Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Tuesday, May 19, 2026

A Sense of Doubt blog post #4110 - UAP: Unsealed Apollo 17 Photo is Significant Evidence!


A Sense of Doubt blog post #4110 - UAP: Unsealed Apollo 17 Photo is Significant Evidence!

The Internet always provides.

I did not have a post set up for today and was undecided about what to post.

Going through email this morning, here was this story that continues some recent stories I have posted, such as

Friday, May 8, 2026

This evidence is even more compelling than previously released material.

Thanks for tuning in!!



Commander Eugene A. Cernan on the moon during 1972 Apollo 17 mission.Credit:

NASA/Donaldson Collection/Getty


https://ew.com/age-disclosure-director-dan-farrah-photo-from-unsealed-uap-files-most-significant-evidence-11976656
By Mike Miller
May 18, 2026 5:58 p.m. ET

This unsealed Apollo 17 photo is the 'most significant' new UAP release, says Age of Disclosure director

"We are not aware of any human technology that should have been hovering over the moon watching the astronauts in 1972," Dan Farah tells EW.

  • The Age of Disclosure director Dan Farah shares his thoughts on the U.S. government's release of files about UAPs.
  • One specific photo he calls "pretty extraordinary" in what it shows during the 1972 Apollo 17 mission.
  • Farah says evidence-gathering is a "huge priority for the White House."



Steven Spielberg's Disclosure Day is still a few weeks away, but if you’ve been watching the news lately, the events it depicts might feel like they’re starting to unfold in real time. 

In the legendary director’s latest sci-fi adventure, a whistleblower played by Josh O’Connor fights to reveal the truth about a decades-spanning alien cover-up. Meanwhile, just last week, a tranche of previously classified documents was released in response to President Trump’s directive for transparency on the subject of UAPs (Unidentified Anomalous Phenomena).

Hundreds of files — including military incident reports, photos, videos, intelligence files, astronaut mission material, and historical sightings dating back to the 1940s — were made public through a new U.S. government portal called the Presidential Unsealing and Reporting System for UAP Encounters (PURSUE), hosted on the Department of War website.

Though the administration framed the move as a “maximum transparency” initiative rather than confirmation of extraterrestrials, many, including high-ranking officials and politicians on both sides of the aisle, are hailing it as proof that the government has been withholding information about UAP encounters.

"For decades, UFO disclosure has been a distant object — unidentified and unexplained," senate minority leader Chuck Schumer tweeted. "That’s starting to change. I’ll keep pushing until we land on the truth." 

Dan Farah, who coincidentally produced Spielberg’s Ready Player One years before directing last year’s UAP exposé, The Age of Disclosure, says this is just the beginning. 

Now Prime Video’s most-watched documentary, Age of Disclosure "opened a lot of eyes, not only in the public but inside government," Farah tells Entertainment Weekly.

Exposing what he describes as an "80-year cover-up of the existence of non-human intelligent life," as well as "a high-stakes secret Cold War race" between the U.S. and "adversary nations to reverse engineer technology of non-human origin," the film featured interviews with 34 senior members of the U.S. legislative, military, and intelligence communities, including then-U.S. Senator Marco Rubio.

"Within three months," Farah says, the film’s release “straight up led to President Trump taking a legitimate historic, unprecedented action to declassify evidence that the U.S. government has of UAP and non-human intelligent life."

Below, Farah gives his reaction to the May 8 releases, including what he finds most compelling, what his sources in the government are telling him behind the scenes, and when we can expect more evidence to be brought forward. 

ENTERTAINMENT WEEKLY: As you predicted in your film and in our previous interviews, the government has begun to release previously classified information on UAPs. Now that you’ve had a chance to go through everything, what's your reaction to what’s been unsealed?

