Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

Also,

Thursday, September 22, 2016

Hey, Mom! Talking to My Mother #443 - How Big Data Ruins Lives


Hey, Mom! Talking to My Mother #443 - How Big Data Ruins Lives

Hi Mom,

And once again, something about which you are not interested at all, Mom, but something I am re-posting to read it, think about it, and remember it. Also, to share it with all two of my readers who may find it interesting.

I may add comments HERE:

LATER... after I read and think. But for now, in catch up mode, I am just posting and re-publishing.
Thank you Boing Boing and Corey Doctorow.

ORIGINAL TO BE FOUND HERE:
http://boingboing.net/2016/09/06/weapons-of-math-destruction-i.html

Weapons of Math Destruction: invisible, ubiquitous algorithms are ruining millions of lives


 CORY DOCTOROW / 5 AM TUE, SEP 6 2016

I've been writing about the work of Cathy "Mathbabe" O'Neil for years: she's a radical data-scientist with a Harvard PhD in mathematics, who coined the term "Weapons of Math Destruction" to describe the ways that sloppy statistical modeling is punishing millions of people every day, and in more and more cases, destroying lives. Today, O'Neil brings her argument to print, with a fantastic, plainspoken, call to arms called (what else?)Weapons of Math Destruction.




Discussions about big data's role in our society tends to focus on algorithms, but the algorithms for handling giant data sets are all well understood and work well. The real issue isn't algorithms, it's models. Models are what you get when you feed data to an algorithm and ask it to make predictions. As O'Neil puts it, "Models are opinions embedded in mathematics."

Other critical data scientists, like Patrick Ball from the Human Rights Data Analysis Group have located their critique in the same place. As Patrick once explained to me, you can train an algorithm to predict someone's height from their weight, but if your whole training set comes from a grade three class, and anyone who's self-conscious about their weight is allowed to skip the exercise, your model will predict that most people are about four feet tall. The problem isn't the algorithm, it's the training data and the lack of correction when the model produces erroneous conclusions.

Like Ball, O'Neil is enthusiastic about the power of data-driven modelling to be a force for good in the world, and like Ball, she despairs at the way that sloppy statistical work can produce gigantic profits for a few companies at the expense of millions of people -- all with the veneer of mathematical objectivity.
O'Neil calls these harmful models "Weapons of Math Destruction," and not all fault models qualify. For a model to be a WMD, it must be opaque to its subjects, harmful to their interests, and grow exponentially to run at huge scale.

These WMDs are now everywhere. The sleazy for-profit educational system has figured out how to use models to identify desperate people and sucker them into signing up for expensive, useless "educations" that are paid for with punitive student loans, backed by the federal government. That's how the University of Phoenix can be so profitable, even after spending upwards of $1B/year on marketing. They've built a WMD that brings students in at a steady clip despite the fact that they spend $2,225/student in marketing and only $892/student on instruction. Meanwhile, the high-efficacy, low-cost community colleges are all but invisible in the glare and roar of the University of Phoenix's marketing blitzkreig.

One highly visible characteristic of WMDs is their lack of feedback and tuning. In sports, teams use detailed statistical models to predict which athletes they should bid on, and to deploy those athletes when squaring off against opposing teams. But after the predicted event has occurred, the teams update their models to account for their failings. If you pass on a basketball player who goes to glory for a rival team, you update your model to help you do better in the next draft.
Compare this with the WMDs used against us in everyday life. The largest employers in America use commercial services to run their incoming resumes against a model of a "successful" worker. These models hold your employment future in their hands. If one rejects you and you go on to do brilliant work somewhere else, that fact is never used to refine the model. Everyone loses: job-seekers are arbitrarily excluded from employment, and employers miss out on great hires. Only the WMD merchants in the middle make out like bandits.
It's worth asking how we got here. Many forms of WMD were deployed as an answer to institutional bias -- in criminal sentencing, in school grading, in university admissions, in hiring and lending. The models are supposed to be race- and gender-blind, blind to privilege and connections.

