Weekly Comics for 1407.23

Weekly Comics List 1407.23

Hello again, it's me. It's still December 2014 as I type this, and I am still writing about July 2014. Slowly, I am catching up. Again this will be a quick survey of comics from one week in July, but a week it was. GREAT comics came out this week and the titles I read are so good that I had to share a full cover gallery of all nineteen titles. Also, I can say, now, as of December 26, 2014, that none of these comics still resides in the back log and that I have read them all.

Let's move along. The Internet really helps me to refresh my memory on comics from over five months ago.

As I type, today, I just enjoyed two days of Christmas holidays with family. On Christmas Eve, I celebrated with my immediate family, my wife and kids, and then at her parents' house, the Creagers. Then, yesterday, on actual Christmas Day, I celebrated with my parents, sister, and brother-in-law, and since my wife got off work early, we were able to watch The Interview together, a satire about North Korea that had made a lot of news and that she wanted to see.

Now, today, Dec. 26th, I am back at work as I have final grades for two classes due tomorrow morning. But I am happy to be able to take little breaks to cobble together yet another long overdue blog post.

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RE: SPOILERS: I don't have to explain that you read at your own risk, right?
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I find that I am turning to IGN and Comic Book Round Up (more the latter) for each of these belated blog posts.

Here's the links:

IGN ROUND UP

COMIC BOOK ROUND UP FOR JULY 23 2014

Superman is still riding high on the strength of John Romita Jr.'s art in this week for July. After Romita's debut last month (as described in Weekly Comics for 1406.25), the strength of the art alone keeps this book ranked second. Really, given my enjoyment of them and/or anticipation of them, any of the top seven could have been interchangeable. You will see Superman fade in subsequent months. I just read the most recent issue (Superman #37 as please remember that I am writing this in December about July comics) last night, and I was underwhelmed despite the catastrophic events in the story and the gorgeous art.

But any week that Afterlife with Archie comes out, it will take top spot. Though issue #5 came out only a little over a month before this one (Weekly Comics for 1405.14), there would be a long wait until the next one. (What will be the post for comics released 1412.10.) Many critics were underwhelmed by the last issue and the conclusion to the first arc of stories. But this issue embarks on a new set off issues, though fans will surely be frustrated in waiting five months for the next installment.

CBR shares 14 "critic" reviews, which total to an average score 9.1. Eight reviewers give this a 10/10 and the lowest rating is a six, clearly by a reviewer who did not put a great deal of consideration into the review. Sure, the comic portrays Lovecraft and Lovecraftian horrors dead on without modification (because the doctor is even named Lovecraft), but so what? This whole comic title is borrowing from something borrowed from a motif that borrowed from a trope. Are we really going to criticize the brilliance of this work with quibbles about being too derivative. The reviewer himself who gave it the six (from Multiversity) claimed that there were oodles and oodles of comics to read each week, which prompts me to dismiss his overly harsh opinion is ill-conceived.

Setting aside the six of ten, the lowest score for this issue is one lone seven and then an eight and an 8.3. Philistines!

I would much rather focus on the EIGHT reviewers who gave this issue an 10/10, quite unabashedly.

Here's a good one

DEN OF GEEK REVIEW

Here's a tidbit.

Francavilla's art here is at a series best. His monsters --culiminating with a jaw-dropping splash page of that most terrible of Old Gods, Cthulhu -- are full of ghastly detail that reinforce how Francavilla is the most talented artist in the industry today. In the book's letters section, Aguirre-Sacasa declares that he and Francavilla are absolute H.P. Lovecraft fanatics. But more than that, each subsequent issue illustrates their combined passion for the horror genre as a whole. (The Wicker Man is referenced repeatedly here, and spotting the nods to other horror classics is quickly becoming a past time for Afterlife with Archie readers). This issue's Hammer Horror meets American Horror Story by way of Lovecraft may be a full of familiar pastiches, yet it is one that makes readers eagerly anticipate each new development in this bold twisted Archieverse. Things keep getting scarier in each new issue, and that is a wonderful thing.