DAN FARAH: When we made The Age of Disclosure, the hope of my interview subjects and me was that it would lead to a national conversation at an unprecedented level and cause the White House to take action. And that's exactly what happened. So I couldn't be prouder of the impact the film has had and this historic disclosure process that it's caused. It was less than a few months after the release of the movie that President Trump issued this historic presidential directive telling federal agencies to declassify evidence of non-human intelligent life and UAP, and that was followed by weeks of his senior cabinet members going to all the federal agencies and branches of the military and demanding that they turn over evidence that they have.

They got a lot of pushback from all the people who have been involved in covering this up, and they still have not gotten all the evidence they have been trying to get on behalf of the American people. But they did get some, and of that, they were able to comfortably declassify a number of UAP videos and images and files related to UAP that had been previously classified.

And you believe there’s more to come? 

When they released this on May 8th, they made it clear that this was just the first tranche of evidence, and it would be a rolling disclosure process, a rolling declassification process of this evidence. And that's because their effort to get the evidence out of all these federal agencies and branches of the military is ongoing and active. And I know a number of senior cabinet members in the current administration are actively working on this on a weekly basis, even people who haven't publicly been associated with this topic. It's a huge priority for the White House. The goal of the film was to bring about mainstream disclosure and drive action by our government, and that's exactly what's happening, so I couldn't be prouder.

Do you feel public sentiment on UAPs has shifted? 

I think the unjustified antiquated stigma that has historically surrounded this topic is dead and gone once and for all. I don't think any intelligent person is now questioning whether this is real, especially after watching The Age of Disclosure. And I think the White House's recent actions pushing disclosure forward also make it clear how real and serious this is.


What did you find most surprising in this first tranche? 

I think, hands down, the most significant evidence released in that first tranche on May 8th is an image of what appears to be a triangle craft hovering over the moon during the 1972 Apollo mission. When I was making The Age of Disclosure, a number of high-level officials I interviewed told me they had seen that image but that it had never been released to the public, and they hoped it would eventually get out. 

So when that was included in this first tranche of evidence, I thought that was pretty significant. Certainly, we are not aware of any human technology that should have been hovering over the moon watching the astronauts in 1972, right? It's pretty extraordinary. Additionally, several of the people in my film told me they investigated that image in their official capacities, and when you apply certain filters to that image, there are actually other objects in the same frame that you can't see with the naked eye.

What else stood out to you?

There was a lot of stuff in this. There were old memos, military memos that make it clear that this has been an issue going all the way back to the ‘40s. There are some significant internal military memos that were declassified acknowledging that this isn't manmade technology. But I certainly think the Apollo mission photo is super significant.

I've also been told by senior members of Congress who I've gotten close with that they have been helping the White House identify more evidence, and they're expecting around 40 more UAP videos to be released in the next few weeks.

In the doc and in our previous conversations, you’ve described a “tug of war” behind the scenes, where certain members of the intelligence community, government, and military are fighting to keep these documents classified. Do you have hope that the most compelling evidence will be released to the public one day?  

I know as a fact that the elements of the U.S. government that have been involved in gatekeeping this information for the past 80 years are aggressively pushing back against this presidential directive. They are actively fighting it. They do not want to turn over this evidence that they have been holding and gatekeeping. In fact, their goal is to put all this back in a box and bury it for another 80 years.

So, the members of Congress who are really in front of this and fighting for disclosure, and the members of the president's cabinet who have the job of pursuing the truth and finding the evidence, they've got an uphill battle. But I'll say I think they're gonna eventually get to all the evidence. 

It's also notably a bipartisan effort. In Congress, it's Congresswoman [Anna Paulina] Luna, Congressman Eric Burlison, and Congressman [Tim] Burchett on the Republican side, and on the Democratic side, it's Congressman [Jared] Moskowitz and Congressman [André] Carson. In the U.S. Senate, it's Sen. Chuck Schumer, Sen. [Mike] Rounds, Sen. [Kristen] Gillibrand, and then you have the key members of the President's Cabinet all over this. So it's a really unique bipartisan effort at a senior level.