But all too often, the models are trained with the biased data. The picture of a future successful Ivy League student or loan repayer is painted using data-points from the admittedly biased history of the institutions. All the Harvard grads or dutiful mortgage payers are fed to the algorithm, which dutifully predicts that tomorrow's Harvard alums and prime loan recipients will look just like yesterday's -- but now the bias gets the credibility of seeming objectivity.
This training problem is well known in stats, but largely ignored by WMD dealers. Companies that run their own Big Data initiatives, by contrast, are much more careful about refining their models. Amazon carefully tracks those customers who abandon their shopping carts, or who stop shopping after a couple of purchases. Their interested in knowing everything they can about "recidivism" among shoppers, and they combine statistical modelling with anthropology -- seeking out and talking to their subjects -- to improve their system.

The contrast with automated sentencing software -- now widely used in the US judicial system, and spreading rapidly around the world -- could not be more stark. Like Amazon's data scientists, the companies that sell sentencing apps are trying to predict recidivism, and their predictions can send one person to prison for decades and let another go free.

These brokers are training their model on the corrupted data of the past. They look at the racialized sentencing outcomes of the past -- the outcomes that sent young black men to prison for years for minor crack possession, while letting rich white men walk away from cocaine possession charges -- and conclude that people from poor neighborhoods, whose family members and friends have had run-ins with the law, and "predict" that this person will reoffend, and recommend long sentences to keep them away from society.

Unlike Amazon, these companies aren't looking to see whether longer sentences cause recidivism (by causing emotional damage and social isolation) and how prison beatings, solitary confinement and prison rape are related to the phenomenon. If the prison system was run like Amazon -- that is, with a commitment to reducing reoffending, rather than enriching justice-system contractors and satisfying revenge-hungry bigots in the electorate -- it would probably look like a Nordic prison: humane, sparsely populated, and oriented toward rehabilitation, addiction treatment, job training, and psychological counselling.

WMDs have transformed education for teachers and students. In the 1980s, the Reagan administration seized on a report called A Nation at Risk, which claimed that the US was on the verge of collapse due to its falling SAT scores. This was the starter-pistol for an all-out assault on teachers and public education, which continues to this day.

The most visible expression of this is the "value added" assessment of teachers, which uses a battery of standardized tests to assess teachers' performance from year to year. The statistical basis for these assessments is laughable (statistics work on big numbers, not classes of 25 kids -- assessments can swing 90% from one year to the next, making them no better than random number generators). Teachers -- good teachers, committed teachers -- lose their jobs over these tests.
Students, meanwhile, are taken away from real learning in order to take more and more tests, and those tests -- which are supposed to measure "aptitude" and thus shouldn't be amenable to expensive preparatory services -- determine their whole futures.

The Nation at Risk report that started it all turned out to be bullshit, by the way -- grounded in another laughable statistical error. Sandia Labs later audited the findings from the report and found that the researchers had failed to account for the ballooning number of students who were taking the SATs, bringing down the average score.

In other words: SATs were falling because more American kids were confident enough to try to go to college: the educational system was working so well that young people who would never have taken an SAT were taking it, and the larger pool of test-takers was bringing the average score down.

WMDs turn the whole of human life into a game of Search Engine Optimization. With SEO, merchants hire companies who claim to have reverse-engineered Google's opaque model and whose advice will move your URL further up in its ranking.

When you pay someone thousands of dollars to prep your kid for the SATs, or to improve your ranking with the "e-score" providers that determine your creditworthiness, jobworthiness, or mortgageworthiness, you're recreating SEO, but for everything. It's a grim picture of the future: WMD makers and SEO experts locked in an endless arms-race to tweak their models to game one another, and all the rest of us being subjected to automated caprice or paying ransom to escape it (for now). In that future, we're all the product, not the customer (much less the citizen).

