sense of doubt

Though the current project started as a series of posts charting my grief journey after the death of my mother, I am no longer actively grieving. Now, the blog charts a conversation in living, mainly whatever I want it to be. This is an activity that goes well with the theme of this blog (updated 2018). The Sense of Doubt blog is dedicated to my motto: EMBRACE UNCERTAINTY. I promote questioning everything because just when I think I know something is concrete, I find out that it’s not.

Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

HEY, MOM #1
Also,

LINKTREE
Showing posts with label Cult of celebrity. Show all posts
Showing posts with label Cult of celebrity. Show all posts

Friday, June 12, 2026

A Sense of Doubt blog post #4134 - SoD Reprint of 1573 from 2019 - The Cult of Outrage


A Sense of Doubt blog post #4134 - SoD Reprint of 1573 from 2019 - The Cult of Outrage

Just this reprint, and I had to fix an image.

Seems time for this message again as the national outrage is a bit out of control on some topics, though not on others.



LOW POWER MODE: I sometimes put the blog in what I call LOW POWER MODE. If you see this note, the blog is operating like a sleeping computer, maintaining static memory, but making no new computations. If I am in low power mode, it's because I do not have time to do much that's inventive, original, or even substantive on the blog. This means I am posting straight shares, limited content posts, reprints, often something qualifying for the THAT ONE THING category and other easy to make posts to keep me daily. That's the deal. Thanks for reading.

BLOG VACATION #1 - 2026 - Taking a blog vacation for a couple of weeks, until at least June 26th, 2026. Mostly reprints. A few simple shares (not that simple shares are out of the norm) and THAT ONE THING. Need time for other things.




Link to the original post I am reprinting below:

Tuesday, June 11, 2019
A Sense of Doubt blog post #1573 - Cult of Outrage


Rejecting the Cult of Outrage - YouTube
A Sense of Doubt blog post #1573 - Cult of Outrage

I have always said that rape jokes are not funny. This one isn't either, but it's also not terribly offensive. It's unfortunate, but it's more thoughtless than endemic of misogyny.

That said, the follow up article on the possibility that as many men are sexually assaulted as women per year is startling, especially given how prison statistics affect the numbers.

This post has been hanging around in my queue for years, though not quite five years.

http://issuehawk.com/patton/2014/06/24/cult-of-outrage-brittany-furlan-and-the-rape-joke-that-may-have-been-in-poor-taste-or-genius.html
Cult of Outrage: Brittany Furlan and the Rape Joke That Was Either In Poor Taste or Genius
  • By: Joshua M Patton
  •    
  • June 24, 2014
  •    
  • Articles, Uncategorized
  •    
  • 0 Comments

Read more at https://issuehawk.com/patton/2014/06/24/cult-of-outrage-brittany-furlan-and-the-rape-joke-that-may-have-been-in-poor-taste-or-genius.html#5VfaeemeLHSIcHFP.99


Brittany Furlan is a comedian who found her fanbase on the social network Vine, shooting and starring in seven second videos. Furlan and a number of other “vine famous” people she often films with have made their names with irreverent comedy, often with little context.
So Furlan was working the red carpet with Lauren Elizabeth (who found her fame on YouTube) and interviewing some handsome actor from a soap opera that is somehow still on the air. After generally fawning over his handsomeness and making suggestive jokes about “backstage” Furlan ended the interview by saying “Let’s get you away from us before we rape you.”
And cue Twitter outrage. According to Mediaite.com, not only were people actually watching the red carpet for the Daytime Emmys but some of them were actually willing to admit it by tweeting their disgust for Furlan’s joke.

