Hey, Mom! The Explanation.

Here's the permanent dedicated link to my first Hey, Mom! post and the explanation of the feature it contains.

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Sunday, July 20, 2025

A Sense of Doubt blog post #3806 - Jim Shooter RIP


A Sense of Doubt blog post #3806 - Jim Shooter RIP

Back to back tributes to comic book legends, and this one even bigger than yesterday's both in contributions to the art form and in physical size.

Not take away from Jackson "Butch" Guice, yesterday's tribute. He's one of my favorite artists. I really need to make that list.

Anyway, Jim Shooter died in late June.

Jim Shooter helped me set up my college internship at Marvel Comics. I cannot remember clearly if he told me that Marvel had never hosted a college intern or if I was just the first one from outside New York and nearby environs.

I would love to have been the first, but somehow I doubt it.

In any case, I was the first from the midwest and the Great Lakes College Association (GLCA) and its arts program, the organization that oversaw our internships.

I approached Mr. Shooter at a comic book convention (I think it was in Detroit, but it could have been Chicago). I explained who I was and what I was seeking. He gave me his card and told me to reach out to him. I did reach out, and with the help of the GLCA, I set-up the internship for Jan - March of 1985. In November of 1985, Dad and I flew to New York and met with Shooter at the Marvel offices. He explained that I would be working with Archie Goodwin and Jo Duffy at EPIC Comics. I knew of this creator-owned off-shoot, but I had not really bought any of the comics or the Heavy Metal alternative -- Epic Illustrated. I was a little disappointed because I had fantasized about working on Spider-Man or X-Men comics, but I was so thrilled to be interning at Marvel that I just said "that's great." And it was great.

Back then, we didn't have the Internet. So there was no easy way to learn things. I did not know much about Jim Shooter when I met with him. I knew he was Editor-in-Chief at Marvel and had done some great things since taking the role in 1978.

FROM  Jim Shooter WIKI: 

Shooter in his nine-year tenure as editor-in-chief oversaw Chris Claremont and John Byrne's run on the Uncanny X-Men,[22] Byrne's work on Fantastic Four,[23] Frank Miller's series of Daredevil stories,[24] Walt Simonson's crafting of Norse mythology with the Marvel Universe in Thor,[25] and Roger Stern's runs on both Avengers and The Amazing Spider-Man.

What I did not know, but had explained to me once I got to Marvel, was that Shooter was very famous for getting hired to write DC's Legion of Superheroes at the age of THIRTEEN!!

I was only three years old when he started writing at DC, and I did not become a huge Legion of Superheroes fan for quiet a while yet.

SIDE NOTE

Dad and I went to see two movies in our weekend in New York: Buckaroo Banzai and Stop Making Sense.

I do not remember where we stayed or where we ate. I wish I did. Oh wait!! I have DAD's LITTLE BLACK BOOKS!!

Dad wrote down all this stuff!! Even how much things cost!

We were in New York from Wednesday November 14th - Friday Nov. 16th.



We stayed at a Ramada in Times Square right near where I would stay when I was there for my internship!

Looks like we went to Chicago the night before our flight given that it departed at 6:15 a.m.

So much here that I did not remember. I am so grateful that Dad kept such good notes.

We met with folks at the GLCA house and offices first thing. Of course, we hunted out a bookstore, one that would become a favorite of mine, the very famous Strand bookstore.

Looks we had lunch at a Thai place called Bangkok and dinner at Lotus Eaters in another Ramada? Then the Buckaroo Banzai movie.

The next day, Thursday, we went to Marvel. I had totally forgotten we went to lunch with Jo Duffy and Archie Goodwin. How cool!

I also forgot that my classmate and friend Heather Cowap was in New York, and we went to dinner with her, after, it appears I spent some time alone with her. Another Thai place. And then the movie Stop Making Sense.

I know we were staying in Times Square because of the note that we had breakfast Friday at Howard Johnson's, which was at Broadway and 48th street. We went to the Museum of Modern Art and Trump Tower to buy chocolate for Marjorie, and then we flew out at 4:30. Looks like we flew into Detroit rather than Chicago, which was smart. And look. We got home at 10:10. That time (though p.m. in this case) is well know to readers of my blog. If not, scroll to the bottom and see why I publish almost all the blogs at 10:10 a.m.

I am so grateful to have Dad's daily planners and logs.

I am also grateful to have been able to do an internship at Marvel Comics and work with Jim Shooter to set up that internship.

Thanks Mr. Shooter.

You will be missed.

Thanks for tuning in.


#171: Big Jim



The big news story this week was the passing of former Marvel editor in chief Jim Shooter, who was lost to esophageal cancer. This wasn’t an entirely unexpected development for those of us in the know, as Jim had been battling the disease for some time, and had previously had a couple of close calls. One only needed to look at any of the recent photographs of him taken in his many convention appearances to see just how poorly he was looking as compared to only a year earlier. Even so, Jim’s sudden demise sent shock waves through the industry.

