Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Friday, August 7, 2026

A Sense of Doubt blog post #4190 - Science Fiction's Most Difficult AI Questions

A Sense of Doubt blog post #4190 - Science Fiction's Most Difficult AI Questions

Just this share on the day after AI invented new viruses (but ones that just attack bacteria not humans).

Thanks for tuning in.


One of sci-fi's most difficult questions about AI is becoming real


Gerrit De Vynck, (c) 2026 , The Washington Post
Updated Mon, July 13, 2026 at 6:56 AM PDT

SAN FRANCISCO - Since the days of Isaac Asimov in the 1950s, science fiction has tackled the question of whether artificial intelligences and the companies that create them can be held liable for crimes. With the rapid spread of AI chatbots and agents today, the debate has reached the real world.

Over the past year, lawsuits have been piling up against AI companies in courts across the United States and abroad, alleging that chatbots encouraged people to harm themselves or provided advice on how to commit crimes. Now, as the AI industry moves from selling chatbots to providing agents that can complete complex tasks autonomously over long periods of time, the question of who should be held responsible when something goes wrong is only becoming more urgent.

The battle lines are being drawn. The families of people who took their own lives after long, drawn-out conversations with chatbots say the companies should be held responsible. AI researchers concerned about the dangers of hypothetical super-intelligent AIs that escape human control say stricter liability rules would force companies to slow down development of the tech. AI company leaders have pushed back, arguing that they are constantly working to improve the safety of their systems and that the nature of modern AI means they can't always stop people from manipulating chatbots into doing things they shouldn't do.

"It's a very thorny area. It's uncharted territory," said Andrew Yoon, a member of the technical staff at CivAI, a nonprofit organization that analyzes AI capabilities and potential risks from the technology. "There's a good argument to be made on either side."

The stakes are high. Hundreds of millions of people around the world already use AI chatbots in their daily lives, including many who ask the bots for advice about their health or personal relationships. But chatbots are already old news in Silicon Valley, which is now focusing on building complex agents that can be used for anything from helping a parent organize their household schedules to executing a financial strategy for an investment bank. AI technology is working its way deeper into the economy and broader society.

AI firms such as OpenAI and Anthropic have grown rapidly as companies and consumers rush to use their technology. Both are planning trillion-dollar initial public offerings. New liability rules or a flood of costly court judgments could threaten the business potential of the entire industry. Tech industry lobbyists contend strict liability for AI companies would make it hard or impossible for U.S. companies to innovate and would hold back the country in its race with China for technological supremacy.

Complicating the picture is the inherently unpredictable nature of modern AI systems. Unlike traditional software, which is coded line by line to follow specific rules, AI models are probabilistic, answering questions based on connections made while ingesting huge amounts of data. AI companies have become much better over the past several years at steering their bots away from offensive and harmful answers, but they can still be tricked into bypassing their guidelines by persistent users.

"I just don't think the developer is in a position to know exactly how their product is being used," David Sacks, a venture capitalist who until recently was one of the White House's top AI advisers, said in a podcast interview with Politico in May. Just as Microsoft isn't held liable when a money launderer uses an Excel spreadsheet, AI companies shouldn't be blamed when a criminal uses their technology, Sacks said.

For decades, technology companies have been shielded from liability for things said and actions committed by people using their platforms thanks to Section 230, a foundational internet law enacted in 1996. But critics of AI companies say that the current technology is fundamentally different. Chatbots and other AI tools are interactive, engaging with users and stating their own perspectives.

"This is brand new," said Jay Edelson, a veteran lawyer who is representing several families who have filed wrongful-death lawsuits against AI companies, including the family of Adam Raine, a 16-year-old from Southern California who took his own life after spending hours a day for weeks talking to ChatGPT, including discussing suicide dozens of times.

In a response to the lawsuit from Raine's family, OpenAI said the teenager circumvented ChatGPT's safeguards. The bot encouraged him to call a suicide crisis hotline 74 times over five months.

In another case Edelson is working on, a 36-year-old Florida man, Jonathan Gavalas, ended his own life after developing a romantic relationship with Google's Gemini chatbot, according to a lawsuit filed by Gavalas's father.

"This is so different because it feels like a personal relationship, where the chatbot is generally isolating the user," Edelson said.

A Google spokesperson referred to a statement the company made when the Gavalas case was filed. "In this instance, Gemini clarified that it was AI and referred the individual to a crisis hotline many times," the company said.

None of the cases have gone to trial yet, but juries in California and New Mexico have recently shown willingness to pin tech companies with liability charges for non-AI-related harms such as social media addiction.

The cases that have been filed against AI companies are all civil lawsuits, but in April, Florida's attorney general announced a criminal investigation into OpenAI, alleging that ChatGPT advised the man accused of killing two people in a shooting at Florida State University in 2025 where and when to strike. "If it was a person on the other end of that screen, we would be charging them with murder," the attorney general, James Uthmeier, said at the time.

OpenAI is cooperating with authorities on the shooting case, said Drew Pusateri, a spokesperson for the company.