Hey #daytimeemmys maybe hire some red carpet "hosts" w a little less black and rape jokes next year. These girls have the verbal runs.
— Brandon Barash (@BrandonBarash) June 22, 2014

Most notably, some other actor from the same soap opera (there can’t be more than one still on, right?) tweeted, “Hey #daytimeemmys maybe hire some red carpet “hosts” [with] a little less black and rape jokes next year. These girls have the verbal runs.
For fans of Furlan’s previous work, the edginess doesn’t come as much of a surprise. Yet is it fair to give more famous comedians who have done “questionable” material in the past a pass, but excoriate Furlan? Was her joke tasteless or was she cleverly subverting traditional stereotypes? The immediacy of Twitter doesn’t allow much time for reflection.
Maybe this wasn’t a high-minded bit that sought to subvert the traditional male-on-female violence paradigm (although, you could argue that it does that if only inadvertently), but an off-the-cuff remark that was, at worst, in poor taste. Yet, the outrage machine loves victims like Furlan, because while Patton Oswalt can take time off from social media without negatively impacting his career, a comedian like Furlan cannot.
While it is remarkably well-intentioned, as always the outrage is misplaced. Yes, Furlan’s joke played on the old stereotype that rape happens when someone “gets too excited” about how the victim looks. The fact that a woman saying that to a man is noticed this way, suggests that perhaps the stereotype that men are always the perpetrators and women always the victims is falling out of fashion.

Yet “taking down” Furlan neither advances the cause nor does anything to help the actual victims who are being let down by the system. Of course, trashing a comedian – especially one who is not an established brand – is far easier than addressing the substantive problems affecting rape survivors.
Instead, activists of all stripes seek to imbue “their word” with the same kind of fearful power as the name of the main villain in Harry Potter. Spoiler warning, but at one point the eponymous character tells his friends that by referring to the villain as “Voldemort” rather than “You-know-who” gives him an added power he doesn’t really have. That is what is happening with words today. People hear “rape” and regardless of the context, fire off their outrage into the ether.
Rape is a serious social problem across the world and one that is not likely to go away because of some miracle legislation or great awakening in society (although one can hope). Hiding the word away, especially absent of context, will make it easier for society to forget about the real problem and take satisfaction in the false victory of “banning” the word.
Hashtag activism isn’t always lazy and unproductive, but this kind almost always is.






https://latest.com/2014/04/new-study-finds-men-as-likely-to-be-victims-of-rape-as-women/

A new study seeks to challenge the way Americans think about rape specifically that men are the perpetrators and that women are the victims. In an essay for Slate, Hanna Rosin details a new study by Lara Stemple and Ilan Meyer which shows that “the rates of nonconsensual sexual contact is basically equalized, with 1.270 million women and 1.267 million men claiming to be victims of sexual violence.”


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- Bloggery committed by chris tower - 1906.11 - 10:10
- Days ago = 1438 days ago
- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
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- Bloggery committed by chris tower - 2606.12 - 10:10

- Days ago: MOM = 3998 days ago & DAD = 652 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: anger, blog vacation 2026-1, Cult of celebrity, cults, gender, low power mode, state of the hate nation

Tuesday, October 24, 2023

A Sense of Doubt blog post #3171 - Public Places Are Banning Influencers


A Sense of Doubt blog post #3171 - Public Places Are Banning Influencers

Things catch my eye, and then I decide to feature them on the blog.

I subscribe to a lot of newsletters -- too many to read on the regular -- and many of them have been recommended by Warren Ellis, who feels like a friend even though I do not really know him personally except for his work, his newsletter, and a couple of emails we exchanged about ambient music.

The FUTURE PARTY was his recommendation, a recent one. And I have been skimming it even when I do not have time for the other 20 (however many) that come in daily.

And so this item caught my eye.

I was waiting for more backlash against influencers.

This also reminds me of something I heard in the FLASH FORWARD podcast (I am not hunting down the episode).

This fantastic podcast has ended, and it's worth a listen through the many episodes.

The one I am thinking of is about how influencing could become name-drop-related. What if an app on your phone paid you every time you mentioned a product or service to another person? Furthermore, what if your phone tracked that person's response to the influence? Do they buy the product? Use the service? The technology definitely exists now for the first part, and our phones are listening all the time. The technology for the second part also exists but is a little bit more complex to use facial recognition, GPS tracking, or other methods to track what happens due to the influence.