Pretty much everybody who eulogizes Jim uses some version of the term “complicated” or “complex” to describe him. This is a polite way of saying that Jim was instrumental in achieving a lot of good things for the comic book industry, but also had a number of serious flaws that led to his downfall time and time again. Nobody wants to recount any of Jim’s failings as we speak of his death, but neither do those who were in his orbit want to paint a picture of the man as a sainted figure. Hence, “complicated.”

What I can tell you for certain is this; Jim Shooter was a phenomenally talented man and a child wunderkind who broke into the industry at 13 years old by submitting stories to DC’s SUPERMAN editor Mort Weisinger, one of the most tyrannical editors in the history of comics. Mort didn’t realize Jim’s age until after he’d bought a number of his stories, and he was a bit chagrinned at the realization. Jim’s age, however, didn’t prevent Mort from belittling and mistreating him, as he did al of his creators, and I suspect this had a real impact on Shooter’s psyche. But in addition to dressing him down, Weisinger also educated Shooter, instructing him in how comics worked as a medium and as a business, and giving him the tools that he’d use for the rest of his career. Shooter would, in my opinion, become a bit too dogmatic and inflexible in his thinking as time went on, but it must be said that he nurtured and instructed a huge amount of talent throughout his time in the industry. He genuinely wanted to pass on the lessons that he had learned to the next generation and beyond.

I only had one or two short interactions with Jim myself, having come into Marvel about two years after he had been shown the door. So my firsthand experience here is limited. But his ghost permeated all throughout the Editorial department at that time, and those who had lived through his tenure universally shared stories about how difficult, demanding and mercurial he could be as a boss. I’d never seen the color drain from a person’s face in the manner of a Casper the Friendly Ghost cartoon until Bobbie Chase was told that Jim was coming back to write a project for me around 2001. It was as though somebody had stepped on her grave.

That project wound up not happening, despite my best efforts, for reasons that Jim had honed into a “tight five” over the years as part of his convention reminiscences. I unsurprisingly don’t really agree with Jim’s version of events, and he would no doubt not agree with mine, so the truth lies someplace in-between. But this is not the time to tell that story. To my mind, Paul Levitz put it best in his eulogy to Shooter when he said, “His sense of history was not, in my view, as good as his sense of fiction.” Which is a fancy way of saying that Jim never told any story in which he wasn’t the absolute hero.

Years later, I almost had him convinced to do a one-page story for MARVEL COMICS #1000, the big anniversary book. He was intending to write a Doctor Doom page, and he wanted his fried Jim Starlin to illustrate it. That would have been fun, but it turned out that he didn’t like the money that was being offered and so ultimately declined the assignment. By the time I found out about that, the deed had been done. Had I heard about it earlier, I would have offered to pay Jim pretty much whatever he wanted out of my own pocket to get that one-pager to happen. But it never did.

Jim made the Legion of Super Heroes into a fan favorite series, he brought a bit of a Stan Lee sensibility to staid DC in the 1960s. He created a bevy of memorable characters, heroes and villains alike, he advocated for better page rates and sales incentives for the creators who worked for him, he created the line-wide company crossover, he experimented with new formats and new markets, he provided opportunities for any number of young up-and-comers who went on to become superstars, he created the editorial structure that Marvel still uses today, making order out of chaos. He started from scratch and reinvented himself with new start-up companies not once, not twice, but three times. he clearly loved this medium and this industry, even though, like so many, he was a bit chewed up by the machinery of it. And he wrote an awful lot of memorable comic book stories that can still be read today. As a legacy goes, that isn’t that bad at all.




https://www.comicsbeat.com/jim-shooter-73-has-reportedly-died-of-esphogeal-cancer/

Jim Shooter, 73, has reportedly died of esophageal cancer

Jim Shooter was the former Editor-in-Chief of Marvel Comics.

Former Marvel Comics Editor-in-Chief Jim Shooter, 73, has reportedly passed away from esophageal cancer.

The news of Shooter’s passing was announced via on comic book writer Mark Waid on Facebook, who posted:

RIP Jim Shooter, 1951-2025.

I’ve just received word that Jim Shooter passed away of esophogeal cancer, which he’s been battling for some time. I realize that for many he’s been a controversial figure in the past (game knows game), mostly with regards to his managereal style, but my experiences with him lay outside that realm and began with my lifelong love for his writing beginning with the first time I ever picked up a copy of Adventure Comics in 1967.

