techno beat breaking in over seven minutes into the song, well after casual Moby fans have tuned out.
And even for fans of long songs, “There’s Too Much Change” just feels long. It’s a lot of song. It would be a lot for two songs.
The other two pure piano ballads, “Separation” and the title track “All Visible Objects,” begin almost indistinguishably with drawn-out piano solos. “Separation” continues along those lines, however, while “All Visible Objects” transitions into an ambient, atmospheric and instrumental meditation.
Between those two is “Tecie” which, by all accounts, belongs earlier in the album. It would have made a far better transition to those three outliers, in fact, but instead is right in the middle, adding to the tonal inconsistency.
In short, if you’re a Moby fan but not to the extent you can name all his albums in order, the first seven songs on All Visible Objects will take you back to younger, more innocent days, and maybe take your mind off the chaos in the world. If you appreciate slow, methodical piano music, and you’re looking for music to match these times, the last four songs will do that job fantastically.
Just don’t listen to the entire album in order.
Follow editor Daniel J. Willis at Twitter.com/BayAreaData.

Daniel J. Willis spent 10 years with the Oakland Tribune, Mercury News and Contra Costa Times, rising from the ranks of editorial assistant to reporter to data journalist, where he became proficient in looking at complex spreadsheets and finding out which government bureaucrats were stealing your money. Daniel is a diehard Oakland Athletics fan, and will one day follow Metallica on tour.







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- Bloggery committed by chris tower - 2006.01 - 10:10

- Days ago = 1975 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Saturday, May 16, 2020

A Sense of Doubt blog post #1915 - 2018-2019: Books Read


A Sense of Doubt blog post #1915 - 2018-2019: Books Read

One theme of this blog that should be abundantly clear is that I love reading and that it definitely ranks as one of the very tip-top avocations in my life.

In 2019, I read 47 books, counting Middlesex twice, as I read it twice to prepare for a talk and to teach it in class. Of these forty-seven books, 36 of them are print books and of them are 11 graphic novels. I consumed 25 of the books via audio, while reading 11 print books in the traditional way, and 11 graphic novels, also traditionally, as one cannot read graphic novels via audio because of the pictures (duh).

For the record, mostly, I like to read ON PAPER. Digital is great and convenient. I do own a Kindle. But I spend all day looking at screens. Since I read at night before bed, I like to look at paper. It's lo-fi, it's not shining with light, and it's relaxing.

Looking at these numbers of books read in 2019, they are close to the claim I often make that I do two-thirds of my reading each year via audio. Dismissing the graphic novels, twenty-five of thirty-six, looks to be almost exactly two-thirds leaving eleven, which is basically one-third of the total.

Since I did not do one of these posts for 2018, and will investigate the previous year a little lower in the post, then we shall see if these numbers prove the pudding through and through.

GOOD READS has helped me with an end of the year retrospective, which I sent via Twitter and include here.


I was prompted to find my own end of the year analysis by Good Reads when my friend Suzanne Kamata posted hers. So here's hers for a comparison:

https://www.goodreads.com/user/year_in_books/2019/384871?utm_source=twitter



And she tells me she read closer to 100 books, probably, which is an amazing reading regimen. I mean, I read a lot, and I read more than books, so my reading output is not wholly measured by books. But 100 books in 12 months is over eight books per month.

EIGHT! That's almost as many as the number of traditional print books I read for the entire year (and that number, remember, is eleven)!

SO FAR 2020

And yet, somehow, I have found more time for reading since the year began. I started this post in January (of course) and now it's May. In four months (May just started), I am on a better book pace than last year. Sixteen books through four months is a pace to read sixty-four books this year, more than last year. Of course, this number includes graphic novels and audio books.

Of my sixteen so far, I read seven print books via traditional means (not audio), I read two graphic novels (though I am about to read a whole bunch more), and the remaining seven are all via audio, though three of them were re-reads: The Painted Word, Snow Crash, and The Traveler.

These numbers do not reflect single issues of comic books, articles, lots of nonfiction that I read parts of, and other various things.

Here's the books I am reading right now not yet in the lists shared in this blog entry:


This grid is a little inaccurate as The Fall of Berlin and Cunning Plans (Ellis) have been sitting in this queue for years. I actually read Cunning Plans.

But as you can see I am re-reading The Consuming Fire to get ready for reading The Last Emperox. I am reading Cory Doctorow's Radicalized and loving it. I may have to re-read Walkaway.

