Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

Tuesday, April 14, 2026

A Sense of Doubt blog post #4075 - Senegal Stripped of AFCON title; WAFCON postponed



Nigeria's players celebrate with the trophy on the podium after winning the 2024 Women's Africa Cup of Nations final, which was held in July 2025. Photograph: Abdel Majid Bziouat/AFP/Getty Images


A Sense of Doubt blog post #4075 - Senegal Stripped of AFCON title; WAFCON postponed

So, for a couple of years, I have been following Football (soccer). I browse the scores each morning. And though I track a lot of English, German, and Italian soccer, I am most interested in Scottish and African soccer. WHY? Well, I am Scottish, so obv.

Also, I have always been fascinated by Africa and wanted to do my study abroad there.

One benefit of my soccer studies is looking up places all over the world as I review scores, so I learn a little every week or am reminded of cities like Utrecht being in the Netherlands because of the Treaty of Utrecht (1713). My high school history teacher would be proud.

I posted two months ago about the huge controversy at the African Cup of Nations in which Senegal won a much disputed set of events in extra time.

I posted about all that here:

Friday, February 20, 2026

Well, I noticed that WAFCON was postponed (WOMEN'S African Cup of Nations) and investigated why.

I found that a court had stripped Senegal of its championship and awarded it to Morocco. AND since Morocco was set to host WAFCON games were postponed presumably to avoid riots.

Obviously, Senegal is furious that their title has been stripped and they paraded with the trophy anyway.

Such drama!!

Read all about it below.

Thanks for tuning in.


WAFCON POSTPONED



On 13 February, Patrice Motsepe, the president of the Confederation of African Football (Caf), promised that this year’s Women’s Africa Cup of Nations (Wafcon), scheduled to be played in Morocco between 17 March and 4 April, would go ahead as planned. One of the reasons he had to make that statement was the 2024 tournament had been postponed for a remarkable 19 months, until July 2025.

That supposedly solemn presidential promise was broken on 5 March, 12 days before the start of the tournament, with many of the teams – including Nigeria, the defending champions, Cameroon and Ghana – playing friendlies across Africa and Asia to prepare for the showpiece, which also determines which teams get to represent the continent at next year’s World Cup.

“After discussions between Caf and its partners, Fifa and other stakeholders, Caf decided to reschedule the dates of the Wafcon 2026, to 25 July–16 August 2026; to ensure the success of this important women’s competition, in the light of certain unforeseen circumstances,” Caf said in its statement. The Guardian asked Luxolo September, the Caf head of communications, to clarify what those unforeseen circumstances were, but received no reply.

The recurring uncertainty about Wafcon, which has been continually disrupted since 2020, has enraged African women’s football. “It’s not really fair,” Desiree Ellis, South Africa’s coach, told the South African Broadcasting Corporation as rumours were circulating that the tournament would once again be postponed. “I’m just going to raise a question with this Wafcon: would this be happening with the men’s game?”

Ellis’s frustration is shared by an executive committee member of the Nigeria Football Federation, who did not want to be named. “It is a huge shame that the women’s game is treated with so much levity on the continent,” they said. “How can Caf repeatedly treat the Wafcon so shabbily, with so much disrespect towards the players?

“Before the postponement, we played two friendly games against Cameroon in Yaoundé to prepare. This was to help our buildup to the tournament. All that is squandered now. We have to start all over again.” As Nigeria’s Rinsola Babajide, who plays for Roma, bluntly put it on a social media post: “It’s actually embarrassing at this point.”

Rinsola Babajide of AS Roma. Photograph: Insidefoto/LightRocket/Getty Images

It was a double blow for Ghana’s Black Queens, who were in the United Arab Emirates for the four-nation Pink Ladies Cup and got caught up in the Middle East war, an experience Kim Björkgren, the team’s Swedish coach, described as “frightening”.

“The whole situation [with the conflict] has been difficult to handle. The days have been moving in the wrong direction,” he told Moving the Goalposts from Dubai, before they left the country. “It affected our players in different kinds of ways. Some people are stressed, some people are more relaxed, some struggle to sleep and some people can. Sometimes, you hear the bombs during the night.

“We are very disappointed [about the postponement of the Wafcon]. We had been planning for it for a long time.”

It is not only players and coaching staff who have been affected. Many journalists had made plans to cover the tournament too. Firdose Moonda, a Guardian contributor, was to travel from Kolkata in India to Morocco, with her return home to South Africa being the final leg of her journey. Moonda has now had to buy a new ticket to return home. “Flight prices are more than double at the moment … I’m so frustrated with this … Caf should carry this cost,” she says.