It's safe to say disclosure of UAP and non-human intelligent life has become a national priority.



What would you say to skeptics who argue that some or all of the photos and videos in these files could have ordinary, terrestrial explanations? 

Well, all the stuff that they released and labeled as UAP are UAP. They're unidentified anomalous phenomena. I also want to stress that what has been released publicly in this first tranche of evidence barely scratches the surface. That's just like one to 5 percent of the evidence that just a couple of federal agencies have shared. Not every federal agency has turned over the evidence they're supposed to. Not every branch of the military has turned it over. Almost all those documents come from just a couple of federal agencies.

Looking into your crystal ball, when do you think we might get incontrovertible evidence that aliens are among us? 

I think the process has begun, and it's not reversible. I think the White House and Congress are gonna keep fighting their way to the most meaningful evidence, then declassify as much of it as they feel they can safely do without creating threats to national security. And I think we're gonna get to a point of the best evidence eventually being unveiled to the public, and I think we will also get to a point after that where we do finally see a sitting president step to the microphone and tell the world we're not alone in the universe.

Do you worry that the drip of information could turn people more skeptical?

I think we're past being concerned about people who can't accept reality, you know? That's like letting yourself worry about people who think the Earth is flat.

Anything else you want to share about these latest developments? 

I'm really excited for Spielberg's new film Disclosure Day. I certainly would never have made The Age of Disclosure if not for the impact his work had on me. Close Encounters and E.T. are two of my favorite films since I was a child, and especially Close Encounters piqued my curiosity about this topic more than anything, and made me curious about those big questions like, Are we alone in the universe? Does the U.S. government, in fact, know more about this topic than the public does? — which is the common thesis in both E.T. and Close Encounters.


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- Bloggery committed by chris tower - 2605.19 -10:10

- Days ago: MOM = 3974 days ago & DAD = 628 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Monday, May 18, 2026

A Sense of Doubt blog post #4109 - Know Your Tools and the Music of Danielle Dax - Music Monday for 2605.18



A Sense of Doubt blog post #4109 - Know Your Tools and the Music of Danielle Dax - Music Monday for 2605.18

I know Danielle Dax from Robert Fripp's 1981 album The League of Gentlemen, one of my favorite albums.

And the cover of the Beatles' single "Tomorrow Never Knows" in 1990 which I saw on 120 Minutes on MTV (or at least I am reasonably sure of this).

But I had not followed her career.

Today's content is mostly sharing from Warren Ellis' newsletter.

Thanks for tuning in!!


Danielle Dax - Wikipedia 

Danielle Dax - Inky Bloaters













Orbital Operations for 5 October 2025

THE WORLD SERVICE

PATIENCE

By the time you read this, if everything’s gone to plan - and there’s no reason to expect it will - the entirety of graphic novella PROJECT LOST SIERRA should have been delivered to the upload site by the artist, if she hasn’t experienced yet another bizarre Fortean accident that has led us both to believe this book is cursed.

PROJECT BORLEY’s artist is in the last half of issue 3 - 4 is on his desk, which mean I need to get a wiggle on and produce two more scripts to stay well ahead of him. PROJECT EXPLOITS RIVER is into its final pages now, I believe, PROJECT KNIFE HILL and PROJECT ROANOKE are still waiting for their artists to get free, I’m already into the projected 7500 words of contracted ebook PROJECT SODA SPRINGS (I suspect it’ll end up around 10k, like DEAD PIG COLLECTOR, and I don’t even bother mentioning all the film and tv activity - options, attachments and the like - because none of that stuff matters until it physically happens on a set or in a studio.

Patience. I was having a conversation about that with someone earlier. Things will happen, or not happen, in their own time, and there is rarely anything you can do about that. If you want to make things for a living and not go batshit - and I have to remind you that all creative industries are filled with people who went batshit - step one is to learn how to wait and let things go.