Radicalized may get its own post. It's that good.

That's a problem with reading (for me): memory.

2020 - so far

I will save my comments on the 2020 books so far for after the year is out or if I make individual posts.

Of these, subtracting those I have read before, I really loved Fangirl and All Systems Red. Of course, I really liked Indigo Girl by my friend Suzanne Kamata, but though I liked it, I am not mad for Gideon the Ninth as some are in SF and Fantasy fandom.

As evidenced here:

A Sense of Doubt blog post #1778 - 2010-2019: A Decade of Change in Science Fiction and Fantasy



THE BOOKS OF 2019

Okay, time for a review of the books of 2019 somewhat book-by-book. In past years, I tried to do reviews. In fact, if I could find more time to blog, I would love to thoughtful reviews of each book I read. But there's not time for that.

So, I will examine the first batch.


The Future of Another Timeline audiobook cover artI read Annalee Newitz's first book Autonomous in 2018. I ended my reading year with their new book The Future of Another Time Line, which I liked a lot more than Autonomous. Not that the previous book is bad, it just did not stick with me afterwards as their new book did. Also, the audio narration was great. AUDIBLE.


We Are Lost and FoundNear the end of I read the latest book by my friend Helene Dunbar: We Are Lost and Found, set in NYC during the earl days of the AIDS crisis.

I liked it a lot, and also, the narrator was fantastic: AUDIBLE. Knowing my friend as I do, I can see how the characters originated. Influenced somewhat by Brideshead Revisited?

She did a great job with the Eighties flair. The story is filled with LOTS AND LOTS OF ANGST, which is Helene's thing. A really great thing she did is reaching out to key people in GLADD and ....... to write afterword essays about this time period in America and what it meant for the gay community.

There's a whole bunch of graphic novels but not enough graphic novels, really, compared to my stack or my recent goals in the lack of weekly comics due to the pandemic. I am thrilled to have discovered Gideon Falls, which is one of my newest favourites. I have had the first volume of Bitch Planet and am glad I finally got around to reading it. I did not LOVE Pretty Deadly, though I like the grim reaper western cowboy themes. In that first grid, despite how much I loved the others, it may be Laura Dean Keeps Breaking Up With Me that wins best of the lot. I talked it up in all of my classes.

I re-read The Book of Dust: La Belle Sauvage to be able to read The Book of Dust: The Secret Commonwealth. I admit that I like the second book better than the first, though I did like the story of the storm and flood and Lyra as an infant far more in a second read than a first. However, to age Lyra to young adult years (early 20s?) and bring by back Malcolm from the first book (La Belle Sauvage) while referencing Lyra's adventures in the His Dark Materials books was a wonderful idea on Pullman's part. But the rift in the story between Lyra and her daemon Pantalimon is heart breaking and just what the story needs. As always through the dark times do we succeed. I love Pullman's work, and these stories have my whole heart: I will keep reading.

Margaret Atwood unveils sequel to The Handmaid's Tale: The ...


I was eager to read Margaret Atwood's "sequel" to The Handmaid's Tale when I heard about it. The Testaments starts a bit slowly but it builds up steam as it goes. I have always loved the most minute level of Atwood's detail work, all those little things. Atwood's prose should be sipped like nectar. It's rich and fragrant and yet darkly humorous and emotionally moving. I was telling people that this book should be read if only for the depiction and development of Aunt Lydia. It's NOT The Handmaid's Tale, but then it shouldn't try to be. I was not sure I loved it right away as a story and a novel, though I always love Atwood's prose, but in the end, I did love it. I don't care if she wrote it to cash in on the success of the HULU show of The Handmaid's Tale. She deserves this success and these accolades. Would we have told Tolkien not to write the Lord of the Rings because The Hobbit did not need a sequel? And Atwood steered clear of a "novelization" of the storylines unfolding in the HULU show. It's another great book by her, and I hope she can write several more great books before coming to the end of her life.


As you can see, in 2020, I just read Mistborn, which I did not like nearly as much as Skyward, and I am likely to get Sanderson's sequel, Starsight, and gobble it up very soon. I bought Skyward mainly because of the cover. The audio book was great, and one of my favourites of last year. One of my colleagues, Amber Lemiere, recommended A Small Place by Jamaica Kindcaid to me, and so one afternoon I picked it up and read it straight through. Then I read parts of it again. I need to read it yet again as the best things about it have slipped my mind and only the enjoyment remains.