SIDENOTE: Just shut up. Anyone with a phone that they have with them nearly all the time, turned on, and active needs to just shut the fuck up about devices like the Amazon Echo listening and maybe recording what is said in its presence. PLEASE. Help me Spock.

Thanks for tuning in.


From "The Future Party" October 23, 2023

Public places are banning influencers

The Future. Despite the creator economy thriving, more cafes, businesses, and even towns are deciding the influencer exposure isn’t worth the headache. That’s potentially bad news for micro-influencers who rely on a steady flow of content to stay in the conversation… but it could be uniquely beneficial for brands and businesses looking to create “offline” experiences that every influencer wishes they could document.

Anti-influencing
Influencers may no longer be trending, according to Mashable.

  • Dae, a design shop and cafe in Brooklyn, instituted a no photos-and-videos policy (other than a quick snap) because influencers have “gotten a bit out of control for us.”

  • Pomfret, a town in Vermont, closed access to tourists of its most-photographed public spaces because influencers had caused the area too much damage.

  • Andorra, a micronation in Europe, is even instituting new laws to curb the migration of YouTubers.

  • And in recent years, a hotel in Ireland and a cafe in Taiwan also put up that “No Influencers” sign.

Why would businesses and local governments be against the free publicity provided by influencers? There are several reasons.

  • They can’t handle the popularity — it draws too many people for businesses without enough resources or space.

  • The wave of customers that influencers bring in (and just want to get a photo) can scare off long-term customers — a more sustainable business model.

  • Influencers often want to exchange content for goods or services, which some businesses have found isn’t a fair trade most of the time.

None of this means influencing is going away… but the industry may be contracting as brands try to focus on allocating resources to influencers who can truly move the needle. Influencer marketing agency Linqia recently found brands are increasingly preferring to partner with “macro-influencers” if they want to make a splash on socials.





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Today’s email was written by David Vendrell.
Edited by Nick Comney. Copy edited by Kait Cunniff.
Published by Darline Salazar.









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- Bloggery committed by chris tower - 2310.24 - 10:10

- Days ago = 3035 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: Adbusters & Culture Jam, Cult of celebrity, newsletters

Monday, March 20, 2023

A Sense of Doubt blog post #2953 - "Human" - Sevdaliza - Music Monday for 2303.20

https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839


A Sense of Doubt blog post #2953 - "Human" - Sevdaliza - Music Monday for 2303.20

Since this post is a regular Music Monday post, it is not in the count of the extended 12 post MUSIC WEEK 2023. Number Twelve drops tomorrow.

This is a fitting post for the day final grades are due for Winter 2023.

I am not just a grading robot. I am HUMAN.

I have featured Sevdaliza many times on this blog.

She amazes me.

Her art speaks to me, to things deep inside me.

Though I have featured her music in many music mixes on this blog and my YOU TUBE channel, I am only posting one here, below.

For more check out my SEVDALIZA category linked in the category list to the right.

THREE BLOG POSTS:


A Sense of Doubt blog post #2022 - New Sevdaliza album: Shabrang! Musical Monday 2008.31


Hey, Mom! Talking to My Mother #685 - ISON, the full album by Sevdaliza plus The Formula and "Human" - Musical Monday for 1705.22


A Sense of Doubt blog post #1277 - شاهماران Şahmaran - QUEEN of Snakes - Musical Monday for 1808.20



OFFICIAL SITE:

https://sevdaliza.com/

SEVDALIZA INSTAGRAM


J'Adore!

Thanks for tuning in.