For those who don’t know, Jim broke into comics at the age of 14. Let me say that again: 14. I don’t know about you, but when I was 14, I could barely put sentences together on paper. During a hospital stay, he’d been given some Marvel and DC comics and could clearly see how much more exciting the Marvel books were and couldn’t understand why DC’s books couldn’t have that same vitality. Having no idea how comics scripts were done, he literally wrote and drew a Legion of Super-Heroes story on notebook paper and sent it in to editor Mort Weisinger, who put him to work immediately–having no idea how young he was until later.

The mid-1970s to a DC that didn’t quite know what to do with him before moving to Marvel and eventually serving as their EIC for many years. Subsequently, he launched a succession of long- and short-lived comics companies. Over the past few years, he’d been making frequent comic convention appearances.

My meals and conversations with Jim were always genial, and I never failed to remind him just how inspirational his work was to me; there are storytelling choices and stylistic influences I got from him in nearly all my work. I regret that I didn’t get a chance to say goodbye, but I’m glad he’s finally at peace after years of suffering.

Godspeed, Jim.

Jim Shooter was a highly influential American comic‑book writer, editor, and publisher, who sold his first professional stories at age 14, writing for DC Comics stories that included Adventure ComicsSupergirlSupermanSuperboy, and the Legion of Super‑Heroes. He is known for crafting key Legion stories that introcuded characters like Karate Kid, Princess Projectra, Ferro Lad, and the Fatal Five.

After working at DC in his teens, in 1976, Shotter signed on as assistant editor at Marvel, then quickly rising through the ranks to become Marvel’s ninth editor‑in‑chief in early 1978, succeeding Archie Goodwin. Under his leadership, Marvel streamlined production, ended chronic delays, launched creator royalties, and pioneered the first company‑wide crossover events, including Secret Wars. He also oversaw legendary runs like Chris Claremont and John Byrne‘s Uncanny X‑Men and Frank Miller‘s Daredevil.

In Tom Field‘s book Secrets in the Shadows: The Art & Life of Gene Colan, Roy Thomas spoke about the former Marvel EiC’s complicated legacy, saying, “When Jim Shooter took over, for better or worse he decided to rein things in – he wanted stories told the way he wanted them told. It’s not a matter of whether Jim Shooter was right or wrong; it’s a matter of a different approach. He was editor-in-chief and had a right to impose what he wanted to.”

In 1989, Shooter co‑founded Voyager Communications, which published comics under the Valiant Comics brand, bringing former Marvel talent on board and reimagining properties like Solar: Man of the Atom, Magnus, Robot Fighter, and other stories based on Nintendo and WWF licensed characters, including F-ZERO.

He also later launched Defiant and Broadway Comics.

Since the 2000s, Shooter has served as creative director at Illustrated Media, dabbling in custom comics, children’s books, animation treatments, and even screenplay writing. However, in 2024, it was announced via his Instagram page that he would be stepping down due to “health concerns.”



Shooter didn’t just write and edit comics—he reshaped the medium: professionalizing performance, championing creator rights, orchestrating epic crossover events, and launching major new publishers. Though sometimes a controversial figure—known for his strong editorial style—his impact on modern comics is undeniable.


https://www.comicsbeat.com/remembering-jim-shooter/


Remembering Jim Shooter

There are so many Jim Shooter stories. Here are some of them.


Jim Shooter, who died yesterday at age 73, was undeniably one of the most important figures in modern comics history. His run as Marvel editor in chief saw some of its greatest innovations – and greatest controversies. His rules for making comics were strict and sometimes arbitrary – but he also brought on people like Frank Miller and Bill Sienkiewicz and oversaw the Claremont/Byrne X-Men, Simonson’s Thor, the first superhero graphic novels (Marvel Super Special’s like The Death of Captain Marvel) and a lot more. And of course, Secret Wars. He made a lot of great comics. 


Shooter was just about my favorite superhero writer as a kid. He had a knack for characterization that was definitely shorthand (catchphrases and character quirks) but also kept the interpersonal drama bubbling under as a soap opera that a teenager could love. He and George Perez started something that was to be the Ultron Saga – a 12 issue run in the Avengers involving Wonder Man, Jocasta and the rest. It was doubtless the awesome Perez art that kept me locked into this, but Shooter’s plotting and dialog captured me – I must have reread those issues a dozen times. Apparently, there were deadline problems, and Perez didn’t finish the run, and the story didn’t end as well as it began – one of my first big disappointments as a comics reader. But man, the beginning was great.

As I was breaking into writing about comics into the 80s, Shooter was often more of the villain of the story, at least as the fanzines of the time had it, first for killing off Jean Grey by editorial decree, a story recounted by Shooter himself here. Later there was the controversy over Jack Kirby’s artwork. It was all enough to make him the bad guy in my book. In 1986, I believe, I made a trip to the Marvel offices to visit my friend Peter Sanderson. As I rode up in the elevator I thought to myself, “I hope I don’t run into Jim Shooter.” Of course, when the elevator opened up, there was Shooter himself, getting on as I got off. I must have mumbled hello and felt terrified. 