The Strange Case of the Alchemist's Daughter by Theodore Goss inspired me enough to want to read the second book, which is currently in my stack, sort of near to the top. After years of having it in my stack and now as an avid reader of David Brin's blog CONTRARY BRIN, I finally managed to read The Postman, which I liked rather a lot and not just because Brin keeps referencing it as we seem to be headed for the "end of days." Warren Ellis supplied me with the recommendation for The Blinded Man and the Swedish writer Arne Dahl, which I liked a great deal more than the Georges Simeon book I also read on Ellis' recommendation. And I also managed to read Spark by John Twelve Hawks to get current and get inspired to do a re-read of his Dark River series, of which I finished the first one so far in 2020. Also, I read Nnedi Okorafor's Broken Places Outer Spaces, which I liked very much. Also, I have a little crush on Okorafor.




And so, I finally got around to reading Stephen King's 11/22/63, which I simply adored. I am not often fond of the popular writers (JK Rowlings is a notable exception), but Stephen King is a gem, and despite times when I think he is self indulgent in the extreme (though I would be, too, if I was him), I always enjoy his work immensely, especially his re-surgence since recovering from his being hit by that car.


I read two music memoirs back to back: Moby's Then It Fell Apart and Ani DiFranco's No Walls and the Impossible Dream. DiFranco's book was everything Moby's wasn't: positive to negative, somewhat humble to ridiculously arrogant and absurdly decadent. But I feel for Moby. I fear I might have become what Moby became if I had been on his career trajectory. I feel that he and I have similar world views and experiences. Though there are differences, we surely would have found each other and been pals if we went to the same high school. I like Moby's book because I like Moby's music, but I didn't really like it as a book, a memoir, or could admire it as a life lived. Moby's an idiot, which is surely what people would say of me as I might have done the same things he did. I admire Ani DiFranco immensely. I am even more proud that my new friend and colleague Abbie Leavens joined me in Portland (about a year ago as I write these words today May 16th) to see DiFranco talk about her book and get our signed copies with the ticket purchase.

A Sense of Doubt blog post #1612 - No Walls and the Recurring Dream by Ani DiFranco

I re-read Middlesex for the third and fourth times because I spoke on it for a community conversation -- https://sensedoubt.blogspot.com/2019/05/a-sense-of-doubt-blog-post-1550-on.html -- and I taught it a couple of times -- https://sensedoubt.blogspot.com/2019/11/a-sense-of-doubt-blog-post-1727.html. Along the way I read two books by Cordelia Fine: Delusions of Gender and Testosterone Rex as I prepared the talk and class content. There are other school books here as well from my Humanities class at Concordia, such as a re-reading of Chinua Achebe's Things Fall Apart and new to me books, like A Human Being Died That Night, I Rigoberta Menchu, and Exterminate the Brutesas well as reading Paulo Friere's Pedagogy of the Oppressed, which I had read parts of but not the whole thing.

Amazon.com: Killing Gravity (Kindle Single) (The Voidwitch Saga ...I always read Orson Scott Card's latest books in the Ender or Formic Wars series as soon as they come out via audio, so I read The Hive. For years, since the T-shirt blog, I think, I have had a draft of a post about Card's anti-gay-marriage stand, as a Mormon, and yet how I have decided to separate the art from the artists as I read his work for many years before I knew was a religious bigot, even if he is a reasonably spoken one.

I finally got around to reading Corey White's first void witch book Killing Gravity, but I would have to re-read it before moving on to the subsequent volumes. As usual, I get recommendations from Ellis,  which here on the grid above constitute Infinite Detail by Tim Maughan, which I liked more than last year's Gnomon. Both are good but not gripping. I filled in gaps with some of the other things you see, like LeGuin stories and graphic novels. Of course, I read Scalzi's The Consuming Fire when it came out, but first, I re-read The Collapsing Empire. Coincidentally as I type these words, I am re-reading The Consuming Fire -- Thank you Wil Wheaton audio -- to prepare for the third book of the trilogy: The Last Emperox. AND I really enjoyed Joe Hill's NOS4A2, much more than either the TV show or the comic books of the same name.

One of my traditional reads was Trail of Lightning by Rebecca Roanhorse, which I expected to love and instead liked a lot.

I learned of the book via Locus Magazine, and it took me forever to read because of work, comic books, and exhaustion. I read in bed, so if I am exhausted or my wife wants to watch things, it really cuts into my reading time.