This issue is a great change of pace and another reason that Afterlife with Archie always hits the top of my stack when it comes out. I would place this title in my top five favourite comics of the year. Collected edition for the first arc is out. It's worth the investment.

 Velvet should have taken the second spot. Superman edged Velvet simply due to my adoration of Romita and my hope that the new creative team would re-vitalize the title and the character. Superman has been in need of a boost for some time. Though I am in the minority in liking the JMS run, this was the last time, in my memory, that I was eagerly anticipating this comic. John Romita Jr's coming, much like the arrival at DC of Jack Kirby in the 1970s, rocketed this comic to the top of my stack, but sadly, it has not sustained the level of excellence I had hoped for.

And here's something funny, the same Multiversity reviewer who gave Afterlife with Archie #6 a six of ten gave Superman #33 an eight out of ten, proving that he's either too rushed, too over-fan-boy-focused on the traditional super heroes or just a moron.

Sure this issue of Superman doesn't suck, but it's not higher on the scale than Afterlife with Archie #6 by any stretch of the imagination. Further proving my point that the Multiversity reviewer is way off base.

The Johns-Romita run on Superman keep with many of the familiar tropes of the rich history of Superman, such as seen here with Perry White displaying the Daily Planet page as the titles for the comic issue. So, there's a lot to like here, but in hindsight, I would have dropped this book to seventh in the rankings after the throwback to the 1970s, retro Might Avengers with gorgeous Greg Land art.

Also, apparently, the cover I have on display in my cover gallery did not make it to print as the issue's final cover, which I would know if I had dug out the issue rather than using the Internet to write these mini-glimpse reviews. Still, as traditional super hero fare goes, this issue and the Johns/Romita run has been enjoyable, though (if I can remember) I will have some critical things to share about December's Superman #37 when I get to it.

Velvet #6 was mis-listed at CBR for last week. Here's the link: COMIC ROUND UP - VELVET #6.

This is a week for favourite comics as Velvet definitely ranks in my top five. I would rank this title over others that I love but that are top ten and not top five, such as Lazarus, The Walking Dead, and Daredevil.

I have raved about Velvet before and now that the title embarks on its second story arc, a part of the overall ongoing story, I am even more impressed and pleased.

I cannot do much better than the remarks of others.

Here's some other people's thoughts: from NEWSARAMA:

Spy fiction, once thought a dying genre, is one that takes a delicate hand to do well. With so many spy stories of recent years relying on sci-fi like technology or dizzying set pieces, Velvet stands apart as a solidly entertaining throwback to the nickel novels of old. Ed Brubaker, Steve Epting, and Elizabeth Breitweiser have given us a character and title unafraid to take the methodical pace of older spy fiction and translate it beautifully into the medium of comics. Velvet #6 takes the already engaging titular character and presents her as a directed force of vengeance shaped by the mistakes and lies of her past, making her a living, breathing, and compelling protagonist. Velvet has been this good from the start and from the looks of Issue #6, it won’t stop being this good for a long while.

FROM WE THE NERDY

The narrative is truly engaging, but where this book takes it to the next level is the way it looks. The art is stunning and the colouring is so consistent and spectacular that it makes this book one of those rare few where it is worth picking up just for the visuals. But luckily it’s not just an art book, it is a truly magnificent art book with a fantastic story that keeps the reader on the edge of their seat while rooting for the protagonist.

and from CAPELESS CRUSADER

Brubaker is no stranger to the spy game—most recently, his run on Winter Soldier featured a heavily espionage influenced direction. His comfort with the genre allows him to turn convention on its head repeatedly in “Velvet #6.” Spy thrillers have relied on tropes for essentially as long as the sub-genre has existed. But the modern upheaval in story-telling has allowed Brubaker to relentlessly pursue a strong female lead character and lend a little bit of much needed diversity to the popular comics scene. “Velvet #6” relies on the protagonist’s strong narration to provide any needed exposition and gravitas. It’s refreshing to see Velvet as a worthy lead in a book that wouldn’t/couldn’t have existed only a few decades ago where female lead characters took their cues from James Bond films. 