O'Neil's work is so important because she believes in data science. Algorithms can and will be used to locate people in difficulty: teachers with hard challenges, people in financial distress, people who are struggling in their jobs, students who need educational attention. It's up to us whether we use that information to exclude and further victimize those people, or help them with additional resources

Credit bureaux, e-scorers, and other entities that model us create externalities in the form of false positives -- from no-fly lists to credit-score errors to job score errors that cost us our careers. These errors cost them nothing to make, and something to fix -- and they're incredibly expensive to us. Like all negative externalities, the cost of cleaning them up (rehabilitating your job, finding a new home, serving a longer prison sentence, etc) is much higher than the savings to the firms, but we bear the costs and they reap the savings.

It's E Pluribus Unum reversed: models make many out of one, pigeonholing each of us as members of groups about whom generalizations -- often punitive ones (such as variable pricing) can be made.

Modelling won't go away: as a tool for guiding caring and helpful remedial systems, models are amazing. As a tool for punishing and disenfranchising, they are a nightmare. The choice is ours to make. O'Neil's book is a vital crash-course in the specialized kind of statistical knowledge we all need to interrogate the systems around us and demand better.

Weapons of Math Destruction [Cathy O'Neil/Crown]
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 445 days ago

- Bloggery committed by chris tower - 1609.22 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Wednesday, September 21, 2016

Hey, Mom! Talking to My Mother #442 - Birds #3, a poem, Writerly Wednesday



Hey, Mom! Talking to My Mother #442 - Birds #3, a poem, Writerly Wednesday

Hi Mom, Just the poem today. Next in the birds series. I am in a hurry as I try to catch up.

But I will take a second to post the links to the other birds poems.

Birds #2

Birds #1

BIRDS #3: the owl

I watch you from an outdoor branch.
The Minotaur shimmies in lamplight,
undresses his fur, as you polish
the axe he set aside in anticipation.

You drink a glass of my tears -- gargle --
he laughs and spins you above his head,
like a whirlygig.
He has horns; I have hoot.

You've stolen my glasses -- the round,
studious kind.  You taunt me with dripping
mice promising muscles out of control
and a brush out for my white feathers.

I tear at the corpses,
which you offer to appease me.
My beak rends the fur into wet pieces.
My wings gyrate uncontrollably -- feathers
loosening in clouds.

I ‘who' at you.
I pose on your night stand,
the lamp-cord in my beak,
and rotate my head,
a ‘who' at each pass.
I flatter myself wise,
promise you the midnight flight,
claiming responsibility for early take-off.

But when the lights jitter brightly,
I am not the owl.
The Minotaur has shed into the shadows,
where he blends with the color of night.
I am plucked;
I am colorless from lack of sunlight,
and claw marks rake my eyes.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 444 days ago

- Bloggery committed by chris tower - 1609.21 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Tuesday, September 20, 2016

Hey, Mom! Talking to My Mother #441 - How to Write a Persuasive Essay Part Three


Hey, Mom! Talking to My Mother #441 - How to Write a Persuasive Essay Part Three

Hi Mom, Still in catch up mode. Here's the most recent entry in the persuasive essays series.

Here's the links to the previous parts:

How to Write a Persuasive Essay Part One

How to Write a Persuasive Essay Part Two

Not as much new content this time, Mom. But I do wish we were back together working on those essays of yours.

ANALYSIS
The analysis stage of the writing process consists of all the necessary planning and brainstorming.

Many writers prefer to record some thoughts on paper before constructing an outline, thesis, and topic sentences.

Others will never use any outline method, preferring to work directly with paper text as they compose.

Whatever process you prefer putting some thought into analysis of problem, solution, audience, and ultimately the content of the paper (topics to investigate) will help with the completion of the finished product. To be successfully convincing on any topic, one must perform at least some rudimentary analysis.

Let's say I want to write a paper about the problem of gasoline and future oil shortages. Thinking this issue makes me think about miles per gallon and fuel efficient vehicles. As I think about these issues, I notice many people driving big trucks, SUVs, Urban Assault Vehicles (Hummers), and they do not seem like they need these big vehicles: "it's just me and the missus."