So, my reading of Trail of Lightning progressed slowly but not because of lack of enjoyment but more because of distraction and exhaustion.

I just saved the second book in my queue, and I am considering pre-ordering Ronahorse's next book due in October.

Someone took this picture to the right, and it appealed to me.

The book has received many accolades as evidenced on its AMAZON page:

Review

A NPR 2018 Great Reads Selection for Best Science Fiction/Fantasy

A Library Journal Best Book of 2018 Selection

A Kirkus Reviews Best of the Best Science Fiction and Fantasy of 2018 Selection

An Amazon Best Science Fiction and Fantasy of 2018 Selection 

A B&N Sc-Fi & Fantasy 50 Greatest Debut SFF Novels Ever Written Selection

A Tor.com Best Book of 2018 - So Far Selection

A B&N Sci-Fi & Fantasy Best Book of 2018 So Far Selection

Selected as a Highly Anticipated Summer Read by Amazon, Barnes & Noble, and iBooks.

An Amazon Best Book of the Month Selection

One of Bustle's top 20 books of the decade

“Someone please cancel ‘Supernatural’ already and give us at least five seasons of this badass indigenous monster-hunter and her silver-tongued sidekick.", - The New York Times

“What an astonishing tour de force with thrilling action, fascinating characters and a near future vision of America that I've never seen before. Urban fantasy just got a whole new lease on life.” -- -- Charlie Jane Anders,, Hugo Award-winning author of All the Birds in the Sky

* "Roanhorse vividly depicts Navajo land, legends, and culture in her marvelous fantasy debut.", - (STARRED REVIEW) Publishers Weekly

"This exciting postapocalyptic debut, with its heady combination of smartly drawn characters, Wild West feel, and twisty plot, is a must-read.", -- (STARRED REVIEW) Library Journal

"Super great! It is so exciting to read such a fresh take on Urban Fantasy." -- Ana Grilo,, Kirkus Reviews

"It’s the perfect book to pack for the beach or on a summer trip.” -- – Andrew Liptak, , The Verge

“Roanhorse is indigenizing the future of science fiction and fantasy.”, – SYFY Wire

“What’s not to love about Trail of Lightning? It’s a frakking awesome novel and a fantastic prelude to what is sure to be a thrilling series.” -- – Alex Brown, , Tor.com

"This is a fast, fun read." -- - Liz Bourke, , Tor.com

About the Author

Rebecca Roanhorse is a Nebula award-winning and Hugo-nominated speculative fiction writer. She is also a 2017 Campbell Award Finalist for Best New Science Fiction and Fantasy writer. Her novel TRAIL OF LIGHTNING is the first book in the SIXTH WORLD series, followed by STORM OF LOCUSTS in 2019.

Shelives in Northern New Mexico with her husband, daughter, and pug. Find more at rebeccaroanhorse.com and follow her on Twitter at @RoanhorseBex.




I re-read Watership Down last year to ready myself for the newly animated version on Netflix, which I still have not watched. I also re-read Harry Potter and the Cursed Child because at some point in the year I could not remember anything about it. My memory is becoming increasingly worse and worse.

I taught Alex + Ada, which many of my students liked a lot, and I may teach it again. However, one of the best books I read last year was The Child Finder, which was a book I bought at Powell's simply because of the local flavor, the local author, and somewhat the subject matter.

Oh, and obviously I had read Watchmen before, but I was back to teaching it, so I re-read it a couple of times.

2018



John Twelve HawksI never did a post for the books of 2018, which is weird. This post is already long, so my comments will be more abbreviated than the ones for 2019, but here are a few thoughts. I have read John Twelve Hawks' Against Authority multiple times. I like digital books, but I wish I had a print-paper copy of this book.

And as I wrote about with 2020-2019, I am in a re-read mode of his DARK RIVER series, starting with The Traveler.

As for Zinn, I had been sharing with my students for years the beginning and the stuff on Columbus. When the audio came out, I jumped on it as a way to read the whole book. The genocide of native people's by European invaders was bad, and I knew it was bad. Slavery was really bad, and I thought I knew how bad: it was worse. Really, things the Spaniards did were more awful and horrid than I thought.

I got some push back on reading Zinn's A People's History of the United States from some of my Facebook friends, but I rather liked it. I realize there's bias, but then there's bias in everything.



