Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Sunday, April 7, 2024

A Sense of Doubt blog post #3337 - RIP Ed Piskor - Comic Book Sunday for 2404.07


A Sense of Doubt blog post #3337 - RIP Ed Piskor - Comic Book Sunday for 2404.07

As I always say, the Internet provides. Content presents itself. Which means that news will break that will cause me to postpone the regularly scheduled content, which I do all the time anyway, not just because of breaking news.

Here's my process. Once I finish a post, I first publish it on Twitter (I won't call it that other thing), and then later to Instagram which pushed through to Facebook, also. When on Twitter, I often look at what's trending. When I see people trend, I often check to see why as older people (and occasionally those not so old) may have died. I guess I checked when Ed Piskor was trending because I wanted to see why. I did not immediately suspect that he had died. He was a young guy (at least compared to me).

I would not say that I am a HUGE Piskor fan but definitely a fan. I read his X-Men Grand Design from Marvel. I had read and planned to re-read Wizzywig and I just received the Hip Hop Family Tree Omnibus as a Christmas gift.

The story of what happened is below.

When I first saw the trend, I was not even sure Ed was dead let alone that he had committed suicide.

The remark "Internet bullies murdered me" could have been hyperbole. Not like literal murder or death.

The more I investigated, the story unfolded.

Allegedly, Piskor groomed, harassed, and lured teenaged girls with the promises of career advancement or prestige for sex. 

One website described by some as a Nazi terf blog -- "fandom pulse" -- sensationalized the story.

Piskor lost a lucrative art show in his Pittsburgh home.

Friends and industry associates distanced themselves. He claimed he felt like a pariah.

His elderly parents were harassed at their home.

Piskor wrote a lengthy denial of the accusations online which many did not realize was a suicide note until the news of him taking his life was made public.

My default position is to believe the women. Men are known predators and often are unaware of just how predatory and gross are their actions. Men's power positionality is so ingrained and so common that often men do not see their behavior as harassment, grooming, or wrong.

I believe the women.

Usually.

However, there are also some cases -- not too many but some -- of women exaggerating, lying, looking for money, trying to cancel someone due to a vendetta.

The outpouring of support for Piskor and the vilification of the fandom pulse site casts doubt on the truth of these allegations.

Then again, there's definitely some truth to them as Piskor himself admitted.

Whatever the truth may be, the tragedy remains. Piskor was a stunning talent, a great human being from what I know of him, and someone with great potential for many more decades of wonderful creative output.

Hip Hop Family Tree is a masterpiece.

I hope it and all his work makes bank for his estate.

Whatever the truth may be, cancel culture is real and deadly.

And there's very little or in some cases no responsibility in "journalism" on the Internet anymore.

Fuck fandom pulse.

I do not want to in anyway promote fandom pulse; however, they seem to be the only ones reporting on Mark Waid attacking them and comicsgate.

Supposedly, Waid has beef with Mark Millar, but then so does Grant Morrison who said publicly that Millar "destroyed his faith in human nature."

So, fuck fandom pulse and fuck comicsgate.

Like the Sad and Rabid Puppies over in science fiction and the Hugo scams, comicsgate is an alt-right movement opposed to the diversity and progressive movements in comics.

Fuck all this shit that aims to ruin the comic industry and killed Ed Piskor.

I side with Waid and all the people posting to Twitter that you will find shared below.

Thanks for tuning in.





Today is not a day to wish you a "happy" Comic Book Sunday, though it is Comic Book Sunday.

SIDENOTE: I love when Blogger tells me my HTML is invalid and yet the page still posts just fine. HTML can be full of garbage and a browser will still render it.




https://www.complex.com/life/a/jaelaniturnerwilliams/comic-book-artist-blames-death-on-online-bullying

Blames Online Bullying in Final Letter

Comic book illustrator and author Ed Piskor has reportedly died after being accused of sexual misconduct and grooming by two women.


BYJAELANI TURNER-WILLIAMS




The death of comic book artist Ed Piskor is being mourned online, albeit under complicated circumstances.

Piskor, who was the illustrator and author of the comic book series Hip Hop Family Tree, as well as an artist for Marvel's X-Men: Grand Design, reportedly died by suicide last week. The 41-year-old was accused of sexual misconduct by two women, including comic artist Molly Dwyer, 21, who claimed that Piskor began sending her private messages when she was 17. The second woman, Molly Wright, alleged that Piskor propositioned oral sex from her in exchange for his agent's phone number.