It’s among the hardest lessons to learn, but it’s the one that will save your life. Take it from someone who’s lived through a lot and nearly died a few times.

 
OPERATIONS

KNOW YOUR TOOLS

Actors talking about acting can be painful to listen to. But actors who have really thought in practical terms about what they do and how they do it - that’s fascinating.

Michael Caine would talk about acting on film as “surgery with a laser” as opposed to theatre acting being “surgery with a scalpel.” Film doesn’t let you be broad or take your time and you can see every little detail in that frame. Hence his famous “eye trick” - he won’t blink during a shot unless he’s trying to show nerves.

Anthony Hopkins doesn’t blink when he plays Hannibal Lector, either - but he does hold his mouth slightly open in every shot, the way a snake does.

I once saw a short documentary about the film THE COMPANY OF WOLVES, and in an interview Angela Lansbury said something brilliant. Her character, the slightly creepy grandmother, wore little spectacles. And, every now and then, Lansbury would hold her head a certain way, because she knew the lighting would catch the glass of her spectacles and hide her eyes. And when you can’t see someone’s eyes, you unconsciously stop trusting them. Therefore, Lansbury would make it so you were never quite sure about Granny, without her doing anything except tilting her head a bit.

Because she was in command of the tools. She knew what everything on a set did, she knew what a camera did, and she knew that the tiniest of movements would change everything.

And here’s musician and actor Danielle Dax, of the Thames Delta, as the werewolf girl in COMPANY OF WOLVES:

 

DANIELLE DAX ENTR’ACTE

And since I ended up talking about the sainted Danielle Dax, here’s a short musical interval:

YouTube video by remain22

Danielle Dax - Bad Miss 'M'

YouTube video by Danielle Dax - Topic

Daisy

YouTube video by Live Is Better

07. The Spoil Factor - Jesus Egg That Wept (1984) / Danielle Dax

YouTube video by Indie City

Danielle Dax - White Knuckle Ride

 
ORBITAL

SOCIAL MEDIA WINTER CONTINUES, ALMOST EVERYWHERE ALL AT ONCE

I’ve seen this quoted in a few places - it’s a piece on the FT that I don’t have access to because I’m too cheap to spring for the FT, but this is the bit, this time on Marginal Revolution:

It has gone largely unnoticed that time spent on social media peaked in 2022 and has since gone into steady decline, according to an analysis of the online habits of 250,000 adults in more than 50 countries carried out for the FT by the digital audience insights company GWI. And this is not just the unwinding of a bump in screen time during pandemic lockdowns — usage has traced a smooth curve up and down over the past decade-plus.

Across the developed world, adults aged 16 and older spent an average of two hours and 20 minutes per day on social platforms at the end of 2024, down by almost 10 per cent since 2022. Notably, the decline is most pronounced among the erstwhile heaviest users — teens and 20-somethings…

Additional data from GWI trace the shift. The shares of people who report using social platforms to stay in touch with their friends, express themselves or meet new people have fallen by more than a quarter since 2014. Meanwhile, reflexively opening the apps to fill up spare time has risen, reflecting a broader pernicious shift from mindful to mindless browsing.

There is, of course, one notable exception to this global trend. America.

 

Recently: THE DEPARTMENT OF MIDNIGHT audio drama podcast, DESOLATION JONES: THE BIOHZARD EDITION, THE STORMWATCH COMPENDIUM., THE AUTHORITY Compact Edition, the LIGHTS OUT Anthology.

 

THOUGHT FOR THE DAY with AJ Brady

One More Won’t Hurt

 
 

There’s nowhere to stand in this country that doesn’t have twelve feet of human bones under it. Every day we're walking on nine hundred thousand years of buried bodies.

 
 

These are the collaborations between myself and painter AJ. Sometimes she sends me an image and I respond to it in text, sometimes I send her a piece of text and she responds with an image. Find her work at brady-pictures.com.