Despite what I must now classify as youthful over-dramatization, Shooter was liked and respected by many as the below memorials will attest. He came back with Valiant Comics, one of the first and most successful character line reboots of the 90s. After that he came back with Defiant Comics, a company whose name was probably a little too on the nose. In the 2000s, Shooter was a constant presence at comic cons, most often found in the hotel bar hanging out and telling stories with all who would listen. He was a guest at last weekend’s Heroes Con. He truly loved comics and comics people until his dying breath. 

I never got to know Jim Shooter, but here are some memories of those who did, and some photos that were being shared, starting with this of a very young Jim Shooter. He didn’t change much.


Paul Levitz: This is a hard one to write, and he’d have done it better if allowed by fate to write his own obit.  Jim Shooter has apparently passed after a battle with cancer.  Jim was a complex man, and our relationship just one of the minor complexities.

As an adolescent, he decided to learn to write comics and draw them, and tactically studied what he thought were the best written comics of the mid-1960s (Marvels, as written mostly by Stan), and targeted his pitch to what he thought was one of the most old-fashioned/weakest comics (DC’s Legion of Super-heroes).  Ridiculously, impossibly, the first story he submitted was bought by editor Mort Weisinger, not an editor particularly focused on new talent.  And even more incredibly, it was one of the best written comics on the stands that month.  And he was 13 when he started this project, 14 when it was published.

I was 9 when I read about that in the Legion’s letters page, and sitting on my porch in Brooklyn, for the first time thought that I might do something writing comics…after all, 14 wasn’t THAT far away.  (For the record, I didn’t sell a comics story until I was 17, and that was with the geographic advantage of being a New York kid, not working from Pittsburgh.  And if I eventually measured up, it wasn’t until my 20s.)

Jim’s writing progressed, and his Legion was often the best written comic in the DC line, if not mainstream comics.  He stopped trying to sketch out his stories, and that sometimes improved the art and sometimes didn’t, depending on who he was teamed with.  But like a number of the best writers of my generation, his art skills made him a far better comics writer.

We played poker for years, rose to very different but significant positions in comics.  We competed sometimes (didn’t think he could get Marvel’s management to follow our lead and start royalties since it would be much more expensive for them, but he did–and while I regretted DC not getting the advantage for a while, I was glad for our field that he did).  We watched each other, learned from each other (I learned a lot that led me never to take an editor-in-chief role from the damage it did to Jim and his approach did to Marvel), occasionally conspired (the rescue of Jack Abel in a time of need), each championed the comic shop market within our companies in very different ways, and our paths crossed and paralelled in strange ways (we each had three distinct runs on Legion).  I like to think our respect for each other continued throughout.  And many of my best works as a writer were firmly based on characters he created or defined.

Jim was an excellent super hero writer, a character creator, an editor with an eagle eye, and a man who gave his all to what he did.  From my perspective, he was far weaker as an enterprise leader, and unfortunately that was what he most wanted to be. His sense of history was not, in my view, as good as his sense of fiction.  But what he did well, he did gloriously…and my inner child will always be grateful for his inspiration.

I’m glad we had lunch about a year ago, and shared a stage talking about the direct market at NY Comic Con not long past.  And I hope he’s sitting down at a poker table on a cloud with so many of our card-comrades past, dealing out the deck to Denny, Marty, Roger, Jack, Len and the rest.

My condolences to Ben, and to everyone else who loved Jim or counted themselves a friend or collaborator with him.  ANd thanks, Jim, for the stories.


Larry Hama: Jim Shooter has returned to the Universe after a grim battle with esophageal cancer.  My condolences to his family and close friends.  He was a complicated man, though many felt he was divisive.  I believe he felt like he was doing the right thing at least. Back in the ‘eighties, I had a young protege of Frank Miller writing and drawing for one of my B&W anthology books. I thought he was brilliant.  One Monday he came into the Marvel office with a sheaf of paperwork.  He had been on the books for a full year, and thereby qualified to be on the health and insurance plan, so I walked him upstairs where he was informed that yes, he was fully qualified, but they only did the paperwork for the plan on Wednesdays. Tuesday morning, his wife called and informed me that he had a massive heart attack and died.  I walked into Jim’s office with the paperwork and explained the situation. Without hesitation, Jim took the paperwork from me and went upstairs to push it through. He said, “They owe it to him, we just won’t mention that he already passed.” I witnessed him doing stuff like that several times. None of it was made public for obvious reasons. It could have cost him his job, but he did the right thing.