Via Instagram

Piskor vehemently denied the allegations in a final letter shared to Facebook, where he mentioned both women, writing that he "should never have talked" to Dwyer.

"The whole pile of my dms she collected to show is just awful to look at. I’m sorry. I wasn’t trying to offer professional favors to anybody or use my “position” (what a joke) to get into anyone’s pants," he wrote.

Piskor then asked that Wright be "held accountable." He alleged that the two "had sex twice and she initiated both times," and claimed that after ending the relationship, Wright turned into a "petty woman scorned."

"Reputation destruction is her form of aggression and there were very real consequences. My lawyer is Harris Miller. Is it possible to subpoena all texts and dms I had with her?" he wrote.

The letter came after an exhibition of Piskor's work was suspended from 707 Penn Gallery, originally slated to begin on April 6, in addition to Piskor losing a $75,000 deal.

"I have no friends in this life any longer. I’m a disappointment to everybody who liked me. I’m a pariah," he wrote. "News organizations at my door and hassling my elderly parents. It’s too much. Putting our addresses on tv and the internet. How could I ever go back to my small town where everyone knows me?"

youtube.com

"I was murdered by Internet bullies," he concluded. "Massive amounts of them. Some of you out there absolutely contributed to my death as you were entertaining yourself with gossip. I wasn’t AI. I was a real human being. You chipped little bits of my self esteem away all week until I was vaporized. Maybe I’ll be able to haunt you dorks as a ghost. I come from Gypsy heritage and I’m definitely cursing a lot of you."

Piskor's sister confirmed his death on Facebook, and a Pittsburgh funeral home shared his obiturary.






In Memory of Ed Piskor

1982-2024


I had a 404EVER update ready to go with some new art, but it felt totally ridiculous to post it yesterday morning. Please forgive me, I’ll be back this weekend. The following message or eulogy or whatever you want to call it, is for a friend and comic creator who died yesterday. I know it may not make sense to some of you, but it will to those who knew Ed.

This is going to be about Ed, who he really was, and who he was to me. I’m trying to write something true and beautiful from a dark place and I’ve got a thousand different emotions trying to take control of my words. The e-mail I got from him yesterday morning was devastating, I can still barely get through it. Of course I’m sad and angry, angry and disappointed at some people. I can already hear Ed, in his deadpan way, saying “No shit, kiddo”. But I refuse to get into stuff that’s already making a bad situation worse. Nothing I can say will alter what some people think. Not telling anyone what to do, just talking about what I’m doing here. And I’m angry at myself, too. None of that matters right now.

The Ed I will always remember was the artist I could chat with at 4 or 5 in the morning, when I was still awake, drawing and learning at the same time, trying to untangle or just slice the absurd Gordian knot that is comics. And of course, Ed was already up and going at it, too; always on the grind. Jumping from the drafting table, to the camera with Jim, to the interview, to the plane. And he’d always have something funny or helpful to say, or some sage wisdom. Always something real and tangible. Some piece of advice from himself, or from the souls of legendary comic artists/writers he had absorbed into his brain. I’m telling you, Ed knew everything about the world of comics. It was his world.

He was that rare blend of the artist, the dreamer; mixed with the technician. He could do things the old way, the hard way, when he wanted to. He knew color mixing, the values, the paper types, the formatting, the drafting; the history and the why’s of it all. That’s not me, I’m a dreamy weirdo artist. I could scroll for miles through our messages and conversations about the craft, the never ending grind, the obsession, the gallows humor, the ridiculous horrors comic artists put themselves through to make art. There’s absolutely no chance I would be able to do the things I’m doing right now if not for very real support and education I got from Ed. And even if you didn’t know him personally, the viewers of Cartoonist Kayfabe know what I’m talking about.

He had so many more ideas and there’s no doubt he would have succeeded in bringing them to life. So many plans. I’ll remember the pictures he’d send of his workspace, his early drafts, art or ideas he wasn’t sure about yet. It’s hard not to see him as a historian and teacher, but he really was the eternal student. I’m going through and saving these photos so I’ll never lose them, never thought I’d have to do that. It’s crazy, I always saw him as a helpful hand to pull other artists OUT of confusion or darkness. To see things come to this for him, to see him plunged into chaos and so quickly is impossible to process. There’s a whole lot more I want to say about that but I won’t right now. I just want people to know that his work, his creations, his ambitions, his plans; it was as serious as life and death to Ed. He was absolutely all in.