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- Bloggery committed by chris tower - 2605.18 - 10:10

- Days ago: MOM = 3973 days ago & DAD = 627 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Sunday, May 17, 2026

A Sense of Doubt blog post #4108 - Lazarus Fallen - comic book reviews



A Sense of Doubt blog post #4108 - Lazarus Fallen - comic book reviews

DAY 626 since Dad died. His birthday is 6/26, so a significant number.

I have been reading Lazarus by Rucka and Lark since it started in 2013 when I was still living in Michigan.

I loved Rucka's work and followed closely with his career even before moving to the greater Portland area where he and so many other comic creators live.

So, I was excited when Lazarus: Fallen started in 2025 after a three year hiatus since issue seven of Lazarus: Risen.

Supposedly, this is the final series about "Forever Carlyle," which may hint at a continuation without the character of Forever.

Though six issues are out now, I am only going to focus on the first in the series and hope to return to discuss the rest in another post some time in the future.

Maybe the next issue (seven) is coming out soon? I could not find a definitive answer on the Internet. Looks like it fad been solicited for March 2026, which didn't happen. now, maybe, May 2026, which is now.

Reminder: Often these links have to be copied and pasted not clicked:

https://comicbookroundup.com/comic-books/reviews/image-comics/lazarus-(2013)/fallen-1

Impressively, the critics reviews of this comic (8.6/10) are much closer to the user reviews (8.2) than usual. Surely, this rating similarity speaks to the high regard for this comic and its creative team.

Oddly, only two critics reviewed Lazarus Fallen issue one with one giving it an 8.7 and the other an 8.6/10.

The 8.7 -- https://nerdinitiative.com/2025/05/29/lazarus-fallen-1-the-high-cost-of-freedom/ -- has nothing but praise for the team and this issue, so I fail to understand why it scored an 8.7/10.


The site was so saturated with ads that I couldn't read the content and had to copy-paste it just to read it.

Both reviews are copied below followed by my take.


“I had strings, But now I’m free, There are no strings on me” – Leigh Harline.


In a neo-feudalist world, one family wields tremendous power. The Carlyle Family has staked a claim in a hostile landscape. There are one of a few families who control everything. They don’t see people for who they are. You are either a Serf or Waste. To ensure their rule, families have a Lazarus in their ranks. Having a living weapon has won them many things. None have been more legendary than Forever Carlyle.

In 2013, Greg Rucka and Michael Lark started Forever Carlyle started a violent and complex journey. During the saga, she has made some discoveries. Infinity, her younger sister and heir apparent, has given a huge assist. Twelve years later, the path has now opened a new direction for her to walk. It also has given readers a very heavy question: What happens when an unkillable warrior is truly free of control?

The Final Order Cut-Off for issue #1 is Monday, June 2nd, 2025. Nerd Initiative got an advance look at LAZARUS: FALLEN #1 by Greg Rucka, Michael Lark, Santiago Arcas and Ariana Maher.

Here is my *SPOILER FREE* review of the first chapter of the final saga.

LET’S TALK STORY!

Right from the jump, Rucka establishes the tense covert feel fans expect. A raid on a Hock preservation center gets more intense as each panel hits. The dialogue reflects the sinking feeling the squad is developing on their mission. Knowing who they are in pursuit of feels like a losing cause. The mission presses forward. It can’t be stressed enough the dire and intense aura Rucka has crafted here. It is the embodiment of espionage. The result sets a strong pace as the chapter moves forward. With this world, there is no gray area. It is survive or fall at all costs.

This sense carries forth when the spotlight is cast on a familiar face. Rucka holds nothing back in showing the depths this figure is willing to go for what they want. Readers can easily pick up on the deceit pouring out of every word said. There is no shortage of drama on these panels. Where it leads is sure to shake things up. Longtime fans of the series will have much to rave about. This is especially true in the closing pages. If there wasn’t enough drama thrown into this explosive issue, the last panel stops the show on a dime.

HOW ABOUT ART AND LETTERING!