Gayton McKenzie, South Africa’s sports minister, agrees with Moonda. “Caf should strongly consider booking flights for all journalists that can prove that they lost money, [as the] media is going through a very rough period currently, financially. This will just be the right thing to do.”

McKenzie also suggested that the hosts have been playing politics with the staging of Wafcon and that the hosting crisis was deliberately caused to embarrass Motsepe because of Morocco’s loss to Senegal in the final of the men’s Afcon in January. He said that South Africa was prepared to host the tournament should Morocco abandon the responsibility.

The Moroccan football federation, the host association of Wafcon, declined to comment on why it was unable to honour its commitment to Caf and whether the rescheduled tournament in July would, in fact, take place in the north African country.

Mid-level Caf staff charged with Wafcon preparations have also had to abruptly stop what they were doing. One official in Cairo, who wished to remain anonymous, said: “We expect members of the executive committee to hold the top people in administration to account. Bestine Kazadi Ditabala [of DR Congo, Caf’s fourth vice-president] is the head of the women’s football committee. We would like to hear her voice on this postponement.”

With the rescheduled Wafcon to begin six days after the men’s World Cup final on 19 July, and during the Commonwealth Games in Glasgow, taking place from 23 July to 2 August, it would be a tall order for it to receive the global attention it deserves.

It is a pathetic situation that Motsepe, as well as key Caf staff, such as Véron Mosengo-Omba, the general secretary, must take full responsibility for, as governance incompetence has brought about this miserable state of affairs.






Fans Link CAF's AFCON Verdict to WAFCON Postponement After Morocco Get Senegal's Title



Football fans have erupted with speculation following CAF's controversial decision to strip Senegal of the 2025 AFCON title and award it to Morocco, linking the ruling to the recent postponement of the 2026 Women's Africa Cup of Nations (WAFCON). Morocco reportedly withdrew from hosting WAFCON less than 60 days before its scheduled March kickoff, leading to its postponement until July. CAF cited Article 84 (forfeiture for leaving the pitch) in awarding Morocco a 3-0 victory months after Senegal won 1-0. Fans online are questioning whether the WAFCON postponement and this AFCON ruling are connected.

Key Points:
  • The timing of WAFCON's postponement and Morocco's successful appeal raises suspicions of a quid pro quo.
  • Morocco's reported withdrawal as WAFCON hosts created organisational chaos for CAF.
  • Fans speculate CAF may have compensated Morocco with the AFCON title to smooth over WAFCON fallout.
  • The conspiracy theories further damage CAF's credibility and trust among African football fans.
  • South Africa's readiness to step in as emergency WAFCON hosts adds another layer to the drama.
CAF faces mounting skepticism and calls for transparency as fans demand answers about possible links between the WAFCON postponement and Senegal's stripped title.







Senegal's AFCON final win overturned as Morocco declared winners


BECAUSE SENEGAL STRIPPED OF TITLE

Morocco was stunningly awarded the Africa Cup of Nations title Tuesday by appeals judges who overturned Senegal's victory in a chaotic final in January.

The Confederation of African Football said its appeal board ruled Senegal was "declared to have forfeited the Final" and its 1-0 win in extra time becomes a 3-0 default win for host nation Morocco.


The Senegalese Football Federation (FSF) on Wednesday said the decision "discredits African football," and that it will appeal "as soon as possible" to the Court of Arbitration for Sport in Lausanne, Switzerland, a process that would typically take a year to deliver a verdict.

"The FSF reaffirms its unwavering commitment to the values of integrity and sporting justice and will keep the public informed of developments in this matter," the federation said in a statement.

In the Jan. 18 final in Rabat, Senegal players, led by coach Pape Thiaw, left the field in protest during stoppage time for 15 minutes -- and fans tried to storm the field -- when Morocco was awarded a penalty that was set to decide the match.

When play resumed, Morocco forward Brahim Díaz's spot kick -- a controversial slow chip shot known as a "Panenka" -- was saved by goalkeeper Édouard Mendy and Senegal scored the only goal in extra time.

Tension in the stadium was already raised by Senegal being denied a goal minutes before the penalty was given to Morocco.

In the second minute of stoppage time, Senegal's apparent go-ahead goal was ruled out for a foul by Abdoulaye Seck, but TV replays showed little contact on Morocco defender Achraf Hakimi.

After the Senegal walk-off, the team's return to the field seemed to be as a result of urging by star forward Sadio Mané to complete the game.

At an initial disciplinary hearing, CAF imposed fines of more than $1 million and bans for Senegal and Morocco players and officials but left the result unchanged.