Ed was the sort of person you think about in future tense. Always what he was doing next, what his big moves were going to be this year. I had plans to join the group on the latest expedition to Japan. Only a month away now. I will forever regret not going when I was invited last year because I didn’t feel worthy yet. No one knows how many times he tried to encourage and boost me (and so many other artists) up, never asking for a thing in return. He invited me to join panels on his show more than once. He would always reach out and ask me if there was anything specific I wanted to know when he had an upcoming interview with an artist I loved. I’ll never forget the amount of honest respect he showed to my little ambitions. I will never ever be able to repay his kindness. Even if he was still alive it would probably still be the case.

It’s not going to be the same without him, there are so many other creators who feel the same way. Ed was still quick with honest support. It never felt like BS ego inflation or yass-queen-girlboss-slay crap from him. It was usually the technical questions, his awareness of certain details, the small things he’d notice (things I didn’t even notice in my own work) that would make me feel like I belonged in this world. He always tried to stop me from seeing myself as an intruder, or someone trying to kick the clubhouse door in. So many kind things people will never know about.

The situation can flip in a split second. Everyone says the same things when something like this happens, but don’t ignore the truth just because it’s a cliche. A person’s life is a fragile thing that shatters more than itself when it’s destroyed. If you think someone you love is even remotely considering making that final dark choice, stop them. Do whatever it takes.

Ed was a rare person and a true talent. The comics community benefited from his work and presence. We’ll always have his books, his dreams, his creations. Some of his thoughts, some of his memories. To those of you who made it this far, I hope it helps you to understand another side of who he really was. And to Ed, I’m really going to miss you. It won’t be the same without you.

With love and support to his family,
Lordess










































MINE TOO!!





















https://www.lambiek.net/artists/p/piskor_ed.htm

Ed Piskor

(28 July 1982 - 1 April 2024, USA)   United States

Ed Piskor was an American alternative comic book artist, who first gained fame illustrating stories in Harvey Pekar's 'American Splendor' series. Among his original works are 'Wizzywig' (2011), a satirical comic about hacking culture, 'Red Room' (2017-2024), about the dark web and the pop cultural graphic novel series 'Hip Hop Family Tree' (2012-2016), which dealt with the history of hip hop. 'Hip Hop Family Tree' received good reviews and established Piskor's talent. In 2017, he created another historical passion project, 'X-Men: Grand Design', a nostalgic look back at the history of Marvel Comics' 'X-Men' franchise. In 2024, Piskor found himself caught up in a sex scandal, which led to him committing suicide out of despair. 

Early life and background
Edward R. Piskor Jr. was born in 1982 in Homestead, Pennsylvania. His parents worked at U.S. Steel's Homestead Works, but the factory closed when Ed was just four years old. Many people in his town were already poor, but now it became even more difficult to tie strings together. Piskor's family was one of the last white families to live in Homestead's predominantly black neighborhood. As a child, he got along fine with everybody, but as soon as puberty set in, many of his black friends suddenly started forming their own cliques. He was often bullied because he was white and didn't come from a broken home. Feeling like an outsider, Piskor started struggling with his health. At age 15, he was hospitalized for several days because he suffered from colitis, an inflammation of his intestines. Several transfusions and surgeries kept him alive, but he asked his parents whether he could follow a homeschooling program so he wouldn't have to put up with discriminating pupils any longer and concentrate on becoming a professional cartoonist. His parents agreed and from that moment on, he fully devoted his life to this goal. As his homeschooling only required four hours of school each week, Piskor had plenty of time to study drawing and hang out with other cultivated people. Piskor always said that, since he saw no other alternative for his future, his determination was very strong. 


'Deviant Funnies' and 'Isolation Chamber'. 