With some of these other comics, Batman Zero Year: Finale #33 edges one of my personal faves, Aquaman, for fourth in the stack because it is the finale of the Riddler saga. This comic earned high ratings overall from many reviewers. It was a great conclusion to the Zero Year Riddler saga. The Batman Zero Year saga was a fantastic mix of Batman mythology, filling in background of young Bruce Wayne while telling a story dependent on Gotham City as a part of the plot. Fantastic!!

Not only have I written about Batman but I have raved about the next four comic titles: Aquaman, 

Daredevil, Mighty Avengers, and Amazing Spider-Man.

And before any one accuses me of over-focus on Marvel Comics, please note that my top ten this week is a nice mix of four companies with the Archie and Image books as well as only two Marvels in the top ten and six DC Comics. This is surely unusual as I buy and read more Marvel titles than DC titles. Then again, of the nineteen titles released this week, only four of them came from Marvel.

I could run the gamut of titles and comment on all of them, but I am pressed for time and five months late, so a few more quick observations and I will leave you with NINETEEN comic book covers.

Amazing Spider-Man has continued to get more and more excellent and has edged upwards in my stack since July. I have started ranking Saga, Supreme Blue Rose, and Trees higher, even though with comics that take longer to read I tend to rank them lower just for that reason. As much as I love Walt Simonson's art, I did not continue to buy Ragnarok. Batman Eternal has improved and is rarely in last place any more, though the Flash often ranks low as the new creative team is just not as good as the original, New 52, team of Buccellato and Manapul. I keep reading All New Invaders out of love for the original book from the 1970s. This book is good but it's not having the same effect on me as the original (as if anything could).

I let Buffy the Vampire Slayer: season 10 stack up in the back log and only recently cleared it. This is just circumstantial as I have been enjoying this book very much (though it's not top ten). Likewise, though I liked some of the re-imagining of the Greek gods, I was not too invested in the new 52 version of Wonder Woman. But after letting the title back log until I had six-seven issues, I read them all recently and was pleasantly surprised. Meanwhile, as of December, we are two issues into the new creative team (the Finches), and I have already written my thoughts on the debut of the new Wonder Woman for whenever I catch up to November.

WEEKLY COMICS LIST

Afterlife with Archie #6

Superman #33

Velvet #6

Batman Zero Year: Finale #33

Aquaman #33

Daredevil #6

Mighty Avengers - Original Sin #12

Amazing Spider-Man #4
The New 52: Futures End #12

Batman and Robin #33

All New Invaders #008

Saga #21

Supreme Blue Rose #1

Trees #3
Ragnarok #1
Flash #33

Batman Eternal #16

BACK LOG

Buffy the Vampire Slayer: season 10: #5
Wonder Woman #33

COVER GALLERY

Okay, I went a bit overboard this week by showing all the covers for the week's comics (plus one extra variant), but this week of July (during SDCC - San Diego Comic Con) was a huge week for comics. Great stuff. JUST LOOK AT ALL THIS GORGEOUS ART!!

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- Bloggery committed by chris tower - 1412.29 - 9:16

Weekly Comics for 1405.21

Weekly Comics for 1405.21


Obviously, I am happy with how comic books have become such a huge and important part of popular culture. As a young comic book reader (I am talking deep past here), I yearned for the time when comic books would achieve the kind of popularity when so much material would be shared via movies and TV shows as it is now. As wonderful as it all is, it has reached a point at which I cannot possibly watch let alone purchase for watching all the material being currently produced.

As of this writing, which is over THREE months past the date of the release of these comic books (it was two months old when I started writing this entry), I have not seen any of the Marvel superhero movies for this year, including Captain America: the Winter Soldier, Amazing Spider-Man 2, and X-Men: Days of Future Past. I am hoping to make time to catch The Guardians of the Galaxy. (When I originally wrote this, Guardians had not yet been released. This is no longer true, and I did see it a few days ago. More on that later.) I have nearly caught up on the TV show Marvel: Agents of S.H.I.E.L.D., but there's so much more in movies, TV shows, and direct to video special editions, such as DC's DARK KNIGHT RETURNS adaptations that I have barely scratched the surface of what there is to watch and enjoy. For instance, I have not yet seen one episode of Arrow, and I have left the last two seasons of Smallville as yet unwatched (though I am hoping to remedy this oversight soon).