Senegal players were angry for being called for a late penalty after a VAR check during the Africa Cup Of Nations final against Morocco on Jan. 18. Torbjorn Tande/DeFodi Images/DeFodi via Getty Images


Senegal defender Moussa Niakhaté posted an image on his private Instagram account of himself holding the trophy with a message in French that said: "Come and get it! They're crazy!"

In a similar post on his Instagram story, left back El Hadji Malick Diouf added: "It's not what I expected ... this thing isn't going anywhere."

Abdoulaye Seydou Sow, secretary general of the Senegalese Football Federation, said the organization will file an appeal.

"We will not back down. The law is on our side," Sow told the public broadcaster Radiodiffusion Télévision Sénégalaise late Tuesday.

He called the ruling a "shame for Africa."

"This decision is a travesty that rests on no legal basis. We felt that the panel was not there to apply the law, but to carry out an order," Sow said.

CAF cited article 82 of tournament regulations for its marquee event to justify the verdict enforced on appeal, though not at the first hearing.

It states "if, for any reason whatsoever, a team withdraws from the competition or does not report for a match, or refuses to play or leaves the ground before the regular end of the match without the authorization of the referee, it shall be considered loser and shall be eliminated for good from the current competition."

Still, the appeal verdict did seem to override the referee's authority making field-of-play decisions.

In a statement, the Royal Moroccan Football Federation (FRMF) said "its approach has never been intended to challenge the sporting performance of the teams participating in this competition, but solely to request the application of the competition's regulations.

"The Federation reaffirms its commitment to respecting the rules, ensuring clarity in the competitive framework, and maintaining stability within African competitions," it added.

"It also wishes to commend all the nations that took part in this edition of the AFCON, which has been a major moment for African football."

The verdict Tuesday awarded Morocco its first African title since 1976 and denied Senegal its second title, and second within three editions after also lifting the trophy in 2021.

Both teams play at the 2026 FIFA World Cup being co-hosted by the United States, Canada and Mexico.

Senegal has been drawn to play in a group with France, Norway and a playoff bracket winner this month, which could be Iraq. The games against France and Norway will be at MetLife Stadium near New York.

Morocco was drawn to face Brazil, Scotland and Haiti, with an opening game also at MetLife against Brazil.

Under coach Walid Regragui at the 2022 World Cup in Qatar, Morocco became the first African team to reach the semifinals.

Regragui left the job two weeks ago following fierce criticism for not winning the AFCON title, saying "the team needs a new lease of life before the World Cup."

Morocco now will go the U.S. as African champion.

The Associated Press contributed to this report.




Senegal parade AFCON trophy in France despite CAF ruling


SENEGAL PARADE ANYWAY

March 28, 2026

Senegal players paraded the Africa Cup of Nations trophy in front of thousands of fans on Saturday, despite the Confederation of African Football's decision to strip the country of the title and award it to Morocco.

Ahead of a friendly match against Peru at Stade de France, Senegal players led by captain Kalidou Koulibaly took to the pitch with the trophy as part of pre-game celebrations.

The Senegalese Football Association had announced it would present the Africa Cup trophy to its fans before the game in the Paris suburb of Saint-Denis. Paris has a significant Senegalese diaspora.

Earlier this week in the French capital, Senegalese FA president Abdoulaye Fall said Senegal was the victim of " the most grossly unfair administrative robbery" in the history of soccer and pledged that the country would defend its players' "honour" at the Swiss-based Court of Arbitration for Sport.



Senegal is challenging CAF's surprise ruling last week to strip the team of the title won in a chaotic final in January and give it to host nation Morocco.

Senegal's legal team said the country still considers itself the champion of Africa. The CAF 's appeals board ruled that Senegal is "declared to have forfeited the final" and their 1-0 win in extra time became a 3-0 default win for Morocco.

The rationale was that Senegal players led by their coach had left the field in protest when Morocco was awarded a penalty, leading to a 15-minute stoppage.

- Senegal to appeal CAF's decision to hand AFCON title to Morocco
- CAF decision on AFCON title has 'scarred and blemished' African football
- Morocco cannot, in clear conscience, claim Senegal's title after CAF debacle

Senegal's appeal to be reinstated as champion was registered this week by CAS, which set no timetable for a likely long process toward a verdict. The appeal was promised by the Senegalese government, which also called for an international investigation "into suspected corruption" within CAF.

An appeal to CAS can typically take months to schedule a hearing then weeks or months more to announce a verdict. Senegal's lawyers, however, will ask CAS to open an expedited procedure and hope the Moroccan federation and the CAF agree so that the case can be dealt with within two months.