As a child, Piskor loved superhero comics, particularly Marvel's 'Spider-Man' and 'X-Men'. Among his main graphic influences were Michael Golden, Marc Silvestri, Jack Kirby, Gilbert Hernandez, Jaime Hernandez and Jim Lee. As a preteen, he happened to catch a TV broadcast of the legendary documentary film 'Comic Book Confidential' (1989). Several mainstream artists he knew were interviewed, but the documentary also delved into a genre he was previously unfamiliar with: underground and alternative comics. Through both this documentary and Les Daniels' book 'Comix', he was introduced to comic creators like Will Eisner, Robert Crumb, Daniel Clowes, Chris Ware and Harvey Pekar. Piskor spent a year at the Joe Kubert School of Art. Although his stay was short, he met like-minded cartoonists like Tom Scioli, Jim Rugg and Frank Santoro. Around this time, he also drew his own underground mini-comics, 'Deviant Funnies' and the autobiographical 'Isolation Chamber'. After leaving school, he worked at a call center and sold tickets at a local haunted house. Later in life, Ed Piskor resided in Munhall, Pennsylvania, about eight miles southeast of Pittsburgh.


'American Splendor: Our Movie Year'.

Collaboration with Harvey Pekar: American Splendor
In 2003, Piskor noticed Harvey Pekar's address in one of his 'American Splendor' comics. Although he wasn't sure whether it was real, he still sent a letter to this address. To Piskor's delight, it turned out to be genuine and Pekar offered Piskor to illustrate some stories in his 'American Splendor' series. One of these was a segment of 'Our Movie Year', which dealt with Pekar's reflections on the 2003 'American Splendor' movie adaptation by Robert Pulcini. Originally, Piskor only had to draw a four-page story, but within a few days, Pekar asked him to expand it to 25 pages. The young artist fought against the deadline and managed to finish it in time. Pekar then revealed he merely wanted to test his abilities. Having passed the test, Pekar assigned Piskor to illustrate a full-blown graphic novel titled 'Macedonia' (Villard Books, 2007). 

Harvey Pekar's 'Macedonia', illustrated by Piskor, is based on a thesis by a female student about the geopolitical destabilisation of the Balkan region. Looking back on the experience, Piskor recalled that it was a very dry text. It overwhelmed him to have to illustrate such a project with so little professional graphic experience. But he managed to pull it off. He had similar doubts about his contribution to 'The Beats: A Graphic History' (Souvenir Press, 2009), which expresses the history of the Beat Poets through the eyes of a couple of teenagers in the 1950s.

Looking back at his collaboration with Pekar, Piskor felt it was a great learning experience, but he regarded the work he produced for him as an old shame. He felt somewhat guilty that he couldn't make it as excellent as he aspired. Particularly since both were some of Pekar's final projects before he passed away.

Collaboration with Jay Lynch
Piskor also worked with another comic legend and personal hero: Jay Lynch, whom he helped with his 'Mineshaft' series. However, Piskor eventually decided to no longer collaborate with other artists, since he didn't like other artists, inkers or colorists screwing up his artwork. For the remainder of his career, he wrote, drew, inked and colored everything on his own. 

Wizzywig by Ed Piskor
'Wizzywig'.

Wizzywig
In late 2011, Piskor created his self-scripted comic book: 'Wizzywig' (Top Shelf, 2012). The story is a satirical take on computer hackers. Piskor was inspired by the podcast series 'Off the Hook', which documented hackers from a political perspective. The show interviewed many real-life hackers, even when some were eventually arrested and sentenced to jail time. Piskor was fascinated that most of them were just young people having fun with online pranks or trying to solve complicated virtual problems. Some were completely oblivious that what they did was a punishable offense. Piskor therefore created a fictional hacker with the same mindset: Kevin Phenicle, AKA "Boingthump". 

Deleterious Pedigree
Around the same time he was working on 'Wizzywig', Piskor started the webcomic 'Deleterious Pedigree' (2011). The series stars a white teenager with artistic talent, growing up in a black neighborhood. As time progresses, he becomes increasingly more obsessed with drawing and suffers from neurosis. The comic had obvious autobiographical undertones.  


'Hip Hop Family Tree' #4: 1984-1985 (2016).