But just as I catch up on some things to watch, more are due to arrive. The major networks will host three new superhero or comic book themed TV shows this fall including Gotham on Fox, Constantine on NBC, and The Flash on the CW. More on the NEW TV SHOWS can be found at this link. And not just for the awesome Joss Factor (as in Joss Whedon) Agents of S.H.I.E.L.D. will return for a second season.

As I explained in my post for COMICS OF 1404.09, soon, as in 2016, Netflix will begin to air special shows, featuring the Iron Fist and Daredevil, leading up to a show dedicated To the Defenders. But even before that both Avengers: Age of Ultron in May of 2015 plus Batman v Superman: Dawn of Justice in May of 2016.

So much to see; so little time. Sure, I am happy that comic books and comic book story content has such visibility and popularity. This is what I wanted. There's going to be a DOCTOR STRANGE movie, and I hope it will be good. Even amazing and fantastic.

So sure, this is all awesome. I get the fan boy jitters just hearing that a Metal Men movie is in the works. And yet, as cool as all this activity is, I just wish I had more time to take it all in.

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Re-arranging my order of operations here, while I also try for the brief content. So first a list re-cap, and then some quickie reviews.

If not for the two special event series of Original Sin and Forever Evil, I think Velvet would have taken the top spot this week as I am really enjoying the retro-spy thriller with the arresting Velvet Templeton as the lead character and the super spy hero. Because the fate of Foggy Nelson was left unknown in the previous issue, Daredevil ranks highly this week as well. With Lex Luthor vying to be part of the Justice League in the wake of the final issue of Forever Evil, Justice League #30 takes the last slot in the top five. 

A little over two months later, some of these issues are still in my back log, such as Batman/Superman, 

Buffy the Vampire Slayer, Mind The Gap, Rocket Girl, and Elektra. Though I am not sold on Elektra and I did not pick up issue #3, and with the quality of Batman/Superman in flux, especially when Jae Lee is not drawing, it's no surprise that these books have fallen into the unread stack. But the others are all books I love to varying degrees of ardor, especially Buffy the Vampire Slayer. Often beloved books fall into the back log simply because I save them for when I can devote a good chunk time and attention to them and not due to a lack of interest. Though with Rocket Girl, I really feel I need to re-read the previous issues, so those have gone into my stack as well, all four of them.

Other standouts that will gets shouts in my quickie review section (or as quick as I can make it) include Hulk, The Amazing Spider-Man, Thor - God of Thunder, Uncanny X-Men, and Saga.

WEEKLY COMICS LIST

Original Sin #2 (of 8)
Forever Evil #7 (of 7)
Velvet #5
Daredevil #003
Justice League #30
Hulk #003
The New 52 - Futures End #3
The Amazing Spider-Man #002
Nova #017
Thor - God of Thunder #022
Uncanny X-Men #021
Justice League of America #14
Batman/Superman #11
Amazing X-Men #007
Saga #19
Buffy the Vampire Slayer - Season 10 - #3
Mind The Gap #17
Rocket Girl #5
Elektra #002
Avengers World #006

BACK LOG
Batman Eternal #7
Wonder Woman #31

SPECIAL PURCHASE
Mind Mgmt -Volume Three - The Home Maker

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SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS 

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RE: SPOILERS: I don't have to explain that you read at your own risk, right?

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Original Sin #2 (of 8)

I have been enjoying the Original Sin cross-over so far this summer. Unlike other big comic book events that seem to feature battles above all else, such as Civil War or the Skrull Invasion, this series which focuses on the pasts of various characters and a strange murder mystery in that the Watcher has been killed is unusual and fascinating. Jason Aaron, whose work I have enjoyed on Thor, is a fresh, new voice in comic books.  And Mike Deodato is one of the finest artists in the business and one of my personal favorites. Marvel obviously planned well as the entire series has shipped on time and with Deodato as artist.

In part, Original Sin seems to be a series to renovate the original Nick Fury character and possibly allow for a full transition to the new, Samuel Jackson based Nick Fury character. Also, centering much of the story on Fury invokes the Agents of S.H.I.E.L.D. television program; I just finished watching the remaining episodes of the first season, so I am now caught up.