SOLUTION: the government should impose a licensing system for truck ownership. Potential owners would have to demonstrate a need for a large vehicle by providing documentation. "Large" vehicle would be defined by its Miles Per Gallon (MPG) rating. Vehicles under a certain MPG (for instance, 20 MPG) could only be purchased if the potential owner has first obtained a license. Though these licenses may prove as easy to obtain as a handicap parking permit, the process would be enough of a hassle to deter enough people to at least make some dent in the wasting of fuel through use of gas guzzling behemoths.

Controversial? Heck, yeah. The best persuasive topics will be very controversial and require some powerful writing to persuade those in opposition that the proposed solution makes sense.



WHO IS MY AUDIENCE? Your audience is PEOPLE WITH THE POWER to put your solution in action and/or people who need convincing to act on your solution or whom your solution will affect.

In this case that audience consists of
·         Government - people with the power to create the law
·         Truck owners

Those already driving fuel efficient vehicles do not need convincing.



Identifying the audience is important to brainstorm objections. By brainstorming objections, one can devise ways to REFUTE these objections, how to beat them and win the argument.




ARGUE HOW YOU ARGUE

It's really not necessary to teach persuasive strategies because you probably already know what they are and how to use them unless you have never been in argument.
If you have ever tried to convince someone of something, then you know how to use persuasive techniques to win over the other person.

For example, my wife hates eating at the Chinese buffet, which she calls "the trough." I like eating there sometime. To ever hope to convince her to go eat at "the trough," I need to anticipate her objections and refute them. She will say that the food made her sick last time. I will counter that the food quality has improved since the last time she was there. She will argue that she does not like seeing the people who frequent such places and that they depress her. I will counter that if we go between the lunch and dinner rush, we will avoid the vast majority of "the herd" that belly up to "the trough."

However, knowing my wife as I do, I am unlikely to convince her with either of these arguments. To truly win out, I have to play the guilt bomb. I have to employ emotional manipulation to persuade her. So, I trot out sympathy ("I don't feel well and Chinese food is comfort food for me"), I use urgency ("the food is ready now; we don't have to wait"), and I use guilt ("this will make me happy, and don't you want me to be happy?").
Just like in your life, the same techniques apply to persuading an audience on a topic in an academic paper.

AN EXAMPLE WITH GUNS

SUBJECT: gun control or no gun control

CHOICE OF SIDE: pro-gun ownership

SUBJECT FOCUSED: change the concealed weapons permit law

PROBLEM: Rampant crime; innocent people killed in shootings

SOLUTION: Change to concealed weapons permit law: fewer restrictions on CONCEALED WEAPON permits.

AUDIENCE: WHOM TO CONVINCE - people who want gun control & lawmakers

ANTI-GUN CONTROL PAPER - TWO TOPICS TO INVESTIGATE For such a paper, I know before I even begin, before I even formulate a thesis a couple of the topics that will surely be part of my content, such as

1.    Constitutional right to own guns
2.    Who commits gun crime?

By performing this basic analysis shown above, I have a clear direction to begin my research, form my thesis, write content, and begin to consider structure and development of ideas.

More details will be provided about this topic and others on the SUPPORT page.

   Chris Tower    The Galactic Monkey Wrench   Kalamazoo, Michigan   49006   Contact me here with questions or comments.

© All text and some of the images are the exclusive copyright of christopher tower (who purposefully avoids capitalizing his name), also known as the galactic monkey wrench, located at the Eldorado Ranch and batcave in the heart of the Great Lakes. All rights reserved. All paronomasia intentional.



+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 443 days ago

- Bloggery committed by chris tower - 1609.20 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Monday, September 19, 2016

Hey, Mom! Talking to My Mother #440 - 'Everybody Knows" - Musical Monday for 1609.19


Hey, Mom! Talking to My Mother #440 - 'Everybody Knows" - Musical Monday for 1609.19

Hi Mom,

Just one song for today's Musical Monday, which is being posted on Friday 1609.23.