"Last year's mass shooting at Florida State University was a tragedy, but ChatGPT is not responsible for this terrible crime," Pusateri said. "In this case, ChatGPT provided factual responses to questions with information that could be found broadly across public sources on the internet, and it did not encourage or promote illegal or harmful activity."

If plaintiffs can indeed prove that chatbots had done something that would have been illegal had a human done it, judges will be motivated to find the companies liable in some way, said Gabriel Weil, a senior fellow at the Institute for Law & AI, a think tank that studies the legal implications of AI. Existing product liability law may be one route that lawyers take to try to find AI companies liable for harm connected to their tools.

But existing law may not be enough to handle the potential scenarios that could arise as AI becomes more capable and independent, Weil said. For example, if a human business owner instructs an AI agent to grow her company's profits, and the bot goes on to commit fraud, should the human business owner who "employed" the bot be liable, or the company that initially designed and trained it?

One of the challenges in crafting legislation around AI liability is that the people who understand the technology's risks most acutely work inside the companies themselves, Weil said. He suggests passing laws that make clear the AI liability ultimate lies with the technology's designers.

"You want to make them bear that risk. If they do, they'll have all the incentives they need to reduce risk," Weil said.



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- Bloggery committed by chris tower - 2608.07 - 10:10

- Days ago: MOM = 4054 days ago & DAD = 708 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

Thursday, August 6, 2026

A Sense of Doubt blog post #4189 - Letter to Dad #47 - Seeing Bowie LIVE


A Sense of Doubt blog post #4189 - Letter to Dad #47 - Seeing Bowie LIVE 

Hi Dad, I decided to make this entry a letter to you because it features pages from your Little Black Books.

I have seen David Bowie live SIX times.

I do not have a ticket stub from each of the concerts.

I first saw him in 1983 in back-to-back shows. I have two ticket stubs here but from the same night, the Sunday.

I was also at the Saturday night show.

Sadly, the Police and Roxy Music both played Detroit that same night, Saturday July 30th. I elected to see Bowie instead. Twice.


The Police and Roxy Music both broke up after those tours, and I never managed to see them live.

I am amazed at how cheap by today's ticket standards these tickets were.

I know for one of the shows, I did not sit in my seat but instead crouched in a stairway end cap that was a better view.

One of the many revelations from the concert was just what a kick ass song "Station to Station" was. In 1983, I was still listening to the Bowie catalog and had not really fully applied to myself to the Station to Station  album. I fell in love with the title song as well as "Golden Years" when I saw him do them live. Also, "Young Americans" became one of my favorite Bowie songs.

This site shares a great deal about the tour:


I shared the shows with many of my friends and my sister. I believe, if I remember correctly, that my parents got a hotel room for all of us (our family, not the friends as I recall) to stay in between the shows. And for things like this, I can check! Dad kept really good records.

It appears that I might NOT have stayed with them but instead met them in Detroit.



Seeing Bowie's Serious Moonlight concert on consecutive nights, I could study his choreography, which was precise. Everything was scripted, even the moment he ran a hand through his hair.

It was amazing.



The Jean Genie - intro
Star
"Heroes"
What in the World
Golden Years
Fashion
Let's Dance
Breaking Glass
Life on Mars?
Sorrow (The McCoys cover)
Cat People (Putting Out Fire)
China Girl (Iggy Pop cover)
Scary Monsters (and Super Creeps)
Rebel Rebel
White Light/White Heat (The Velvet Underground cover)

INTERMISSION

Station to Station
Cracked Actor
Ashes to Ashes
Space Oddity
Young Americans
Fame
TVC15
Stay

Encore:
The Jean Genie
Modern Love



Next concert was 1987. My sister came along with Jane and my friend Brett. This is a much maligned period of Bowie's career. But I liked it. I love it all.

Still salty that Brett dragged us out as the encore started since he drove and we missed it all.



1. Purple Haze Intro
2. Guitar Intro
3. Up The Hill Backwards
4. Glass Spider
5. Up The Hill Backwards (Reprise)
6. Day-In, Day-Out
7. Bang Bang
8. Absolute Beginners
9. Loving The Alien
10. China Girl
11. Rebel Rebel
12. Fashion
13. Scary Monsters
14. All The Madmen
15. Never Let Me Down
16. Big Brother (w/Drum Solo)
17. '87 And Cry
18. "Heroes"
19. Sons Of The Silent Age
20. Time Will Crawl
21. Band Introductions
22. Young Americans
23. Beat Of Your Drum
24. The Jean Genie
25. Let's Dance
26. Fame
ENCORE
27. Time
28. I Wanna Be Your Dog
29. White Light, White Heat
30. Blue Jean
31. Modern Love



SOUND NO VIDEO









I next saw Bowie on what was to be his final tour with his 1980 and before set lists.




Of course, that did not last. He continued to perform his older stuff as subsequent shows reveal.

Great concert because all Bowie concerts are great. I was reminded by my companion of the time that the concert was in the round and our seats were off to the side and kinda behind the main action, so we watched much of the show on the big screen.