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- Bloggery committed by chris tower - 2604.14 - 10:10

- Days ago: MOM = 3939 days ago & DAD = 593 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Monday, March 2, 2026

A Sense of Doubt blog post #4032 - Dazzled by the Groove - Brian Eno on Fela Kuti


A Sense of Doubt blog post #4032 - Dazzled by the Groove - Brian Eno on Fela Kuti

I probably heard of Fela Kuti as Eno and Bryne discussed his influence on both of them, on My Life in the Bush of Ghosts, and on Talking Heads; however, in the 1980s, it wasn't as easy to INSTANTLY access music and explore an artists as it is today.




I probably had a note somewhere to investigate Fela Kuti when at a really robust, big city music store, but even so money was probably a factor.

Fela Kuti returned to my radar in watching the ENO DOCUMENTARY (the topic of tomorrow's blog), and so I put together this post featuring some of Fela Kuti's music and heralding his Grammy, just awarded, for lifetime achievement.

On the Bandcamp page, you can see that in addition to Eno curating a box set, Erykah Badu also curated one, which is no surprise to me.

Now, give it all a listen!

Thanks for tuning in.






ENO'S FAVORITE RECORDS

Brian Eno: “There were three great beats in the '70s: Fela Kuti's Afrobeat, James Brown's Funk and Klaus Dinger's NEU-beat.”








FELA KUTI MIX



DICTATOR'S NIGHTMARE!

Fela Kuti—Dictators’ Nightmare—in Today’s Afrobeats


Fela Kuti remains Nigeria’s most famous musician. He pioneered Afrobeat – a genre blending jazz, funk, psychedelic rock, traditional West African chant and rhythms – into conscious music in the 60s and 70s. Fela’s music continues to live today across the continents.

Famous for pairing his music with politics and with human rights activism, Fela, who passed in 1997, stood against Nigeria’s military dictators, often at great personal cost to his family and band members. His art has become fuel for a new generation of creators who are tapping into his music, and the spirit behind it, to make new records.

Principal among the new creators are Wizkid and Wyclef Jean. Wizkid is a Nigerian pop act with a string of hit records and awards, especially in Africa. Wyclef Jean is a Haitian-American rapper who transitioned from a successful career with the 1990s hip hop group Fugees to a solo career.

Both artists have made records infusing elements of Fela’s Afrobeat. As part of my research into the legacy of Fela, I examined two songs – and their videos – demonstrating the complexity inherent in his musical legacy. Fela Kuti (2017) by Wyclef Jean and Joro (2019) by Wizkid.

While Wyclef and Wizkid have infused Fela’s work in their new creations, they interpret his legacy in very different ways, which fans can judge for themselves.

Wizkid – Joro

Wizkid’s hit Joro, released in 2019, incorporated elements of Afrobeat in its production, but the essence of Fela’s message was not infused. For lyrics, he looked elsewhere.

Amid criticisms across social media that the lyrics in both of his 2019 singles are below par, Wizkid proceeded to tell interviewers that: “Joro means enjoy.”

Indeed, the track is enjoyable. It samples from a number of places. From Nigerian music-comedian Maleke’s 2007 track Minimini Wanawana, Wiz’s Joro adapts some lyrics, “na wini-wini wana-wana your love dey do me this night. It continues:

This kind love, e dey do my body ta-nana/E dey make me wan dey your life ha-nana/…Dance to my konto, make you panana…

Wizkid is one of the world’s most prolific adopters of Fela’s works. For the chorus, he also draws from Fela’s 1977 Zombie (in which Fela sings “zombie way na one way … joro jara joro”). Wizkid adapts what is just a chant, “joro ja joro”, rather brilliantly to communicate the one-way, utterly loyal nature of the love he professes in Joro.

Perhaps a more effective way to engage with Joro would be to shelve the motley texts and look to the visuals. In 1982, Michael Jackson released Thriller, the best-selling album of all time. Probably the world’s most famous music video, MJ’s Thriller drove the album doubling its sales and transformed music videos into an art form.

A common theme in the videos of Thriller and Joro is love between a young man and woman. In Joro, Wiz dances in a candle-lit room in Lagos, a deliberate and double signifier to depict Fela’s synonymy with the ‘shrine’, and to show how deeply his love for the subject of his affection – played by dancer Georgia Amodu Curtis – drives him. In Thriller, MJ is accompanied by zombies through extensive dance routines.

Considering that Joro is adapted from Fela’s Zombie, Wiz’s motivations for taking a ‘zombie’ route to express this love become apparent. While the video of Joro is not as horror-engaging as MJ’s spectacle, it is without doubt as enchanting as the love affair of Thriller. Joro or ‘Enjoy’ is a thrilling excursion through generations.