Steve Leialoha: I’m sorry to hear that Jim Shooter has passed away after a long illness.

I first met Jim up at Marvel when I started working there in 1975! I think he was an assistant editor at the time. He moved up the chain of command quickly. He was always a controversial figure; some great ideas (instituting royalties!) and others not quite so much (resulting in a mass exodus to DC…).

I always try to get along with those I’m working with which I did on several interesting projects. When trouble inevitably arose, I just tried to keep my head down until the dust cleared. That’s tricky when gravitating towards the tall guys in the room…

The last time I saw him a year ago, he bought me dinner! Thank you, Jim

Nick Barrucci: Jim Shooter passed away.  You may have liked him as a person, you may not have.  He had a very strong personality.  I had good interactions with him.  I liked him.

Regardless of how you feel, Jim was a champion of the industry, and we wouldn’t be where we are at today without Jim.  He was a great man.  He had vision.  He strengthened the industry. 

God speed Jim.  You told some great stories, and your legacy is one that very few could ever hope for.  Thank you for having blessed our industry.



Kurt Busiek: RIP Jim Shooter. A complicated legacy, but one filled with a tall, tall stack of good stories.

I only had one significant encounter with Jim Shooter, aside from seeing him in the office a lot. While the X-FACTOR launch crossover was in the works, he called me into his office (I was working as the assistant editor on MARVEL AGE at the time) and told me he’d heard they were using the idea I’d come up with as a fan to resurrect Jean Grey. He said he didn’t believe in comics pros not getting paid for their work, so he arranged for me to be credited in the issue of FANTASTIC FOUR that included my explanation (or a version thereof), and paid me for two issues of plot at John Byrne’s page rate. This was very, very welcome, since being assistant editor on MARVEL AGE did not pay well enough to live on in the NYC area.

I’m also told he had me (and Ernie Chan) fired from POWER MAN & IRON FIST, since the sales were flat, but I never had that confirmed, so I don’t know if that was the truth or something Denny used to avoid a conflict; Denny was known to blame things on Jim that Jim never had a part in. So who knows?

Other than that, I went by the Marvel offices when I was still in college, just to look at it, and when I was about to head in to the lobby through the revolving doors, he came out and almost bowled me over. And later, one time I was helping a friend of a friend move, we got to the apartment and he almost bowled me over again, coming down the stairs with an entire bureau on his back.

Oh, and after ASTRO CITY went on hiatus after the first 6 issues at Image, he was one of the publishers who offered to pick it up, though we wound up going with Wildstorm.

He was always a pleasant to interact with on a personal level, but I never worked for him directly, and I know that could be a very different experience.

I loved a lot of his writing, including his run on DAREDEVIL, first run on AVENGERS and of course the immortal WHAT IF 3.

He made a major impact on the comics industry, directly or indirectly shaping both Marvel and DC in the 1980s, and the echoes of his presence will be felt for a long, long time.



Danny Fingeroth: From Man-Thing v2, #11, 1981 (Claremont/Mayerik/Wiacek)…

Well, shit–we just lost another one. Jim Shooter just passed away. He was 73.

Jim was the editor-in-chief at Marvel when I was an aspiring artist. I sent him samples, which he politely rejected again and again. Eventually, I got in somewhere and started figuring stuff out. Jim gave me my first Marvel gig–a fill-in on the Mighty Thor. The two of us hammered out a plot in the hotel bar during a Chicago Comic Con. He had his favorite writer script the story and his favorite inker ink the story and that’s how I ended up subbing for Jack Kirby in that classic creative team. It would be the last issue Stan Lee and Vinnie Colletta ever worked on.

Jim was much loved and much loathed. He had very specific ideas of how things should be done and drove creators away from the company at times. He had his list of rules and woe be it to anybody who crossed him. But his reign didn’t last forever and eventually Marvel kicked him to the curb.

Jim licked his wounds and went on to form rival Valiant Comics, until, again, he was shown the door.

After that it was the short-lived Defiant Comics.  

I’m sure many people will go on and talk about his many virtues and talents. I just worked with him the one time so I don’t have many stories to tell. I just have the one book where I subbed for Jack in that classic Thor creative team and had my name misspelled.