I already mentioned that I read Harkaway's Gnomon on Warren Ellis' recommendation, and I liked it, but I wasn't blown away. Same with the Brooke Bolander The Only Harmless Great Thing. Both are very, very good. I was not blown away.

Blown away? Company Town. Fantastic book. That's the only one in this grid that blew me away. I love Scalzi (Head On), I love my friend Helene (Boomerang), and I loved Revival. None blew my mind.

However, in this grid, I am loving Nnedi Okorafor (I have a crush) and enjoyed Who Fears Death immensely. I am also happy that I finally got around to reading Stephenson's Cryptonomicon: thank you audible.


I LOVE LOVE LOVE the Binti books by Okorafor. Also, I rather liked Artemis about as much as The Martian.

2017

I did do a post on the books from 2017, and you can read it here:

Hey, Mom! Talking to My Mother #965 - 2017 - Books Read - a review






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- Bloggery committed by chris tower - 2005.16 - 10:10

- Days ago = 1778 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.


Saturday, July 20, 2019

A Sense of Doubt blog post #1612 - No Walls and the Recurring Dream by Ani DiFranco


A Sense of Doubt blog post #1612 - No Walls and the Recurring Dream by Ani DiFranco


So, I am this HUGE fan of Ani DiFranco. Even though I might list other artists above her, I have seen her in concert over a dozen times much like the Indigo Girls, another HUGE favorite of mine.

OOPS - flawed memory. Maybe eight times. I have seen her eight times. Still, that's a lot.

I had the pleasure of going to Portland and seeing Ani interviewed on stage to promote her book. The signed copy of the book pictured above came with the price of the ticket, and I took a friend of mine to the event. We rode the Max train and the street car to get around. It was my first time on the street car, and we over shot our stop by three stops because on the street car, you have to signal the driver to stop if you want to get off.

I was sort of surprised and sort of not surprised that Ani did not play any music live (recorded tracks played before and after the event) and just talked about her book, fielding questions first from a local author chosen by Powell's Book of Portland and then from the audience.

I considered submitting a question to find out something about which I have always wondered: "who is the person she singing to in the song 'Napoleon'?" But then in reading the memoir, I found out that Ani probably wouldn't have answered the question as she hopes her songs are multi-faceted enough that there's not just one subject of the song, even if she did have someone in mind when she wrote the song.

Farther on in this post, I will share links to former content that I have created about Ani DiFranco and my written description of THE DINNER PARTY, but before all that, her book.

I loved it.

Ani DiFranco has been an inspiration for me ever since I discovered her music and started going to her shows back in the 1990s. Her memoir was also inspiring. It's funny and warm and full of heartfelt passion and realism. Ani goes through some dark times, but she shares her story about these times with humor and grace. It helps that she narrates her own story. She confessed that this was the hardest thing about the book, narrating the audio book, but her voice is the ONLY voice for her own story and she did a masterful job, as she always does with everything.

The book is smartly sectioned into short chapters each with its own theme, scene, time period, and/or message. Interwoven between these narratives are some of her poems, recording of which have appeared in her albums, and one song lyric, most like a poem, for "Grey" from Reveling and Reckoning, and one of my favorite songs (one of her favorites, too).

The book is arranged chronologically though there are time periods left out or not detailed. Still, DiFranco hits the highlights: creating her first few albums, forming her own record company, touring, her most significant relationships with women and men, and the making of her music both lyrically and instrumentally. Along the way, she shares thoughts on issues that are important to her, such as inclusivity at the Michigan Women's Festival, abortion rights, and Ms. Magazine choosing her as one of the best feminists to follow for her successful business and not for her songwriting or even her outspoken political views. She even answered her critics, the women who felt she betrayed her gay audience when she married a man, which is something I always felt was kind of ridiculous. Why did Ani have to defend to her audience who she loved and what she chose to do with her life because of who she loved?

Given that I followed up her memoir by listening to Moby's second memoir, Then It All Fell Apart, I was struck by the contrast of the openings. DiFranco begins her memoir with anecdotes about times on stage when she felt like she wanted to die or disappear. It's her own self-effacing scrutiny that makes her both real and relatable. She's human, but she's not defeated. She will admit to weakness, bad decisions, vices, and screw ups throughout the book, but she rises above these iniquities. She carries on. And she does so with humor, determination, courage, and positivity. It's for all these reasons, and her smart, well-meaning, liberal attitudes and soul-seering art work that I find her a motivating and captivating inspiration.