SEVDALIZA: Throwback to the first time in my life that I actually felt beautiful.
Immortalized by @paulkooiker @leendertcs @laurayard

https://www.instagram.com/p/CnfF-JBuzly/?hl=en



https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839


In Sevdalizas video, however, the perverse spectator is brought to the center. Rather than scapegoating the act of oppressive sexualization onto animals (and “others” — note the background men in Langs film), Sevdaliza brings them forth and allows us to rest for a long time on their nervous, sweaty, uncomfortable and guilty spectatorship. Furthermore, the male gaze is stretched out through other hungry characters, as if to tell us that we are all guilty of oppressive consumptions (or what bell hooks might call “eating the other”) — or that we may all have internalized the male gaze. Just like that, Sevdaliza turns it around, and the humans are the animals consuming and sexualizing her — the animal insisting it is human.
Tess S. Skadegard Thorsen https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839





"Human" - Sevdaliza






SEVDALIZA

Nov 17, 2016
Pre-order my new album Shabrang! : http://sevdaliza.com/shabrang

'the basic human need to be watched was once satisfied by god'

sevdaliza.com
mucky.nl

original music: Sevdaliza
produced by: Mucky 
co-produced by: Sevdaliza
concept: Sevdaliza & Emmanuel Adjei
director: Emmanuel Adjei

sevdaliza.com
emmanueladjei.com
mucky.nl

FROM WIKI    

"Human"[edit]

Sevdaliza appears to be a satyr and an erotic dancer performing in a semi-abandoned large building with classical detailing in front of an audience sitting on a mezzanine. The audience consists of only men, who are clearly wealthy, being served food and receiving this seemingly private and exclusive performance. The time and place that this is occurring remains ambiguous, mostly because of the mysteriousness of Sevdaliza's semi-mythological character, who is dancing on dirt that has been plowed as in preparation for an animal race. Additionally, her outfit recalls that of Debra Paget in the 1959 film The Indian Tomb, a nod to old Hollywood nostalgia and popular roles women play catering to male sexual desire.[33] The audience members sweat and watch cautiously, as if scared of her. Her video on YouTube is accompanied by the quote, 'the basic human need to be watched was once satisfied by god'. There is an official rendition of the song in Portuguese. The video for Human was directed by Emmanuel Adjei.







https://medium.com/@tess_thorsen/karen-barad-and-sevdaliza-feminist-music-videos-part-1-3b9eda9b5839

And what is that about? Why is Sevdaliza half horse? At first, I thought of it quite literally — the animalism was a play on Sevdaliza striving to be seen as human (literally the lyric of the song) — a simple play on the dehumanization of women (maybe particularly women of colour). But I recently attended a seminar and lecture with Quantum Physicist Karen Barad. My sister introduced me to Barads work years ago, but while attending the lecture a coin dropped — and finally I began to understand some of the links between posthumanist feminist philosophy, queer-theory and Sevdalizas horse legs.

It sounds way out — but it makes me think of Karen Barads text Transmaterialities from GLQ: a journal of lesbian and gay studies — particularly the following quote: “Monstrosity, like electrical jolts, cuts both ways. It can serve to demonize, dehumanize, and demoralize. It can also be a source of political agency. It can empower and radicalize.” Was Sevdaliza radically performing monstrosity?

Applying Barads uses of “both/and” — in which we are asked to consider the materiality of something that is “both” (two separate things) “and” (one whole/the same) at the same time — begs us to consider that the fixedness with which we define bodies (ie. what is Human) might not be the most useful way to think of materiality. One could ask — is Sevdaliza distinctly human and nonhuman but also simultaneously both? If so, Sevdalizas Human video offers a quite literal critique through a use of the posthuman/nonhuman altered body — in other words, her use of the nonhuman and exotified character only briefly dehumanizes and demonizes Sevdaliza, in order to ultimately dehumanize, demoralize and critique the audience, ultimately giving Sevdaliza the empowering radical agency to reflect humanity onto itself through her own (non/)human state.