Walt Simonson: As everybody knows by now, Jim Shooter, former editor-in-chief of Marvel back from the late 70s into the middle 80s, has caught the last train out. He was a lot more than the EIC there, of course, but his bio is all over the web already. He was complex, as has also been said already, and there are a million stories. I’ll leave it for historians to sum up, but Weezie and I always found a core within Jim that we liked. So I’ll add two short comments as footnotes to his history. The first is this:

In June, 1980, Weezie and I were about to get married. I headed down to Maryland a day ahead of the wedding where my folks lived to take care of last minute arrangements for the ceremony. Weezie stayed behind in the Marvel offices working on the adaptation of the movie, Xanadu, that HAD to get to the printer ASAP! I made her promise to catch the train, and then pulled Jim aside and told him to be sure she got out of the offices in time to get to Maryland. He agreed. When the time came, the book hadn’t gone to the printer yet, Weezie was still working furiously on it, and Jim went into her office to tell her to hit the road. Weezie, without breaking stride, barked at him to get out of her office because she still had work to do and she wasn’t leaving till it was done! Jim was 6’7” or whatever but he wisely beat a hasty retreat. Fortunately, the book went out in time and Weezie made it to the church just as the wedding rehearsal was getting started. Literally. And Jim gave us a really nice flashlight as a wedding gift so we could find our way in the dark. We still have it. Still works.

The other footnote is mine. When old Marvel was at 387 Park Ave. S., Jim’s office was adjacent to Anne Nocenti’s. Baseboard heating ran through Jim’s office into Anne’s. Consequently, some of the conversations in Jim’s office could be heard in Anne’s. I don’t remember who told me but it was reported that once my name came up and Jim was overheard to say, “Simonson. Another big gun who can’t be aimed.” I loved it. I’ll be using that as my epitaph. LOL.

We’re saddened by your departure but glad you’re free from pain, Jim. Godspeed.


Fred Hembeck: I owe an awful lot to Jim Shooter. When things weren’t working out with his first choice to write the Fantastic Four Roast, he called and asked me to helm the book. Since that worked out nicely, we wound up doing a second project, Fred Hembeck Destroys the Marvel Universe. The real bad guy in that book was supposed to be Jim himself, but he pointed out that the Marvel bigwigs wouldn’t take kindly to seeing his name in the title, so he suggested I instead take the credit–and the logo. Well, I didn’t fight him very hard, and here I am, decades later, one of very few cartoonists with their actual name part of an actual Marvel Comic. Jim did that. And when he edited the Roast, he changed the dialog in one panel depicting Nova simply because changes to the character had been made that I was unaware of while working on it. That was it. As for the FH Destroys the MU, well, my favorite part of what was originally a 48 page book was a lengthy framing sequence starring Jim (as Marvel’s Editor-In-Chief) and his three assistants, Bruce, Clark, and Diana. However, the book was delayed just long enough (my fault) to miss out on being published before Marvel let him go. It eventually came out in a truncated 32 page version with nary a cartoon Shooter in sight, which was a shame. Those pages–fully completed–are posted on my inert but still existent web-site. During the early eighties, I ran into Jim often as mutual guests at various comic-cons, but after leaving Marvel, I believe I only ever saw him once at a show. He was always friendly, and the two times we worked together, he couldn’t have been nicer. I’m very sorry to learn of his passing. Thanks, Jim–you made me a star!http://www.hembeck.com/Destruction/Beginning/Page1.htm


Bob Hall: Just heard that Jim Shooter passed. He’d been in a lot of pain and I suspect he may have been ready. I hope so.

He was ten years younger than me when he took the reins of Marvel and I’ll confess that I was scared of him. I was just starting and felt I knew nothing. Jim was a remarkably tall kid who seemed to know everything. As the years went by we became friends. He was good to me. I was shy about whatever talent I may have had and Jim always seemed to like me – or my work or whatever. Any way he kept me in work for a long time. I remember once when I was in the office he asked what I was getting paid. After I told him, he announced to the room: “Just look at this guy. He does great work, he’s older than dirt and we’re paying him shit!” He seldom did things half way.  He was on the board if a little Off- Off Broadway theatre company we had and later, at Valiant he convinced me I could write and offered me Shadowman, and that changed my life. Lately we hung around any number of comic cons, sometimes arguing over which of us was right about how Yellow Jacket slapping the Wasp was supposed to have gone but mainly telling each other stories, most of them true and closing bars in towns small and large all over the country.  I will leave it to others to talk about the influence he had on the world of comics. I just want to say that he was my friend and I’ll miss him.

 

Kelley Jones: Jim Shooter has passed away.

When I got hired to draw comics for Marvel Comics many years ago Jim Shooter flew out to do several signings in my area and asked if I’d come and meet him, which I did with great trepidation because he was the boss of bosses and I was just starting out. When he finished a signing he asked if I’d like to go out for a meal anywhere I wanted and we could talk about making comic art professionally. I told him let’s go to McDonalds.

We talked for hours and a lot about Jack Kirby.

When it was over he asked why did I want to eat at McDonalds of all places. I told him very earnestly that I didn’t want Marvel to pay for an expensive meal as I was a nobody.

He laughed his ass off and hugged me saying I was Marvel material!!

He was always very kind to me all the years after.

God bless him.