Hip Hop Family Tree
In 2012, Piskor started a monumental project, 'Hip Hop Family Tree' (2012-2016). The series narrates the chronological history of hip hop and various legendary artists and groups, among them The Sugar Hill Gang, Grandmaster Flash & the Furious Five, Run DMC, Schoolly D., the Beastie Boys, Ice-T, Public Enemy, Dr. Dre, Rakim and Will Smith. The comic doesn't just focus on historical facts, but also offers many fascinating and funny anecdotes. To emphasize the "old school" element, Piskor gave his artwork a yellowish newsprint effect. From January 2012 until December 2015, 'Hip Hop Family Tree' ran weekly on the website Boing Boing. Fantagraphics later published the series in comic book format. In total, four available titles were released: 'Hip Hop Family Tree: 1970s-1981' (2013), 'Hip Hop Family Tree: 1981-1983' (2017), 'Hip Hop Family Tree: 1983-1984' (2021) and 'Hip Hop Family Tree: 1984-1985' (2021). In 2016, a flexi-disc was released as a companion piece to the book. 

For his hip hop series, Piskor said he was inspired by Robert Crumb's biographical comics about old blues and country artists. Just like Crumb loves music from the 1920s and 1930s, Ed Piskor was a hardcore hip hop fan. Already as a child, he tried to track down old hip hop singles, particularly to find out where certain musical samples came from. Piskor was so well-educated in the genre that he felt he was the right artist to make a comic book about the genre. Working on the comic also allowed him to learn more about the genre's roots. Piskor saw a correlation between hip hop and comics. Both are considered trashy pop culture, initially scorned by "true" art lovers for being "easy", but eventually gaining more critical respect. Many cartoonists and hip hop artists use pseudonyms to give themselves a different public persona. Last but not least, both also have a tendency to borrow material, or sample, from their predecessors and colleagues. This discovery motivated Piskor to pay homage to other comics in some panels of 'Hip Hop Family Tree'. 

Ed Piskor's 'Hip Hop Family Tree' entered the New York Times Bestsellers list, landing the artist an interview in Time Magazine. Rap legend DMC (of Run DMC fame) praised the comic: "I'm happy this book is here, because it tells a truth." Fab Five Freddy (Grandmaster Flash & The Furious Five) shared a panel from one of the comics on his Facebook page and stated: "Being in an Ed Piskor comic is cool enough to freeze hot water." Chuck D. (Public Enemy) also posted favorable comments about Piskor's work on Twitter. In 2015, 'Hip Hop Family Tree, Volume 2' won the Eisner Award for "Best Reality-Based Work".


'Hip Hop Family Tree', reflecting on rapper Lawrence Parker, better known as KRS-One. 

X-Men: Grand Design
In December 2017, a childhood dream came true for Piskor as he wrote and drew a comic book series for Marvel Comics about the history of the 'X-Men' team of mutants, created in 1963 by Stan Lee and Jack Kirby. The series, 'X-Men: Grand Design', looks back at the entire history of the Marvel Comics franchise and retells it chronologically. Piskor used the character Uatu the Watcher as a framing device. Three books were released: 'X-Men: Grand Design' (2018), 'X-Men: Grand Design - Second Genesis' (2018) and 'X-Men: Grand Design - X-Tinction' (2019). 

Red Room
In 2021, Piskor released another webcomic, 'Red Room'. The plot takes place in more controversial realms of the "dark web", where a subculture of criminals lurk about, live-streaming and patronizing webcam murders for entertainment. Mostly based on urban legends regarding the parts of the Internet where normal people don't come, Piskor developed the concept into a spell-binding thriller, with many shocking scenes. Three book collections were released by Fantagraphics: 'Red Room; The Antisocial Network' (2021), 'Red Room: Trigger Warnings' (2022) and 'Red Room: Crypto Killaz!' (2024). The books were also translated in French by the publishing company Delcourt. 

Graphic contributions and other activities
Besides comics, Piskor also designed characters for Eric Kaplan's animated TV series 'Aqua Teen Hunger Force' on Adult Swim, but was quite underwhelmed when he saw the final product air on television. It didn't resemble at all what he'd worked on for months. Together with his friend and fellow cartoonist Jim Rugg, Piskor established the YouTube channel, 'Cartoonist Kayfabe' (2019- ), where the two cartoonists discuss their favorite comics. The channel particularly grew a large fanbase during the COVID-19 lockdown measurements, offering many comic fans distraction.