One of the strengths of the series is the usage of little used if not all but forgotten characters, such as Dr. Midas and the Orb. Deodato's moody, dark chiaroscuro suits this story perfectly. Also, there is an intriguing blend of disparate elements, such as the Mindless Ones of Dormammu's dimension, the Moloids in the center of the Earth, as well as a variety of characters including the Black Panther, Dr. Strange, Ant Man, and the Falcon among others.

Since I am writing this entry when seven of the eight issues have been released, I have found this to be an excellent series and much better than most of the summer crossovers of recent years.

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Forever Evil #7 (of 7)

I have been clear about that SPOILERS thing, right? Because don't keep reading, if you don't want to know what happened in the conclusion of Forever EVIL.

This comic is a test case for why a company needs most if not all of a series in the can before it begins releasing it. This final issue was long overdue, so much so in fact that the rest of the DC universe had quite moved on from this story line, the after effects of it were being seen, and yet we still did not know everything about what had happened, which in terms of the time lines for these characters had already taken place.

From the time that the series began, and the evil Justice League captured Nightwing, I was concerned that the DC think tank had decided to kill off my favorite DC character, and one of my favorite comic book characters of all time.


For those not in the know, check out my blogs over on the T-shirt site:

NIGHTWING T-SHIRT BLOG

ROBIN - TIM DRAKE

Yes, I know that Tim Drake was Robin #3 (and #5), but anyway, there's lots of Dick Grayson content in that entry and a good collection of my Batman related content up to that point in my blogging year.

The good news is that they DID NOT kill Dick Grayson. Not exactly.

In this issue, Lex Luthor bring Dick Grayson back to life, but so only he, Batman, and Catwoman know. In the fallout later on, Batman shuffles Dick off the mainstage. Nightwing is gone, and Dick Grayson will star in a new comic, aptly titled Grayson, leading DC's cash-in on the sudden popularity of espionage comics, such as Velvet as seen on this page and Marvel's The Winter Soldier and The Black Widow.

Though it was a frustrating waiting for this comic, the payoff was worth it. The revelation that Alexander Luthor, with the evil world's SHAZAM power is the father of Superwoman's unborn child, and the ensuing battle that takes place between that world's Luthor and Ultraman (the Superman knock off) was worth the price of admission. As the issue progresses, many more characters get in on the fight to defeat Alexander Luthor, in the end, fittingly, it is our world's Lex Luthor, in the retro-armor of his 1980s incarnation that deals the final blow, and in a fitting way. As you can see in the images below: "but I am smarter." NICE.

Luthor's triumph sets up the next story arcs in the DC univrse as Lex Luthor makes himself part of the Justice League, in part, by blackmail, as he figures out that Bruce Wayne and Batman are one and the same.

In a fun little extra moment, Lex steps on and crushes Atomica, and though this may seem misogynistic, it's not.
She deserved that end.


As Man of the Hour, Luthor also saves our Superman by removing the Kryptonite shard embedded in him.

The issue also has a long denoument as it closes out some stories and sets up others. Captain Cold has a prominent role in the ending, establishing that Luthor will hire him as head of security and give him a place in the new look Justice League.

Batman warns Catwoman to be good but won't explore any kind of relationship with her, which will only last until the next time DC wants to boost sales. Ted Kord (Blue Beetle) was introduced as Luthor declines to buy Kord Industries.

The Syndicate is defeated but certain villains remain in custody or at large. Owlman is missing, Ultraman is broken, and Superwoman is smug about her pregnancy.

Meanwhile, Luthor figures out that "Bruce Wayne is Batman." Superman presages that Darkseid will return, and in the final page, the DC faithful are treated to a shot of the Anti-Monitor, the powerful entity that was part of the Crisis on Infinite Earths, which, to my knowledge, without cheating by looking it up, was the last time we saw the Syndicate before they were obliterated.

This makes for a confusing time with comic books as some history is honored and other history is erased.

I am not so much a purist that I want the stories to work together in a complex and fully integrated single history.