In contrast, Moby's book begins with a contemplation of ways to kill himself and a suicide attempt. I will review Moby's book in another entry, but the contrast couldn't be more stark and diametrically opposed. Don't get me wrong. I like Moby. But of the two books, Ani's is inspirational; Moby's is self-pitying and depressing and not nearly as funny.

One of my favorite parts of DiFranco's book came when she was describing her guitar playing style.

The section is called "Silences" and start on page 57. DiFranco writes about the limits of strumming an acoustic guitar, and how it is more of a percussive instrument than melodic one. She urges those who play to find the spaces, the silences.

"A hollow box with strings running across it is like a drum with a supernatural ability to feed tone and color into rhythm... I believe an acoustic guitar's ability to make sound and silence sit right next to each other is at the core of its power... strumming an acoustic guitar erases the beginnings and the ends of its sounds and eliminates the spaces. It ignores the instrument's potential to produce intense dynamic contrast. To put it opinionatedly, strumming an acoustic guitar isakin to scratching on the surface of a drum: antithetical to its nature."

ONE THING that I loved about DiFranco's book is that she confessed that if she were to write it over again that it would all be different. She seems aware that her memory is a flawed thing and the choices of what it include and what not to include were a product of the time when she made them and on a different day, the choices would be different.

I can see myself reading this book again, at least a second time.

Also, sidenote, she mentions my home town of Kalamazoo!! Page 80: "Then off I go to play Blady Blahfest in New Brunswick, or a student union hall in Indiana, or a take-back-the-night rally in Kalamazoo."

Ani DiFranco's story has a powerful end and a better final message: "Don't worry" because the human spirit is "ever expanding and infinite." This is a message I can get behind.

In the end, Ani DiFranco turned inward and dedicated herself to learning and to finding a way to live on her personal relationships with integrity. In the end of one of the final sections, "Platforms," she meets Joan Armatrading, and managed to tell her the important thing, much like I would tell Ani or Bowie or so many others:

"I have loved your music since I was fifteen. Thank you."

And that's the important thing. The art and thanking someone whose art has meant so much.

Hey, Ani, your music has been close to my heart for more than twenty years, it has inspired me, motivated me, given me courage, and helped me through tough times. Thank you."

As she writes in the poem "Platforms":

i got knocked off my platforms
so i dusted off my first pair of boots
bought on the street at astor place
before new york was run by suits
and i suited up for a long walk back to myself
closer to the ground now
with sorrow
and stealth

It's more than just gratitude for the art; I have great gratitude for the whole of her being. Thank you Ani DiFranco.

AND NOW SOME OTHER CONTENT

As for my love of Ani DiFranco and her art and her whole being, Ani made my top ten list of women artists, here:

https://365-tshirts.blogspot.com/2014/03/t-shirt-360-ani-difranco-my-top-ten.html

But did she make an all-time artists lists? Not sure if I have done one.

However, though my memory said that the Indigo Girls did not make my top ten bands, the post I wrote in December of 2013 proves otherwise:

FROM- 
https://365-tshirts.blogspot.com/2013/12/t-shirt-273-u2-vertigo.html

U2 is definitely a favorite band, but would it make my top ten? I don't think so. Here's a quick list of absolute top ten bands:

The Jam, Cocteau Twins, 10,000 Maniacs, The Indigo Girls, Pink Floyd, Steely Dan, Everything But the Girl, King Crimson, Radiohead, Stereolab, Spyro Gyra, Sigur Rós, The Clash.
Okay, that's thirteen. But I was going by iTunes playlists and most frequent listening stats. And there's a secondary list, and this is where you will find U2:
Kraftwerk, The Innocence Mission, Japan, Talking Heads, U2, REM, The Art of Noise, Genesis, Hooverphonic, DEVO, Simon and Garfunkel, Haircut 100, They Might Be Giants, New Order, Joy Division, The Style Council, Cabaret Voltaire, Lush, Dead Can Dance, This Mortal Coil, The Pixies.
And I am still leaving out many great bands and groups of artists who function like bands, such as Aphex Twin and most especially Machine Love (note the link to my entry on them in my other blog). I have given Machine Love some LOVE on my pages before, but in 273 posts, I am not sure where.

Okay, back to the subject at hand.