I have fallen several days behind due to an enormous load of grading, including a larger than normal set of final grades due Thursday morning AND falling behind by not completing last week's work, especially due to being "ill" on Sunday.

I first heard of this Leonard Cohen song, "Everybody Knows," in the Allan Moyle film Pump Up The Volume, featured in the two visuals on this page, a film from 1990 starring Christian Slater and Samantha Mathis.

I became entranced by the song and started playing it in my classes first thing every semester, adopting it as a theme song much in the way it was a theme song for the character Hard Harry's pirate radio show in the film.

More in subsequent posts as I catch up, Mom.

But here's the song. If you don't know it, give it a listen.





+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 442 days ago

- Bloggery committed by chris tower -1609.19 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.


Sunday, September 18, 2016

Hey, Mom! Talking to My Mother #439 - Peter and the Starcatcher, my review


Hey, Mom! Talking to My Mother #439 - Peter and the Starcatcher, my review

Hi Mom, I know you love reading my reviews. Here you go. This show was very excellent, and I hope some more people get out to see it.


"Peter and the Starcatcher”
Link to BATTLE CREEK ENQUIRER PUBLICATION OF THE REVIEW
a production of What A Do Theatre
Attended Date: September 16, 2016
reviewed by Christopher Tower

What A Do (WAD) theater celebrates the opening of its seventh season with what it does best: producing the best in new and cutting-edge theatre in the modern vein. Friday night WAD opened “Peter and the Starcatcher,” a play barely as old as the theatre itself as it first debuted in 2009.
With this production, What A Do continues its run of powerful theatricals with high production values and talented ensemble casts that has cemented its reputation as a professional company and helped to win the theater a Wilde Award for February’s “Streetcar Named Desire.”
Based on a 2006 novel by Dave Barry (yes, the humorist) and Ridley Pearson, “Peter and The Starcatcher” was adapted for the stage by Rick Elice (“Jersey Boys,” “Addams Family”). First performed in California before traveling to Broadway in 2012, the show enjoyed a nice in run in several New York theaters through 2014 before rights become available across the country.
“Peter and The Starcatcher” is the origin story for Peter Pan, explaining how Peter obtained the power of flight and how Captain Hook, his alligator nemesis, and Tinkerbell all came to be in the place known as Neverland.
Though the performances are superb and the script funny and emotionally moving, it’s the staging and production values that make “Peter and the Starcatcher” truly arresting and inspiring theater. Performers play multiple roles and often stand in as set pieces on a stage that features ropes, mastheads, two crates, model ships, and little else. The performers do magical and exciting things with simple props, creating joyous, galvanic theatre that inspired Ben Brantley to write in “The New York Times” that the shipwreck of the Neverland is “the most enthralling shipwreck since James Cameron sent the Titanic to her watery grave in the late 1990s.”
Under the ingenious orchestration of director Randy Wolfe, performers scurry about, jump, hop, tumble, crawl, create doors with rope, pantomime alligators, simulate a massive shipwreck, and so much more in a dazzling display of physical performance with limited set pieces.
Like a Greek chorus, performers provide necessary exposition in a breathless flurry throughout the show. But viewers should pick up the premise quickly enough. Molly (Teri Noaeill-Christ) -- who will later become the mother of Wendy in “Peter Pan” –  journeys with her father Lord Aster (Franklin Chenman) to dispose of a crate of dangerous “star stuff” and earn her standing as a full-fledged “starcatcher.”
There are two ships: the Neverland, where Aster has stowed Molly to protect her from the dangers of the mission, and the Wasp, bound for Rundoon with the crate of “treasure,” the magical star stuff. But when Black Stache (Joe Dely) and his pirate minions – Smee (Nicholas Mumma) among others – seize the ship, they learn that the star stuff has been stolen by the Neverland’s Captain Slank (Rachel Markillie). A chase ensues that results in the wreck of the Neverland, beaching everyone involved on a jungle island protected by a giant alligator and a band of savages led by Fighting Prawn (Stacy Little-Vest).
Molly must avoid pirates, give the savages the slip, and recover the crate of star stuff to complete her mission. She is aided by orphan boys, Prentiss (Nicholas Wheeler), Ted (Christian Perez), and Boy (Emory Eddy), who earns the name Peter Pan during the events that take place on the island, events that involve mermaids and a magical fish, Teacher (James King).
Rounding out this superb ensemble cast are Lars J. Loofboro in the role of Mrs. Bumbrake – Molly’s nanny – and Scott T. Whitesell as Captain Scott.
Joe Dely continues to demonstrate why he’s the star stuff in WAD’s treasure chest with his slapstick, screeching, and hilarious performance as Black Stache. Dely proves with every role he takes on that his range has no bounds. He can assume new personas so different in style and execution from his other roles that one might swear that they are not performed by the same person, which, of course, is the hallmark of great acting.
Teri Noaeill Christ, who also serves as assistant director, once again turns out a solid performance, top to bottom, and proves to be very convincing as a young girl. Her bright eyed enthusiasm and yet indomitable spirit provide the glue that holds the entire show together.
In his first time at the What A Do Theatre, Emory Eddy plays the role of Boy, who becomes Peter Pan. He blossoms well as he is filled with star stuff and transformed. He hits all the right notes of both petulance and boyish wonder.
The rest of the ensemble is amazing both as a unit and individually. Nicholas Mumma has priceless humor work as Smee, Markillie is twisted and swarthy in all the roles she plays, and Little is most impressive as chieftain Fighting Prawn, whose language consists of the names of pasta.
But the WAD would have no success at all if not for a stellar technical crew and a staff of amazing designers, including choreography by Courtney Johnson, production management by Nancy King, and scenic designs by Samantha Snow among the contributions of a small army of other talented people.
Expressionistic in its choreography and bursting with energy and excitement, all fans of theater should make a point to visit What A Do for this innovative, artful, and brilliant production of “Peter and the Starcatcher.” It’s likely going to win the theater next year’s Wilde award.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 441 days ago