Death
On 25 March 2024, Ed Piskor was accused by a young fellow cartoonist of sending inappropriate messages to her in chat messages when she was still 17 years old. Following the release of this statement, a planned exhibition of Piskor's work at the Pittsburgh Cultural Trust was instantly cancelled. Soon after, another woman accused him of requesting oral sex from her in exchange for his agent's phone number. On 30 March 2024, Piskor's YouTube co-host, Jim Rugg, announced that he distanced himself from Piskor and terminated their professional relationship.

On 1 April, Piskor released a lengthy statement on Facebook, giving his side of the allegations. He insisted that many of the messages and comments addressed to these young women were not intended as sexual harassment, but comments that were taken out of context, looking far more disturbing than they were originally intended. He also felt it was disturbing how many of these accusations could simply be spread around on the Internet and be taken for granted. Piskor did express regret over having brought himself into this mess, now feeling alienated by everybody and everyone. As his statement continued, it became clear that it was a suicide note. Piskor mentioned having already written his testament and also advised people to not make the same mistakes he did. He rounded off his statement with final comments for his loved ones, his fans, but also for a couple of people he now regarded as enemies. 

A couple of hours after the message was posted, it became clear that Ed Piskor had indeed taken his own life. His act heavily shocked the international comics community, leading to comments about the dangers of online lynch-mobs and building your entire identity around a solitary profession like cartooning. Ed Piskor was 41 years old.


X-Men: Grand Design - Second Genesis #2.

www.edpiskor.com

Entry by Kjell Knudde


Artwork © 2024 Ed Piskor

Website © 1994-2024 Lambiek


Last updated: 2024-04-02

https://sampostwrites.com/2017/11/08/recommended-hip-hop-family-tree-by-ed-piskor/

 BY SAM

Recommended: Hip Hop Family Tree by Ed Piskor

Hip Hop Family Tree is an extraordinarily ambitious comic book series made even more impressive by the fact that it’s made entirely by one man, cartoonist Ed Piskor. He writes, draws, colors and formats the whole damn thing. The series is a deep dive into the history of hip hop starting in the 70’s and is currently up to the mid 80’s, presented in a beautifully old school style in a large format book, much bigger than most comics today. It’s fascinating how he’s able to weave through so many different characters and places to really tell the history of how hip hop began in an incredibly engaging, fun way. I found it to be such a refreshing way to learn deeply about a topic while still being entertained by all the smaller stories and details  throughout each panel.

The early days of hip hop are littered with stories of creativity, failure, community, hustling, getting ripped off, and creating your own path. Through these journeys we see the origins of the MC’s who one day reign supreme, like Run DMC, Chuck D, Dr. Dre, LL Cool J, and KRS-One, while also giving lots of love to the early founders like Grandmaster Flash, Melle Mel, and Afrika Bambaataa, just to name a few. My favorite parts so far were the slow beginnings of Def Jam, following the Beastie Boys as a teenage punk band, Rick Rubin as a spoiled college kid obsessively interested in both punk and the emerging hip hop scene, and a lisping, drug-fueled Russell Simmons managing many of the early stars of the day (every panel with him is hilarious).

Ed fuses his love of comic books and hip hop with flair and a precise attention to detail. Young legends are introduced by their real names first so you might not know who they are, or who they go on to become, as they develop into the best MC’s of their generation. It has the same feel as a young Scott Summers (Cyclops) or Jean Grey struggling with their newfound powers in the early days of the X-Men. Which is a great sign considering his next project is yet another massively ambitious, historically sweeping project: X-Men Grand Design.

I first heard about Ed when that project was announced earlier this year and I picked up Hip Hop Family Tree to check out his work, and because of my interest in both comics and hip hop. Needless to say I was pretty floored. He’s doing something very similar with Grand Design, taking decades of X-Men comics and retelling it in his own unique way. I am so fucking stoked for it, and the first one’s dropping at the end of next month. But until then, check out Hip Hop Family Tree if any of this sounded appealing, and click through to peep some dope panels. 

Image result for hip hop family tree russell simmons

Image result for hip hop family tree russell simmons


ART GALLERY



















+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Bloggery committed by chris tower - 2404.07 - 10:10

- Days ago = 3201 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I plan to continue Hey Mom posts at least twice per week but will continue to post the days since ("Days Ago") count on my blog each day. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.
Posted by at
Labels: , , , , , , ,

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)