Human/Lyrics

Search Results

Main Results

I am, I have
I breathe in and out
I own a heart
An ear and an eye
I've only been here one time
It's passing me by
Been in and out
And in front of my judgmental eyes
Precious disguise
Business so cold
Can't cope with my own
How to not fail
I am flesh, bones
I am skin, soul
I am human
Nothing more than human
I am sweat, flaws
I am veins, scars
I am human
Nothing more than human
I am human
I am human
Human
Human
Human
Human
Source: LyricFind
Songwriters: Reynard K Bargmann / Sevda Alizadeh
Human lyrics © Cloud9, Downtown Music Publishing









https://www.wonderlandmagazine.com/2020/09/07/sevdaliza-2/



“This album represents to me that the essence of it all to me is love,” Sevdaliza explains. “It is a deep letter to myself, my own bible I have to write in order to trust and believe in life. Trust in myself and my character as a human being.”
Wonderland Staff https://www.wonderlandmagazine.com/2020/09/07/sevdaliza-2/



https://pitchfork.com/reviews/albums/sevdaliza-the-calling-ep/


The Calling isn’t a departure from ISON so much as a distillation in both sound and in genre. The two pejoratives for trip-hop, the coffeeshop and the bedroom, suggest shallow, half-hearted connections with other people, which was always strange for a genre that, at its best, is about extensive self-reflection. And The Calling certainly has that, occasionally to excess. There’s a fair amount of woo to get past, starting in interviews and peaking in “Human Nature” with a sotto voce spoken-word quotation of the guru Osho, whose more salacious teachings are the subject of Netflix’s cult doc “Wild Wild Country.” Once you do, though, the music is well worth it.

Sevdaliza’s voice evokes the best bits of the genre’s greats—Tracey Thorn’s richness, Nicola Hitchcock’s tremolo—while adding distinctive melisma evoking her Iranian roots. Mucky hones his sound further here. Like Arca, his productions often dwell on empty space, and just how far it can expand; “Soothsayer,” in particular, has moments that spool out slowly, very much like parts of Björk’s Arca-produced Vulnicura. The Calling takes the best part of ISON—the strings—and makes them even more abundant and central.

Condé Nast https://pitchfork.com/reviews/albums/sevdaliza-the-calling-ep/


“There’s a woman, she’s every fantasy, and no reality in one,” sings Sevda Alizadeh, better known as Sevdaliza, in “Amandine Insensible.” The song is about one of the musician’s alter egos, a woman named Amandine, who is so lost in her fantasies that she doesn’t care about anything else around her. Just as she takes on several characters (Amandine, Marilyn Monroe, and Zilla—a woman experiencing loss—are a few in her professional realm), Sevdaliza’s personal background too is fragmented. Born in Tehran, the singer—whose ethnic background is Persian, Russian, and Azerbaijani—left Iran with her family to move to Rotterdam at a young age. She went on to play for the Dutch national basketball team in her teens before pursuing a master’s degree in communications. It wasn’t until after university that Sevdaliza honed her sound: a fusion of haunting vocals mixed in with sultry synths and pulsating beats. Through her melancholic lyrics, she investigates identity and transformation.

​Like Sevdaliza, Beatrix Ruf landed in the Netherlands as a foreigner. The German curator moved to Amsterdam from Zurich to become the director of the Stedelijk Museum in 2014, the city’s main institution for modern and contemporary art. Her dedication to art and sense for aesthetics have qualified her as one of the most admired museum heads in the world. In 2006, she curated the Tate Triennial, along with a survey of the German artist Isa Genzken, and her collaborators span from the established, like Swiss artist Ugo Rondinone, to the emerging, such as South African artist Zanele Muholi, who opened an exhibition at the Stedelijk in summer of 2017. In their home country this summer, Sevdaliza and Ruf conversed over their common creative ground, discussing the role of identity in art, racism, and migration.