Brent Anderson: When I politely and calmly expressed a contrasting view of Marvel’s art production policies, Jim Shooter responded “You’re a class act, that’s why we pay you the big bucks.”

Jim was a mixed bag that often didn’t mix well with others, but he always treated me with respect and cordiality. I believe he truly valued my friendship. He invited me to special Marvel dinners and lunches, movie previews, plotting sessions for books I was involved with or books he wanted me involved with, and to play volleyball in Central Park on Sundays.

Jim wasn’t happy when I left Marvel following Bruce Jones and April Campbell to San Diego, Pacific Comics and Somerset Holmes, but he respected my choice and lauded the work I did there and since. Jim Shooter was there for me in the very beginning when I needed a kind word, a bit of helpful advice, or a reality check when I was naive or callow.

I owe Jim a lot, and am glad for the opportunity to publicly express this in his memory.


Jim Lee: RIP Jim Shooter. A towering figure in comics-literally and creatively-who helped shape the modern Marvel Universe. As Editor-in-Chief in the late ’70s and ’80s, he raised storytelling standards, instituted fill in issues to keep the books out on time, and oversaw iconic runs like Claremont & Byrne’s X-Men, Simonson’s Thor, Miller’s Daredevil, and events like Secret Wars (my understanding was that he was, in fact, the Beyonder). A pretty damn magical time if you were a fan like me.

Later, after I broke into comics in 1987-l’ll never forget the first time I was brought into the Marvel offices. Jim gave me a 15-minute crash course in storytelling (which he apparently did for all new pros getting hired at the House of Ideas); it was as informative as it was succinct-absolutely masterful.

And long, long before that, I grew up reading that he had sold a Legion of Super-Heroes script to DC at just 13 years old.

That one fact gave me eternal (and probably overly optimistic) hope. Thank you, Jim, for that bit of kindling and of a lifetime of memories.







Joe Illidge: A gentleman of comics has informed many of us that Jim Shooter has passed on, and comics is much lesser for it.

I knew Jim as his Valiant Comics, then later his Defiant Comics, operated during the same timeline as my time in Milestone, and the two groups intersected in various ways.

I reconnected with Jim in the early second decade of this century, and we had some good talks in which I always gained some kind of wisdom.

We know he changed comics and pop culture forever. We know he set a standard for story and rules that gained him respect and enemies at the same time, and with all that he was a man who in his career and life exemplified the words of the companies he worked for and built.

He was a marvel.

He was valiant.

He was defiant.

He was a meat and potatoes guy who decided that a beloved superhero had to die because you can’t kill a planet of 8 billion inhabitants and just go off into the sunset.

Sorry to see him go. Glad he’s no longer in pain.

Jim Shooter's treatment for The Transformers: the eight pages that started a legend. RIP Jim Shooter (1/2)

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— Simon Letch (@simonletch.bsky.social) June 30, 2025 at 6:32 PM



Fabian Nicieza: Having heard the news about Jim Shooter’s passing, I wish peace to a man who rarely seemed at peace.

First as a reader and then as a professional, he was instrumental in my having a writing career and I thank him for that.

I had nothing but spirited and positive interactions with Jim personally, both at Marvel and since then, but I also saw for myself and know firsthand from others who did not, so even in that I thank him for showing me multiple aspects of how office interactions work.

Though he was certainly complicated, I strongly believe Marvel, the direct market, and possibly the industry itself, might not exist today without what Jim Shooter did as EiC.


The comic that broke my heart














































































Porque precisamos celebrar a memória do escritor, editor e empresário JIM SHOOTER. Arte de Mike Zeck. #JimShooter #RIPJimShooter #Marvel

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— Claudio Basilio (@claudio-basilio.bsky.social) June 30, 2025 at 6:08 PM


Hands down one of my favorite authors growing up. An absolute legend. #ripJimShooter search.app/RWHJM

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— finfangfo0m (@finfangfo0m.bsky.social) July 1, 2025 at 3:13 PM


Part 2 is shorter at just 3+ hours. #RIPJimShooter youtu.be/m4VrPRmoCZs?...

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— TheRealityComics (@therealitycomics.bsky.social) June 30, 2025 at 7:10 PM


Legendary writer & editor, Jim Shooter passed away today at age 73 from esophageal cancer. His influence and legacy lives on thru his work with the great creators and major titles and publishers of the 70s & 80s. #RIPJimShooter

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— Tosche Station (@toschenation.bsky.social) June 30, 2025 at 8:40 PM


Porque precisamos prestar todas as homenagens possíveis ao gigantesco escritor e editor JIM SHOOTER. Arte de Fred Hembeck. #JimShooter #RIPJimShooter

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— Claudio Basilio (@claudio-basilio.bsky.social) July 1, 2025 at 10:33 AM


#RIPJimShooter #RIPStanLee

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— Spider-Lou (@spiderlou2099.bsky.social) July 1, 2025 at 3:47 PM


Comic artist Jim Shooter passed away recently. Life is short, eternity is forever. AfterDeathTruth.net Be Ready! #jimshooter #ripjimshooter #rip

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— AfterDeathTruth (@afterdeathtruth.bsky.social) July 1, 2025 at 3:54 PM


Jim Shooter’s “Steel Nation” run on Magnus Robot Fighter is one of the most under-appreciated comics of the 20th Century. #RIPJimShooter, one of the greats of comics. www.cbr.com/jim-shooter-...