Lark and Arcas build up the suspense slowly with the raid. Each raid member is walking very tensely. It conveys the dangerous mission they’re on. Using wider panels captures a more clearer picture of the trek through the building. The center has its fair share of surprises. Readers watch as the unit’s path puts them in line with some surprise guests. It gives the moment some calm before the air gets thick with a deep stand-off. There’s no shortage of win with this sequence. It caps off with a loud statement as the story takes another turn.

Once the devious figure appears, the art reflects the change in mood. The pages relay a more firm and direct sense. There is no sugarcoating the reactions on display. Readers can’t help but being ensnared in these panels. It results in a few more twists before a final changed gear. Lark and company give the final location a more calming sense. If ever slightly, readers get a steady walk into the close. The closing panel will have readers buzzing as parts are in motion for a combustible last ride.

OVERALL GRADE: 8.7/10

The final story of Forever Carlyle begins with an unswerving shot of drama and intensity. Rucka crafts the ever-changing landscape with superb writing. Lark, Arcas and Maher delve into the lengths all parties will go to win with their art. “Fallen” is poised to fire on all cylinders and this final run is one fans simply won’t want to miss.

Let me know your thoughts on the Lazarus series in the comments below. Thanks to Image Comics.omics for the advance look & thank YOU for reading! 



Lazarus Fallen #1

Image Comics

Written by Greg Rucka

Art by Michael Lark

Colors by Santiago Arcas

Letters by Ariana Maher

The Rundown: The patriarch of the Carlyle family is determined to retrieve his Lazarus and continue his program.

A Carlyle team infiltrates Hock family territory on the hunt for Forever Carlyle and her sister. Unfortunately, they are too late and the head of the facility decides to send an explosive message to the Carlyle family. At the Carlyle family home, Jo deals with her father’s insistence on locating where in the world Forever might be hiding. Desperate for answers, he brings in a familiar face to lead the Lazarus project and work with Jo to sustain the future of the family.

Years after Forever was declared rogue, two young women show up in Armitage territory and attempt to become part of the resistance movement known as The Free. Skeptical of their skills, the women are vouched for by a familiar face.

The Story: Rucka crafts a great continuation of this story and the world of it. There’s great intrigue throughout the story and I love the world building of the series. The issue does a great job of serving both fans of the series and new readers jumping onto this first issue with a story filled with action, thrills and a mystery that I was to explore.

The Art: Lark delivers stunning art throughout the issue. I love the visuals and the character designs. Every page and panel is filled with amazing details.

 MY TAKE

10/10

I don't see any reason to down grade this issue and not give it full marks. Sure, I am an easy grader, but seriously.

Forever and her sister (Eight) have escaped the Carlyle family and are looking for Freedom Fighters to help take the family down.

The story launches mid-action as "Miss (Sonia) Bittner" the Bittner family Lazarus sent to retrieve Forever from Hock, who had removed the tracking and other tech from the two sisters.

Bittner turns the tables on Sonia and blows up himself and his complex once Dr.  Carlyle and the Lazarus trainer (I forgot her name).

This is followed by the machinations of the Carlyle family, chiefly the patriarch Malcolm, to get his Lazarus back but their attempts to find her (and her sister) have come up empty.

A text box tells us Forever went rogue 293 days ago.

Cut to Paris where another text box tells it's now 859 days since Forever left the Carlyle family as Forever and her sister make contact THE FREE and, surprisingly, the presumed dead Jonah Carlyle.

One great thing about Rucka/Lark is that they do not explain much. The reader is dropped into the story and needs to remember what happened previously and all the inter-relationships or have all the back issues handy.

They even decided to share the French in dialogue with translations in the back for verisimilitude. Brilliant!

Issues two through six have all been fantastic.

Love this comic and cannot wait for more!!


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- Bloggery committed by chris tower - 2605.17 - 10:10

- Days ago: MOM =  3872 days ago & DAD =  626 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.