Ann Binlot https://www.documentjournal.com/2018/02/musician-sevdaliza-escapes-expectations-with-curator-beatrix-ruf/

https://www.documentjournal.com/2018/02/musician-sevdaliza-escapes-expectations-with-curator-beatrix-ruf/

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- Bloggery committed by chris tower - 2303.20 - 10:10

- Days ago = 2817 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by Chris Tower at 10:10 AM No comments:
Labels: Cult of celebrity, grading robot, humanism, music, Music-Song-by-Song, Musical Monday, Muslims, Sevdaliza, women in music, women who amaze me, world music
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I am Christopher Tower the gmr

I am Christopher Tower (or Chris), and I am a writer of stuff. I grew up in Michigan; I now live in the Portland, OR metro area. I play Ultimate, ride a bike, and supposedly educate college persons while myself being educated in college. I am married with two kids, a beagle, a curly lab, and a fiesty pug/frenche mix. I like sushi. I love all SF, fantasy, comic books, D&D, board games, and Gnosticism. I am a Jungian. I am currently studying Clinical Mental Health Counseling at Walden University.

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SENSE OF DOUBT STATUS AS OF 0705.04 - 16:45

Sense of Doubt is not currently dedicated to any themes or special interest. The subject matter is mine and may range from comic books to ultimate or from Baseball to feminist-centered media criticism. Until I feel I have enough content for multiple blogs, or until I am seized with a desire to create multiple blogs, this is it, and appropriately so. "Sense of Doubt" came about in Bowie’s Berlin period and the dark, ambient collaborations with Brian Eno. Like the Bowie of 1978, I have my own darkness that steals over me and through me, infecting everything. At the risk of sounding far too melodramatically obsessed with my own self-flagellations, this blog dedicates itself to that darkness, that infection. But it’s fun, too. Hey, I can be amusing? Or not. It’s the way of the [w]rench. Neurosis compelling action in insecure double-checking and misunderstanding evasions. It is my way.
More from the original description text that needed editing in 2015: Furthermore, Sense of Doubt is dedicated to the random. The theme is no theme. Just questions, doubt, and uncertainty. Feel the power of not knowing the answer. So dedicated on the last day of July 2006 by the Galactic Monkey Wrench.

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This is the logo of the Galactic Monkey Wrench. I was given the nickname Galactic Monkey Wrench in college by a friend of mine who felt that I threw the monkey wrench into the cosmos at every available opportunity. Later, in discussions with my best friend, who is the Lord of Chaos (the Loc), he asked for my title and when I told him, without thinking, he blurted out "the gmr!" Since this was random and we appreciate randomness, I became the gmr, even though technically I should be the gmw. But gmw sounds like a car or some industrial manufacturing firm that makes a strange widget of which one has never heard. This acronym fetish may make no sense to anyone else, but my friend and I are quite driven to provide acronyms for many things. At the very least, it allows us to keep our conversations obscure and often private as no one knows about what we're talking.

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A Feast for Crows
4 of 5 stars
A Feast for Crows
by George R.R. Martin
This book is a little slower than the others. But if you become invested in this series, it provides key information about the history of Westeros and the lands across the Narrow Sea. It may not contain chapters with my favorite characters ...
A Game of Thrones
5 of 5 stars
A Game of Thrones
by George R.R. Martin
Do I really need to review this book? It's one of the best books I have ever read. Martin is a great writer. All the books are great, and I am loving my time rereading them. If you have not checked out these books, start here and get ready ...
The Golden City
0 of 5 stars
The Golden City
by John Twelve Hawks
These books are immensely entertaining. Treat yourself to some strong writing, great action, compelling characters, and a mix of metaphysics and theology. The ending of this third book, which is presumably the last, is anti-climactic and so...
Pathfinder
0 of 5 stars
Pathfinder
by Orson Scott Card
This was a fun book. Not OSC's best but very good OSC nonetheless. The best thing about is the time travel, slowing, and speeding powers of the characters and how OSC engages the reader in discussion of causality and time paradox. For fans ...
Swamplandia!
0 of 5 stars
Swamplandia!
by Karen Russell
This book came to me via my wife Liesel who discovered it and urged me to read it. Beautifully written with compelling characters and a sense of the magical (yet realistic, somewhat). Funny yet full of the pathos that marks a good if not gr...

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