I just want to read good stories with great art and Forever Evil definitely qualifies.

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VARIOUS LINKS AND RESOURCES

My REVIEW OF FOREVER EVIL #6

FOREVER EVIL PREVIEW 

COMIC BOOK RESOURCES FOREVER EVIL #7 review

RETCON PUNCH review of Forever Evil #7

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Velvet #5

 Far and away Velvet is one of my top ten favorite comic books right now. I have been a fan of Ed Brubaker's since he broke onto the scene years ago with his work on comics in the Vertigo line followed by the revamp of Catwoman and then Gotham Central, which is definitely one of my all time favorite DC comics. I know I write that a lot. But I mean it. Then later, after his jump to Marvel, his work with Captain America (he invented the Winter Soldier) and Daredevil proved his mettle and proved to be some of the best comic books of first decade of the 2000s.

Now with the a new take on the James Bond-style espionage tale with a female main character and teamed with an artist in Steve Epting whose style perfectly suits the jumps in time and the moody feel of certain scenes, like the one depicted below.

This issue fills in more of Velvet's past, with one panel that's very From Here to Eternity. The bulk of the issue jumps between Velvet's childhood in 1946 and her early years as a spy in 1956, until we jump forward eighteen years (1974) to the present time of the main story line.

Brubaker makes Velvet Templeton a real and somewhat tormented character, much like the real James Bond from the Fleming novels. This issue fills in the background for why the case Velvet has taken on is personal for her and how she had real feelings for someone who turned out to be an enemy.

If you are waiting for the collected edition, get into this comic or buy the single issues. This is fantastic stuff.

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Daredevil #003

I have written on this blog and my T-shirt blog about the excellence of Daredevil both as a character and the recent series of comics written by Mark Waid and drawn by Chris Samnee.

Check out a detailed look at Daredevil the character and a close look at the recent series in

T-SHIRT #286

Also, I shared quite a bit about classic Daredevil in

T-SHIRT #267


I am rather proud of both of those entries.

I also reviewed the first issue of the yet again re-started (after a recent re-start) Daredevil  comic in my weekly comics for 1403.19, which can be found as the first entry in my collected lists from the T-shirt blog at WEEKLY COMICS LIST FROM 365 T-SHIRTS.

I was not crazy about the idea of Daredevil moving to San Francisco, but I am always willing to keep with a comic to see how the story unfolds, especially one that has been as consistently excellent as Daredevil.

This issue continues Daredevil's conflict with the Shroud, the other "blind" vigilante in the Marvel universe. Meanwhile, a clever story technique reveals that Foggy Nelson, presumed dead at the beginning of this current re-start, is in fact alive. In the end, Daredevil switches to his other identity as Matt Murdock to confront the Owl and to defuse the situation with the Shroud, only to find himself the victim of an excellent cliff hanger, dropped into a pit of fire!

It is easy to make the argument that Daredevil is the best Marvel comic currently published.

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Hulk #003

I never dedicated a T-shirt blog to the Hulk. I found a shirt online that matched the first Hulk comic I owned, The Incredible Hulk#103 (seen above). The shirt was produced in Thailand where, apparently, EXTRA LARGE means something else than it does here in the USA. The shirt did not fit, thus spoiling my plans to feature the Incredible Hulk on my T-shirt blog (which will have more new entries yet this year). And so, here's the cover at least. I gave the shirt (and a cool Thor one) to Adam Kemp, who has become like a member of our family.

HULK on COMIC VINE

I have already reviewed the first two issues of the Waid/Bagley Hulk work on this blog in

WEEKLY FOR 1404.30 (HULK #2)

and

WEEKLY FOR 1404.16 (HULK #1)

You know I love the cross-referencing.

This issue continues the battle with the Abomination and Banner's recovering from what seemed like irreparable brain damage as the Avengers intercede to aid S.H.I.E.L.D. director Maria Hill in helping the Hulk.

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The Amazing Spider-Man #002

I have reviewed the most recent Spider-Man comics multiple times on this blog. Instead of cross-referencing everything, I created more categories, so now there is a Spider-Man category for handy reviewing if you so desire. If anyone has dug this deeply into my blog, especially one three months old, I commend you.