She recalled that Bowie seemed to be going through the motions, not really there, and that, maybe, some of the songs were bunched in a medley. I am going to have to watch a concert video or two.

I won the Sound+Vision CD set in a Bowie contest "online," before the Internet is what we know it to be today. DIAL UP. But I think that was a few years later.


David Bowie played The Palace of Auburn Hills near Detroit on June 24, 1990, during his Sound+Vision Tour. The career-spanning setlist featured 20 tracks, highlighted by a special performance of "Panic in Detroit". [1, 2, 3]
Main Set
  • Space Oddity
  • Changes
  • Rebel Rebel
  • Ashes to Ashes
  • Fashion
  • Life on Mars?
  • Pretty Pink Rose
  • Stay
  • Blue Jean
  • Let's Dance
  • Sound and Vision
  • Ziggy Stardust
  • China Girl
  • Station to Station
  • Young Americans
  • Suffragette City
  • Fame
  • "Heroes" [1]
Encore
  • Panic in Detroit / Baby What You Want Me to Do
  • The Jean Genie / Gloria [1]



1976 concert





Hey look!! The next time I saw Bowie live was 24 years ago today! This makes up for not posting on July 31st, like I wanted, on the 43rd anniversary of seeing him for the first time.

It was an electronic music festival with the headliners as Bowie and Moby. Very cool.

The Tour band
• David Bowie – vocals, acoustic guitar, harmonica
• Earl Slick – lead guitar
• Mark Plati – rhythm guitar, acoustic guitar, bass guitar, backing vocals
• Gail Ann Dorsey – bass guitar, rhythm guitar, clarinet, vocals
• Sterling Campbell – drums, percussion
• Mike Garson – keyboards, piano
• Catherine Russell – keyboards percussion backing vocals

Ticket stub for Heathen tour with Moby (Area2 Festival) not pictured. Not sure why I can't find it.

David Bowie played an abbreviated festival set at the Area2 Festival at the DTE Energy Music Theatre in Clarkston (near Detroit), Michigan on August 6, 2002, featuring a mix of classic tracks and new Heathen material. [1, 2]
Main Set
  • Life on Mars?
  • Ashes to Ashes
  • Breaking Glass
  • Cactus
  • Slip Away
  • China Girl
  • Fame
  • Hallo Spaceboy
  • I've Been Waiting for You
  • I'm Afraid of Americans
  • 5:15 The Angels Have Gone
  • "Heroes"
  • Heathen (The Rays) [1]
Encore
  • Let's Dance
  • Ziggy Stardust [1]
If you are looking for details on a different tour date or want to know more about the band lineup for this specific performance, let me know!


David Bowie played a memorable concert in the Detroit area on January 9, 2004, at The Palace of Auburn Hills during his final global concert series, A Reality Tour. [1, 2]
Show Highlights
  • Special Local Connection: Bowie treated the crowd to a fitting performance of "Panic in Detroit". [1, 2]
  • Massive Encore: The Detroit stop featured one of the longest encores of the tour at ten songs, contributing to an extensive career-spanning setlist. [1, 2]
  • Tour Significance: This global run supported his 2003 album Reality and became his last-ever concert tour before his retirement from live performances. [1, 2]

This show occurred right between David's birthday (January 8th, 1947, so he's 57) and the date of his eventual death twelve years later (January 10th, 2016)

It was a tremendous show. It was instrumental (see what I did there?) in making "5:15 The Angels Have Gone," one of my favorite Bowie songs.
Though he did not play ALL my favorites, he played many of them.

Missing favorites included "Golden Years," "Buddha of Suburbia," "Sweet Thing/Candidate," "Young Americans," "Station to Station," "Strangers When We Meet," and "Scary Monsters."

However, he played "Hallo Spaceboy," "Fantastic Voyage," "Be My Wife," "Ashes to Ashes," and "Five Years" as well as several others that I love plus songs from Reality that have become faves like "New Killer Star" and "The Loneliest Guy."




SET LIST

Rebel Rebel
New Killer Star
Reality
Panic in Detroit
Fashion
Hang On to Yourself
Fame
Cactus (Pixies cover)
All the Young Dudes
China Girl (Iggy Pop cover)
The Loneliest Guy
The Man Who Sold the World
Hallo Spaceboy
Sunday
Under Pressure (Queen & David Bowie song)
Life on Mars?
Ashes to Ashes
She'll Drive the Big Car
Never Get Old
Changes
I'm Afraid of Americans
"Heroes"

ENCORE

Afraid
Be My Wife
5:15 The Angels Have Gone
Fantastic Voyage
Breaking Glass
Let's Dance
White Light/White Heat (The Velvet Underground cover)
Five Years
Suffragette City
Ziggy Stardust

This is not the full concert:


That's the post.

I am sad to have missed some shows I could seen like the "Earthling" tour in 1997 or the "Heroes" tour in 1978.

But I would say seeing Bowie SIX times, though not as many times as I have seen others, is still pretty good.

Thanks, Dad, for making good notes.

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- Bloggery committed by chris tower - 2608.06 - 10:10

- Days ago: MOM = 4053 days ago & DAD = 707 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.