Wiz is an Afrobeats superstar with a Lagos heritage who is able to access Fela’s catalogue and tweak selected texts for the enjoyment of his audiences.

Wyclef – Fela Kuti

What is curious in Wyclef Jean’s case is how a pop act with no deep African background appropriated Fela.

From his time with the Fugees through a solo career, Wyclef made a mark on pop music winning three Grammy Awards. In 2017, he released Carnival III: The Fall and Rise of a Refugee, his 8th studio album of which its first single is titled Fela Kuti.

Within a month of the audio release, he put out an official lyric video in which he shows how he samples Fela’s lyrics, “sibi ti mo le f’orile”. Wyclef’s Fela Kuti (2017) hinges on the instrumental of Fela’s Eko Ile (1973) – a track from Fela’s Afrodisiac album. In Eko Ile, Fela pays tribute to Lagos, saying that irrespective of where his travels take him, he would always return home. Hence his submission, “Ko ma sibi ti mo le f’orile, ko si o” (There’s just nowhere I can make my home, nowhere at all) – other than Lagos, that is.

This homage to Lagos isn’t Wyclef’s only source of inspiration. He also sampled from Femi Kuti, Fela’s first son. We see him appropriating from father and son to create his work.

Femi Kuti also has a record titled Eko Lagos (2001). Femi’s message here is on the distance between his dream for a prosperous world, and the reality of the hardship of Lagos once he awakes. Wyclef’s adaptation of Eko Ile may also be processed along this frame.

Fela Kuti’s work also influenced Wyclef’s state of mind when making The Fall and Rise of a Refugee. Speaking about it, he said he was personalising Fela Kuti’s struggle, and drawing parallels with his life.

Wyclef said, “Fela … tried to help his country by running for president. Wyclef … did the same thing,” before making reference to American rapper Young Thug’s track titled Wyclef Jean. Such justifications give credence to a scathing review of the album: “This uninspired melting pot of music features what is undeniably Jean’s weakest song-writing to date.”

In Wyclef’s music video for Fela Kuti, it is confounding to see him make an appearance amid a bevy of dancing ladies.

To gain more understanding, we conducted an audience selection of Fela’s and Wyclef’s music. Respondents were at least 25 – old enough to have consciously watched and listened to both artists. The exercise revealed that Eko Ile isn’t a favourite among audiences who otherwise consider themselves Fela enthusiasts. Many said they see through Wyclef’s ‘tribute’ to Fela in the twilight of his career and reckon that it is an afterthought, and a ploy to mask a creative deficiency.

This article is based on Osiebe’s paper Methods in Performing Fela in Contemporary Afrobeats, 2009–2019. You can read the full paper over here.The Conversation

Garhe Osiebe, Postdoctoral Research Fellow, Rhodes University.

First appeared in The Conversation.


FelaKuti: The Trailblazing Pioneer of Afrobeat

 



ENO ON FELA KUTI







https://online.dontpaniclondon.com/magazine/music/brian-eno-curates-fela-kuti-vinyl-collection.html

Recalling his introduction to the Nigerian legend, Eno said:

"I remember the first time I listened [to Fela's album Afrodisiac] and how dazzled I was by the groove and the rhythmic complexity, and by the raw, harsh sounds of the brass, like Mack trucks hurtling across highways with their horns blaring. Everything I thought I knew about music at that point was up in the air again."

With over 50 albums to choose from, Eno narrowed it down to London Scene (1971), Shakara (1972), Gentleman (1973), Zombie (1976), Upside Down (1976), I.T.T. (1980), and of course Afrodisiac (1973). The selection spans the more personal music of Kuti's earlier years, right up to the searing political protest of his later LPs.

Of course, many of us will be familiar with Zombie, the scathing critique of Nigeria's military. However, fewer fans will have heard Eno's selection of Fela's earlier work, which revealed his views of a changing African society and set the tone for the Afrobeat genre.

The box also includes a 12-page full-size booklet with a foreword by Brian Eno, in-depth commentaries about all seven albums written by Afrobeat historian Chris May, plus song lyrics. As a special bonus an exclusive A2 poster is included, and of course all seven LPs come in their own sleeves with the original artwork, so you can marvel at Lemi Ghariokwu's iconic covers again.


FINDING FELA- trailer




Brian Eno called Afrobeat pioneer and activist, Fela Kuti, “a real force for musical change and for social change”. Fela believed his music, described as


Brian Eno on Fela Kuti's influence on Talking Heads




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- Bloggery committed by chris tower - 2603.02 - 10:10

- Days ago: MOM = 3896 days ago & DAD = 550 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.