I love Ani DiFranco. I have four DiFranco t-shirts and I wrote about them all during my year of T-shirt blogging. The proof:

The one above again -

https://365-tshirts.blogspot.com/2014/03/t-shirt-360-ani-difranco-my-top-ten.html
the others:

https://365-tshirts.blogspot.com/2013/07/t-shirt-121-ani-fuckin-difranco.html

https://365-tshirts.blogspot.com/2013/09/t-shirt-173-ani-difranco-little-plastic.html

https://365-tshirts.blogspot.com/2013/12/t-shirt-255-ani-difranco-purple-every.html

And so, when I heard that Ani had written a book and even better she was coming to Portland to promote her book, I bought two tickets and took a friend with me.

The tickets came with a signed copy of the book. Bonus!!

I used one of my Audible credits to get the audio book because it was narrated by Ms. Ani DiFranco herself, and even though she said it was an ordeal to record, I knew it would be great.

Monday's blog featured some content about this book and my next read, Moby's:
https://sensedoubt.blogspot.com/2019/07/a-sense-of-doubt-blog-post-1600-eight.html

I also made an Ani Mix centered on her poem, "Grand Canyon," which I often read in classes and which is published in her memoir:

https://sensedoubt.blogspot.com/2018/10/a-sense-of-doubt-blog-post-1326-grand.html

ASIDE: THE DINNER PARTY: Readers of this and my other blog, 365 T-SHIRTS, will know about my Dinner Party concept -- based loosely on Judy Chicago's seminal art project -- which I last wrote about here for DAVID BOWIE'S BIRTHDAY: HEY MOM #185. But if I am really honest, there should be two dinner parties: one with those larger-than-life figures -- like David Bowie -- and others with people I have not idolized all out of proportion. Because I could see that Monica Byrne and I would be great friends if we had grown up together, went to school together, and/or lived in the same city. Likewise, I could see being close friends with John Scalzi, Warren Ellis, Suzanne Vega, Joss Whedon, and Ani DiFranco, who are among the other dinner party guests. It's a distinction worth making at this time because of the way Monica Byrne relates to her audience. There's goofiness in her video, and yet there's profound sincerity and insight, too. I really "get" that about her, and more importantly, appreciate it. Those things sealed the deal for me, just like Twitter interactions with Scalzi, Ellis, and long ago brief email correspondence with Neil Gaiman also made me feel a part of their worlds and their lives, which hardens the cement of my patronage. BTW, Neil himself (Gaiman's Twitter handle) probably should also be at the party and is only left off the list because I have an aversion to the popular and the expected, which is really silly. These are all people I respect as artists and love their work, but because I have not fan worshipped them out of proportion (as I have with Bowie, Margaret Atwood, and Erykah Badu among others.... Bjork is like an alien that I want to comprehend by sharing a meal with her), I can see being friends with them as well, and this makes a difference in how I regard their art. A Monica Byrne story, a John Scalzi novel, a Suzanne Vega album seems like a letter from a friend as much as each is transmission of art, creativity, and inspiration. This feeling closes the gap, the distance. Whereas Bowie's work always seemed to me to be like a message in a bottle from another galaxy.

ONE OF MY FAVORITE LYRICS FROM ANI DIFRANCO

"but then what kind of scale
compares the weight of two beauties
the gravity of duties
or the ground speed of joy?"
~ "School Night" - Ani DiFranco From Reckoning/Reveling



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- Bloggery committed by chris tower - 1907.20 - 10:10

- Days ago = 1477 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Monday, July 15, 2019

A Sense of Doubt blog post #1607 - That One Thing: "Going to California" - Musical Monday 1907.15

comic illustration by Moby

A Sense of Doubt blog post #1607 - That One Thing: "Going to California" - Musical Monday 1907.15

Just one thing today. "Going to California" by Led Zeppelin from their 1971 album Led Zeppelin IV.

Rolling Stone ranked it 11th on the greatest Led Zeppelin songs of all time.

I am not done with a new mix or my collection of favorite mixes post that I started, so today I want to make a quick post. Besides, I gave out some business cards at New Tech PDX last night and told people that I do a daily blog but that I was already a day behind, and now two as it's Tuesday night as I type and so this may not get posted until Wednesday.

Maybe.

I share this song as it came to my attention while listening to Moby's second memoir called Then It Fell Apart.

Near the end of the book (sort SPOILERS but not really), there's a scene in which Moby is DJing a sort-of 43rd birthday party in 2008, combined with other Virgo born people at a loft party. Moby started playing techno-electronic House dance music for a bunch of what he called "hipsters," but in the middle of the set, he stops the House record and starts playing Led Zeppelin's "Going to California" not just once, but twice, and refusing to give up control of the console as he sat crying with his closed while drinking.