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— An Unofficial Hugo Book Club Blog (@hugobookclub.bsky.social) June 30, 2025 at 6:21 PM


#RIPJimShooter www.forbes.com/sites/robsal...

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— Grim_Noir (@grim-noir.bsky.social) June 30, 2025 at 7:26 PM


R.I.P. Jim Shooter, mångårig serieförfattare på DC och Marvel, mångårig chefredaktör på Marvel, grundare av förlaget Valiant… bland mycket mer. #ripjimshooter

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— Serieteket (@serieteket.bsky.social) July 4, 2025 at 12:00 AM


#RIPJimShooter I met the man a couple of times at various shows & conventions. Honored to have gotten the chance to spend any time in his presence, talking about the thing we both loved so much, comics. And, of course, getting his autograph.

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— The Overlord of All That Is Evil (@overlordofevil.bsky.social) June 30, 2025 at 10:11 PM


R.i.p to famous American writer, editor, and publisher in the comics industry jim shooter thank you for being a force in the comic industry too jim #ripjimshooter

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— snlfanguy86.bsky.social (@snlfanguy86.bsky.social) June 30, 2025 at 5:50 PM


Just heard about the passing of Jim Shooter, comic legend. My condolences to his family and friends. #RIPJIMSHOOTER

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— Read The Freaking Comics! (@xoanontorn.bsky.social) June 30, 2025 at 7:08 PM


#RIPJimShooter

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— Sir Jack Caramac (@jackcaramac.bsky.social) July 1, 2025 at 3:41 AM


#RIPJimShooter. Best known for his work at #DCComics, #Marvel, #Valiant & #Defiant, characters and concepts he created appeared in #XMenTAS, #SpiderManTAS, #XMenEvolution, #LegionofSuperHeroes, #YoungJustice & #MoonGirlAndDevilDinosaur.

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— Saturday Mornings Forever (@satmforever.bsky.social) June 30, 2025 at 6:52 PM


O lendário escritor e editor JIM SHOOTER infelizmente nos abandonou nessa semana. E nesse textinho eu falei um pouco sobre o seu precoce trabalho como escritor da LEGIÃO DOS SUPER-HERÓIS... #JimShooter #RIPJimShooter #dccomics #LegionOfSuperHeroes medium.com/sobrequadrin...

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— Claudio Basilio (@claudio-basilio.bsky.social) July 3, 2025 at 8:54 AM


#RIPJimShooter

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— Mike Donachie (@mikedonachie.bsky.social) July 1, 2025 at 11:06 AM


Sad to hear about the passing of the brilliant and complicated Jim Shooter. I’m actually right in the middle of revisiting his Secret Wars series that captivated me as a youngster. #ripjimshooter #restinpeacejimshooter #comics

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— Jim Ousley (@jimousley.bsky.social) July 1, 2025 at 10:43 AM


RIP to a king of #comics ! 🫅🏻 #RIPJimShooter

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— DURANT BOOKS 📚 a BRIAN BONDURANT company (@durantbooks.bsky.social) July 1, 2025 at 12:59 PM

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- Bloggery committed by chris tower - 2507.18 - 10:10

- Days ago: MOM = 3669 days ago & DAD = 323 days ago

- New note - On 1807.06, I ceased daily transmission of my Hey Mom feature after three years of daily conversations. I post Hey Mom blog entries on special occasions. I post the days since ("Days Ago") count on my blog each day, and now I have a second count for Days since my Dad died on August 28, 2024. I am now in the same time zone as Google! So, when I post at 10:10 a.m. PDT to coincide with the time of Mom's death, I am now actually posting late, so it's really 1:10 p.m. EDT. But I will continue to use the time stamp of 10:10 a.m. to remember the time of her death and sometimes 13:40 EDT for the time of Dad's death. The blog entry numbering in the title has changed to reflect total Sense of Doubt posts since I began the blog on 0705.04, which include Hey Mom posts, Daily Bowie posts, and Sense of Doubt posts. Hey Mom posts will still be numbered sequentially. New Hey Mom posts will use the same format as all the other Hey Mom posts; all other posts will feature this format seen here.

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