- Bloggery committed by chris tower - 1609.18 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Saturday, September 17, 2016

Hey, Mom! Talking to My Mother #438 - Earth Temperature Timeline


Hey, Mom! Talking to My Mother #438 - Earth Temperature Timeline

Hi Mom,

Just a repost today as I have fallen behind, and I can't get up... wait, that's not the line...

This is definitely one of my favorite xkcd comics to date. LINK TO THE COMIC ON xkcd.

ENJOY.


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 440 days ago

- Bloggery committed by chris tower - 1609.17 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.

Friday, September 16, 2016

Hey, Mom! Talking to My Mother #437 - Lunch with Lori

me and Lori downtown live Bronson Park 1609.16

Hey, Mom! Talking to My Mother #437 - Lunch with Lori

Hi Mom,

Just a quick one today as I have fallen three days behind, and it's Sunday as I write this.

Lori and I are trying to have lunch once a month now. We actually had lunch twice in August and said one was for July.

All the food trucks gather in Bronson Park on Fridays. You would have loved this, Mom.

We know you were with us.




my pulled pork and slaw with extra slaw.
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Reflect and connect.

Have someone give you a kiss, and tell you that I love you.

I miss you so very much, Mom.

Talk to you tomorrow, Mom.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

- Days ago = 439 days ago

- Bloggery committed by chris tower - 1609.16 - 10:10

NOTE on time: When I post late, I had been posting at 7:10 a.m. because Google is on Pacific Time, and so this is really 10:10 EDT. However, it still shows up on the blog in Pacific time. So, I am going to start posting at 10:10 a.m. Pacific time, intending this to be 10:10 Eastern time. I know this only matters to me, and to you, Mom. But I am not going back and changing all the 7:10 a.m. times. But I will run this note for a while. Mom, you know that I am posting at 10:10 a.m. often because this is the time of your death.