"Isn't this song beautiful," Moby said to the DJ who came to rescue the plaintive, sad music confusing the hyped-up party crowd.

The scene nears the climax of the book, such as it is, in which Moby's life slips quite beyond his control and he's doing insensitive, self-serving things because he and his life are broken.

More on Moby's book in a full review soon, but for now, just this song.

Maybe I do get this up tonight, Tuesday. :-)

"Going to California" by Led Zeppelin


Spend my days with a woman unkind
Smoked my stuff and drank all my wine
Made up my mind, make a new start
Goin' to California with an achin' in my heart
Someone told me there's a girl out there
With love in her eyes and flowers in her hair

Took my chances on a big jet-plane
Never let 'em tell ya that they're aw-ooh-all the same
Hoh, the sea was red and the sky was grey
I wonder how tomorrow could ever follow today-hee
Mountains and the canyons start to tremble and shake
The children of the sun begin to awake
Now
Watch out

It seems that the wrath of the gods got a punch on the nose
And it's startin' to flow, I think I might be sinkin'
Throw me a line, if I reach it in time
Meet you up there where the path runs straight and high

Find a queen without a king
They say she plays guitar and cries and sings, la-la-la-la
Ride a white mare in the footsteps of dawn
Tryin' to find a woman who's never, never, never been born
Standin' on a hill in the mountain of dreams
Tellin' myself it's not as hard, hard, hard as it seems














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- Bloggery committed by chris tower - 1907.15 - 10:10

- Days ago = 1472 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Monday, July 8, 2019

A Sense of Doubt blog post #1600 - Eight Songs - Musical Monday for 1907.08


A Sense of Doubt blog post #1600 - Eight Songs - Musical Monday for 1907.08

I like that post 1600 fell on a Musical Monday. Feels right.

I am reading Moby's newest book and second memoir And Then It Fell Apart, and so this mix is in part inspired by what I am reading. I also just finished Ani DiFranco's memoir No Walls and the Recurring Dream, and so there is also one of my latest and now favorite DiFranco tunes in it (from the most recent album Binary).

I am working on reviews of both books for the blog, starting with Ani's as I am done with it.

The image came from searching for images of Moby's song "Porcelain." I do not know the image source.

The two books revealed a stark contrast. Ani DiFranco starts her book with amusing anecdotes of times when things went wrong on stage, such as a dress that rode up her thighs uncomfortably and revealingly or getting booed in New York for not being queer enough to receive some queer award.

Moby's book begins with his attempt at suicide after a long description of all the ways he contemplated taking his life.

This is quite a contrast in not just how the book start but in their tones and purposes.

Now that I am listening to Moby's book, I wanted to start a mix with one of his best songs ever, and the name of his memoir, "Porcelain." I added the Ani DiFranco song because it's my new favorite and features a duet with her daughter, which is an awesome thing.

Other songs came about via suggestions from Google's You Tube, such as Joni Mitchell's "Coyote" and "Regiment" from one of my top ten favorite albums of all time My Life in the Bush of Ghosts.

I wanted spacers from the Moby songs. I had considered just two Moby songs given that I was only going to share eight songs, and then I found the Moby and Elton John duet, and I had to add it.

Lastly, I added some links for some of the songs, especially the Moby and Elton John duet to explain where it came from and to provide explanations and background for some of the songs.

Eight Songs - Musical Monday for 1907.08

Moby - "Porcelain" (Official Video) - 3:12
Joni Mitchell - "Coyote" (Live at Gordon Lightfoot's Home with Bob Dylan & Roger McGuinn, 1975) - 2:58
Ani DiFranco and her daughter Petah - "Play God" - 4:57
Nick Cave - "Are you the one that I've been waiting for" - 4:06
Moby feat. Christina Ricci - "Natural Blues" - 4:17
David Byrne & Brian Eno - "Regiment" - 3:59
Joy Division - 05 - "New Dawn Fades" - 4:48
Moby & Elton John - "Why Does My Heart Feel So Bad?" - Dec 2000 - 5:29


VIDEO POD FOR THIS MIX:



Songs one by one.
Eight Songs - Musical Monday for 1907.08
























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- Bloggery committed by chris tower - 1907.08 - 10:10

- Days ago = 1465 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.