Slott is doing a great job of keeping up with the remnants of Doctor Octupus' time as Spider-Man as Peter tries to reclaim his life, especially Anna Marie Marconi, Ock's girlfriend and now Parker's roommate.

Ramos has also toned down the goofier cartoony aspects of his art to make the art more realistic.

This comic coincides with the release of the Spider-Man movie and so features Electro. It's not mind-blowing work, and though good, comics like Future's End  and Justice League, which I am not reviewing, beat it out this week in the stack.

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Thor - God of Thunder #022

After a I raved positively about Jason Aaron's writing for the Original Sin comic, it seems fitting to give him props for his work on Thor. He's telling very interesting and somewhat offbeat tales that get Thor back to his roots but also stretch how stories about the character are told. One very smart thing Aaron has been doing is moving around in time, even in one story treating us to three incarnations of the immortal and long living God of Thunder, a young Thor from the age of Vikings, our modern day Thor, and an older, King Thor from the future.

This story line resolves the debacle that was the bizarre idea to situate Asgard floating above the town of Broxton, Oklahoma. I never liked this idea as it violated the idea that Asgard is a fantastic other world in another dimension and shrunk the majesty and breadth of the realm eternal, as if it could fit on a hunk of rock that would float in the air.

Aaron wisely did not wish to simply dismiss the previous story lines, but instead chose to add the Roxxon corporation to the mix and do a good job with legal and environmental commentary. Meanwhile, the story charts a conflict in the far future as Thor fights Galactus one final time to save Midgard (Earth) even though the planet is essentially dead and the human race, apparently, is extinct (or at least has left the Earth behind).

The issue ends with future Thor retrieving the God Butcher's weapon to use against Galactus, tying in the first, long arc that Aaron created for this run of the series. Another very good cliff hanger ending for a comic from this week.

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Uncanny X-Men #021

I also created an X-Men category. I reviewed an issue of Uncanny X-Men not long ago and discussed my deep affection for the art of Chris Bachalo.

This issue is only good if you like Chris Bachalo and you have been following the series. If you attempt to read this one out of sequence, you will be completely lost.

There is a great sequence in which Storm brings down some serious lightning, drawn beautifully by Bachalo. Of course, anyone could appreciate that kind of art and event.

There's a great pic of Emma Frost holding an umbrella. I love the way Bachalo draws Emma Frost, toning down her model-quality good looks and body, and here he puts her in a uniform that makes her look totally bad ass while de-emphasizing the usual eye candy elements in renditions of her, which in turn is sexy as Hell.

Meanwhile, Magneto rescues Dazzler, who has been held captive by Mystique and used to produce a special drug which she is selling out of Madripoor while also posing as Dazzler, who had supposedly signed on to work with S.H.I.E.L.D.

Would S.H.I.E.L.D. have shown up in so many comics if not for the TV show? Probably not, but I can't say I hate it.

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Saga #19

 Eventually, I will write more about Saga. I did buy a Lying Cat T-shirt, so I could devote an entire blog entry to this great comic book by Brian K Vaughan and Fiona Staples.

This comic is just another reason why Image is arguably producing the best comics in the business.

Though Saga does not yet appear on my

LIST OF COMIC BOOK RECOMMENDATIONS FOR NON-COMIC BOOK READERS,

it will surely find a place there once the story concludes, joining Y, the Last Man, another of Vaughan's creations.

This is the gem on this blog entry, especially for those not much interested in super heroes and even those not much interested in comic books. This is superb and wonderful comic, a love story, an adventure, science fiction, fantasy, and surrealism all rolled up with social commentary, pathos, and strength of character and storytelling. PLUS, Fiona Staples is an exceptional artist, as you can tell from the single image from the issue above, an image that tells you everything you need to know about the story without me having to even describe it (so I won't).

If you don't take my advice on any of these other comic books, treat yourself and as gifts to all of your loved ones, with this remarkable comic book.

Trust me. I like to think I am a doctor of trust.

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COVER GALLERY - Including some of my other older Hulk comics.

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- Bloggery committed by chris tower - 1408.30 - 9:07